3:06

Create a dynamic instrumental track for a 3‑piece band: drums, overdriven bass, and keys (no-guitar), Bass delivers melodic, slightly overdriven riffs with slides and octaves, sometimes locking in counter‑melodies under keys, Keys alternate every 8–16 bars between spacey Hammond organ, swirling analog synth leads, and warped Mellotron textures, all drenched in deep phaser and tape delay, Drums are relentless: tom‑heavy fills, snare on 2 & 4, and crashing cymbals mark transitions, Use bold stereo panning and lush reverb on keys to create swirling soundscapes, Structure in evolving movements with hypnotic builds, sudden drops, and psychedelic swells, End with a dramatic fade‑out of reverb‑soaked drones and cymbal wash, ‑-vocal, ‑-guitar
4:39

Create dynamic instrumental track for a 3-piece band: drums, overdriven bass, and keys (no guitar), Bass delivers melodic, slightly overdriven riffs with slides and octaves, occasionally locking into counter-melodies under keys, Keys alternate every 8–16 bars between spacey Hammond organ, swirling analog synth leads, and warped Mellotron textures, all immersed in deep phaser and tape delay, Synth melodies incorporate Arabic maqam scales, adding exotic tension and Eastern tonality to overall sound, Drums are relentless: tom-heavy fills, tight snares on 2 & 4, and crashing cymbals emphasize transitions, Use bold stereo panning and lush, wet reverb on keys to create wide, immersive psychedelic soundscapes, Arrange in evolving movements with hypnotic builds, sudden drop-outs, and cinematic swells, Maintain rhythmic propulsion while allowing harmonic shifts to guide momentum, End with dramatic fade-out of reverb-soaked drones, dissonant Mellotron fragments, and cymbal wash
5:16

Vortex Mascara
v4.5+
Create dynamic instrumental track for a 3-piece band: drums, overdriven bass, and keys (no guitar), Bass delivers melodic, slightly overdriven riffs with slides and octaves, occasionally locking into counter-melodies under keys, Keys alternate every 8–16 bars between spacey Hammond organ, swirling analog synth leads, and warped Mellotron textures, all immersed in deep phaser and tape delay, Synth melodies incorporate Arabic maqam scales, adding exotic tension and Eastern tonality to overall sound, Drums are relentless: tom-heavy fills, tight snares on 2 & 4, and crashing cymbals emphasize transitions, Use bold stereo panning and lush, wet reverb on keys to create wide, immersive psychedelic soundscapes, Arrange in evolving movements with hypnotic builds, sudden drop-outs, and cinematic swells, Maintain rhythmic propulsion while allowing harmonic shifts to guide momentum, End with dramatic fade-out of reverb-soaked drones, dissonant Mellotron fragments, and cymbal wash
3:00

Create dynamic instrumental track for a 3-piece band: drums, overdriven bass, and keys (no guitar), Bass delivers melodic, slightly overdriven riffs with slides and octaves, occasionally locking into counter-melodies under keys, Keys alternate every 8–16 bars between spacey Hammond organ, swirling analog synth leads, and warped Mellotron textures, all immersed in deep phaser and tape delay, Synth melodies incorporate Arabic maqam scales, adding exotic tension and Eastern tonality to overall sound, Drums are relentless: tom-heavy fills, tight snares on 2 & 4, and crashing cymbals emphasize transitions, Use bold stereo panning and lush, wet reverb on keys to create wide, immersive psychedelic soundscapes, Arrange in evolving movements with hypnotic builds, sudden drop-outs, and cinematic swells, Maintain rhythmic propulsion while allowing harmonic shifts to guide momentum, End with dramatic fade-out of reverb-soaked drones, dissonant Mellotron fragments, and cymbal wash
5:37

A deep, meditative instrumental track in the style of progressive or psychedelic trance (~130–135 BPM), designed to evoke a spiritual and hypnotic journey, The arrangement features layered synthesizers with evolving pads, resonant acid-style basslines, and a steady four-on-the-floor kick with tribal percussion overlays, Throughout the track, include echoing, heavily processed Sanskrit mantra samples—whispered, reversed, or vocoded—to create a sense of ritual and mysticism, Use stereo panning, granular reverb, and rhythmic delay on the mantra voices to blend them with the synth textures rather than lead, The overall mix should feel immersive and trancelike, with tension-and-release buildups, filter sweeps, and spacey breakdowns, Add occasional sitar-like plucks or drone elements for cultural depth, The energy should rise and fall like breath—meditative, hypnotic, sacred, yet danceable, No traditional lyrics; focus on instrumental storytelling through sonic mantra and rhythm
6:54

A deep, meditative instrumental track in the style of progressive or psychedelic trance (~130–135 BPM), designed to evoke a spiritual and hypnotic journey, The arrangement features layered synthesizers with evolving pads, resonant acid-style basslines, and a steady four-on-the-floor kick with tribal percussion overlays, Throughout the track, include echoing, heavily processed Sanskrit mantra samples—whispered, reversed, or vocoded—to create a sense of ritual and mysticism, Use stereo panning, granular reverb, and rhythmic delay on the mantra voices to blend them with the synth textures rather than lead, The overall mix should feel immersive and trancelike, with tension-and-release buildups, filter sweeps, and spacey breakdowns, Add occasional sitar-like plucks or drone elements for cultural depth, The energy should rise and fall like breath—meditative, hypnotic, sacred, yet danceable, No traditional lyrics; focus on instrumental storytelling through sonic mantra and rhythm
7:09

Ascendra
v4.5+
A deep, meditative instrumental track in the style of progressive or psychedelic trance (~130–135 BPM), designed to evoke a spiritual and hypnotic journey, The arrangement features layered synthesizers with evolving pads, resonant acid-style basslines, and a steady four-on-the-floor kick with tribal percussion overlays, Throughout the track, include echoing, heavily processed Sanskrit mantra samples—whispered, reversed, or vocoded—to create a sense of ritual and mysticism, Use stereo panning, granular reverb, and rhythmic delay on the mantra voices to blend them with the synth textures rather than lead, The overall mix should feel immersive and trancelike, with tension-and-release buildups, filter sweeps, and spacey breakdowns, Add occasional sitar-like plucks or drone elements for cultural depth, The energy should rise and fall like breath—meditative, hypnotic, sacred, yet danceable, No traditional lyrics; focus on instrumental storytelling through sonic mantra and rhythm
6:51

ジャングリア
v4.5+
Create dynamic track for a 3-piece band: drums/Vocal, overdriven bass, and keys, Bass delivers melodic, slightly overdriven riffs with slides and octaves, occasionally locking into counter-melodies under keys, Keys alternate every 8–16 bars between spacey Hammond organ, swirling analog synth leads, and warped Mellotron textures, all immersed in deep phaser and tape delay, Synth melodies incorporate Arabic maqam scales, adding exotic tension and Eastern tonality to overall sound, Drums are relentless: tom-heavy fills, tight snares on 2 & 4, and crashing cymbals emphasize transitions, Use bold stereo panning and lush, wet reverb on keys to create wide, immersive psychedelic soundscapes, Arrange in evolving movements with hypnotic builds, sudden drop-outs, and cinematic swells, Maintain rhythmic propulsion while allowing harmonic shifts to guide momentum, End with dramatic fade-out of reverb-soaked drones, dissonant Mellotron fragments, and cymbal wash, Vocal is Spoken poem, ‑-guitar, ‑-bass
7:39

ひまわり特高
v4.5+
Create dynamic track for a 3-piece band: drums/Vocal, overdriven bass, and keys, Bass delivers melodic, slightly overdriven riffs with slides and octaves, occasionally locking into counter-melodies under keys, Keys alternate every 8–16 bars between spacey Hammond organ, swirling analog synth leads, and warped Mellotron textures, all immersed in deep phaser and tape delay, Synth melodies incorporate Arabic maqam scales, adding exotic tension and Eastern tonality to overall sound, Drums are relentless: tom-heavy fills, tight snares on 2 & 4, and crashing cymbals emphasize transitions, Use bold stereo panning and lush, wet reverb on keys to create wide, immersive psychedelic soundscapes, Arrange in evolving movements with hypnotic builds, sudden drop-outs, and cinematic swells, Maintain rhythmic propulsion while allowing harmonic shifts to guide momentum, End with dramatic fade-out of reverb-soaked drones, dissonant Mellotron fragments, and cymbal wash, ‑-guitar, ‑-bass
2:59

psychedelic rock, progressive rock, Create dynamic track for a 3-piece band: drums/Vocal, overdriven bass, and keys, Bass delivers melodic, slightly overdriven riffs with slides and octaves, occasionally locking into counter-melodies under keys, Keys alternate every 8–16 bars between spacey Hammond organ, swirling analog synth leads, and warped Mellotron textures, all immersed in deep phaser and tape delay, Synth melodies incorporate Arabic maqam scales, adding exotic tension and Eastern tonality to overall sound, Drums are relentless: tom-heavy fills, tight snares on 2 & 4, and crashing cymbals emphasize transitions, Use bold stereo panning and lush, wet reverb on keys to create wide, immersive psychedelic soundscapes, Arrange in evolving movements with hypnotic builds, sudden drop-outs, and cinematic swells, Maintain rhythmic propulsion while allowing harmonic shifts to guide momentum, End with dramatic fade-out of reverb-soaked drones, dissonant Mellotron fragments, and cymbal wash, ‑Guitar
5:34

Create track for 3-piece: drums+vocal, overdriven bass, keys, Bass: melodic overdriven riffs with slides, octaves; counter-lines under keys, Keys (alternate 8–16 bars): Hammond organ, analog synth lead, warped Mellotron; deep phaser and tape delay, Synth lines use Arabic maqam; emulate microtones via pitch-bend ±30–50 cents, Embed 4–8-note mantra cells (chant-cycle) that repeat/evolve, Sustain tonic/5th drone (organ or Mellotron), Bass–keys call-and-response, Develop mantra via augmentation/diminution, octave shifts, and turns; preserve maqam contour, Drums: tom-heavy fills; snare on 2&4; crash accents at transitions, Support mantra with strict 8/16-beat accent cycles and tom ostinati, Stereo/mix: wide panning; plate/spring reverb on keys; tape delay on leads, Form: sectional build-ups, drop-outs, and measured swells, Keep steady pulse; transitions via maqam→mantra variations, Ending: fade-out of reverb-soaked drone, fragmented Mellotron mantra, tape-warped dissonance, cymbal wash, ‑guitar
4:17

おっさん牧場
v4.5+
Create track for 3-piece: drums+vocal, overdriven bass, keys, Bass: melodic overdriven riffs with slides, octaves; counter-lines under keys, Keys (alternate 8–16 bars): Hammond organ, analog synth lead, warped Mellotron; deep phaser and tape delay, Synth lines use Arabic maqam; emulate microtones via pitch-bend ±30–50 cents, Embed 4–8-note mantra cells (chant-cycle) that repeat/evolve, Sustain tonic/5th drone (organ or Mellotron), Bass–keys call-and-response, Develop mantra via augmentation/diminution, octave shifts, and turns; preserve maqam contour, Drums: tom-heavy fills; snare on 2&4; crash accents at transitions, Support mantra with strict 8/16-beat accent cycles and tom ostinati, Stereo/mix: wide panning; plate/spring reverb on keys; tape delay on leads, Form: sectional build-ups, drop-outs, and measured swells, Keep steady pulse; transitions via maqam→mantra variations, Ending: fade-out of reverb-soaked drone, fragmented Mellotron mantra, tape-warped dissonance, cymbal wash, ‑guitar
4:14

春巻賛歌 (Remix)
v4.5+
Track for 3-piece: drums+vocal, overdriven bass, keys, Bass: melodic overdriven riffs with slides, octaves; counter-lines under keys, Keys (alternate 8–16 bars): Hammond organ, analog synth lead, warped Mellotron; deep phaser and tape delay, Synth lines use Arabic maqam; emulate microtones via pitch-bend ±30–50 cents, Embed 4–8-note mantra cells (chant-cycle) that repeat/evolve, Sustain tonic/5th drone (organ or Mellotron), Bass–keys call-and-response, Develop mantra via augmentation/diminution, octave shifts, and turns; preserve maqam contour, Drums: tom-heavy fills; snare on 2&4; crash accents at transitions, Support mantra with strict 8/16-beat accent cycles and tom ostinati, Stereo/mix: wide panning; plate/spring reverb on keys; tape delay on leads, Form: sectional build-ups, drop-outs, and measured swells, Keep steady pulse; transitions via maqam→mantra variations, Ending: fade-out of reverb-soaked drone, fragmented Mellotron mantra, tape-warped dissonance, cymbal wash
3:32

Track for trio: drums+vox, OD bass, keys, Bass: melodic OD riffs (slides, octaves); solid groove; often mirrors gtr contours, Keys: Hammond, analog lead, warped Mellotron; deep phaser+tape delay, Synth lines Arabic maqām; microtones via pitch-bend ±30–50¢, Sampled erhu/guqin loops as recurring anchors; occasional reversed-tape FX for surreal layers, Embed 4–8-note mantra cells (chant-cycle), repeating/evolving; sustain I/5 drone (organ/Mellotron), Bass–keys call/response, Develop via augmentation/diminution, octave shifts/turns; keep maqām contour, Drums: tom-heavy fills, snare on 2&4, crashes at transitions; support mantra via strict 8/16 accent cycles + tom ostinati, Mix: wide pan; plate/spring on keys; tape delay on leads, Form: sectional builds, dropouts, measured swells, Steady pulse; transitions via maqām→mantra variations, Ending: fadeout—reverb-soaked drone, fragmented Mellotron mantra, tape-warped dissonance, cymbal wash, English lyrics sung w/ clear, strong Chinese accent, ‑Guitar
4:12

歌う
v5
Track for trio: drums+vocal, overdriven bass, keys, Bass: melodic overdriven riffs with slides, octaves; lays a solid rhythmic foundation, often mirrors lead melodic contours, Keys: Hammond organ, analog lead, warped Mellotron; deep phaser + tape delay, Synth lines use Arabic maqam; microtones via pitch-bend ±30–50 cents, Embed 4–8-note mantra cells (chant-cycle) repeat/evolve, Sustain tonic/5th drone (organ/Mellotron), Bass–keys call-and-response, Develop mantra via augmentation/diminution, octave shifts and turns; preserve maqam contour, Drums: tom-heavy fills; snare on 2&4; crash accents on transitions, Support mantra with strict 8/16-beat accent cycles+tom ostinati, Mix: wide panning; plate/spring on keys; tape delay on leads, Form: sectional build-ups, drop-outs, measured swells, Keep steady pulse; transitions via maqam→mantra variations, Ending: fade-out: reverb-soaked drone, fragmented Mellotron mantra, tape-warped dissonance, cymbal wash, BPM 160, ‑guitar
2:38

Track for trio: drums+vocal, overdriven bass, keys, Bass: melodic overdriven riffs with slides, octaves; lays a solid rhythmic foundation, often mirrors lead melodic contours, BPM 160, Keys: Hammond organ, analog lead, warped Mellotron; deep phaser+tape delay, Synth lines use Arabic maqam; microtones via pitch-bend ±30–50 cents, Embed 4–8-note mantra cells (chant-cycle) repeat/evolve, Sustain tonic/5th drone (organ/Mellotron), Bass–keys call-and-response, Develop mantra via augmentation/diminution, octave shifts and turns; preserve maqam contour, Drums: tom-heavy fills; snare on 2&4; crash accents on transitions, Support mantra with strict 8/16-beat accent cycles+tom ostinati, Mix: wide panning; plate/spring on keys; tape delay on leads, Form: sectional build-ups, drop-outs, measured swells, Keep steady pulse; transitions via maqam→mantra variations, Ending: fade-out: reverb-soaked drone, fragmented Mellotron mantra, tape-warped dissonance, cymbal wash, ‑acoustic guitar, ‑electric guitar
5:18

月に噛り付け!!
v5
Track for trio: drums+vocal, overdriven bass, keys, Bass: melodic overdriven riffs with slides, octaves; lays a solid rhythmic foundation, often mirrors lead melodic contours, BPM 160, Keys: Hammond organ, analog lead, warped Mellotron; deep phaser+tape delay, Synth lines use Arabic maqam; microtones via pitch-bend ±30–50 cents, Embed 4–8-note mantra cells (chant-cycle) repeat/evolve, Sustain tonic/5th drone (organ/Mellotron), Bass–keys call-and-response, Develop mantra via augmentation/diminution, octave shifts and turns; preserve maqam contour, Drums: tom-heavy fills; snare on 2&4; crash accents on transitions, Support mantra with strict 8/16-beat accent cycles+tom ostinati, Mix: wide panning; plate/spring on keys; tape delay on leads, Form: sectional build-ups, drop-outs, measured swells, Keep steady pulse; transitions via maqam→mantra variations, Ending: fade-out: reverb-soaked drone, fragmented Mellotron mantra, tape-warped dissonance, cymbal wash, ‑guitar, ‑acoustic guitar, ‑electric guitar
3:50

マジあぶないポーション
v5.5
Fast psychedelic progressive rock trio with raw live energy, Drummer is also the male lead vocalist, 128 BPM, 4/4 with brief 7/8 cuts, B minor, Bass leads the song with loud melodic riffs, fuzz, slides, and percussive attack, Drums are upfront: frantic kick/snare, tom runs, sudden stops, chaotic fills, Keyboard takes lead at key moments: maqam-like melodic framework, drone tonic, quarter-tone inflections, mantra-like motif, pitch bends, organ/synth bite, Call-and-response between bass and keys, Mood: absurd, ecstatic, dangerous, trippy, but happy, Vocal is Japanese male, shouted-sung, wild but clear, Arrangement follows tags, Verse 1 starts tense, Verse 2 becomes hallucination chaos, Chorus is catchy and explosive, Interlude is a keyboard/bass ritual, Verse 3 feels like rebirth and flight, Mix: bass forward, drums punchy, dirty keys, tape saturation, short room reverb, not glossy
3:59

Fast psychedelic raw rock trio, BPM108, 4/4 with brief 7/8 cuts, B minor, male Japanese drummer-lead vocal, shouted-sung but clear, short percussive phrasing, chorus delivered as same-note chant hook, avoid kayokyoku-style melodic rise and fall, bass leads with loud melodic fuzz riffs, slides, root-heavy power movement, drums upfront with strong backbeat on beats 2 and 4, frantic kick/snare, tom runs, sudden stops, chaotic fills, distorted driving guitar power chords, no IV-V-I resolution, unresolved tension before chorus, keyboard takes lead at key moments: maqam-like melodic framework, drone tonic, quarter-tone inflections, mantra-like motif, pitch bends, organ/synth bite, call-and-response between bass and keys, absurd ecstatic dangerous trippy happy mood, dirty live rehearsal energy, bass forward, punchy drums, dirty keys, tape saturation, short room reverb, raw midrange, not glossy
4:18

かくしごと
v5.5
Psychedelic progressive rock trio, Drummer is also the male lead vocalist, Bass leads with melodic riffs and occasional odd-meter pushes; keys take lead at key moments, 118 BPM, 4/4 with brief 7/8 bars, D minor, Dark but classy, nocturnal groove, Drums: tight kick, dry snare, hypnotic tom patterns, Bass: upfront, driving, slightly overdriven, Vocal: intimate, slightly husky, restrained, Keyboard: maqam-like melodic framework with a drone tonic, Mantra-like motif, modal cadences, quarter-tone inflections, microtonal turns, sliding pitch bends, ornaments, call-and-response with bass, More hypnotic than chord-driven, Textures: tape echo, phaser, short plate reverb, Narrow mono low end; wider keys/FX, Arrangement: Verse 1 minimal bass groove, Verse 2 adds tension with polyrhythms and keyboard lead bursts, Verse 3 releases into warm pads, Interlude becomes a microtonal keyboard ritual, then chorus returns, Mix: bass forward, drums punchy, spacey keys, live-room bite, not glossy pop
5:41

かくしごと
v5.5
Psychedelic progressive rock trio, Drummer is also the male lead vocalist, Bass leads with melodic riffs and occasional odd-meter pushes; keys take lead at key moments, 118 BPM, 4/4 with brief 7/8 bars, D minor, Dark but classy, nocturnal groove, Drums: tight kick, dry snare, hypnotic tom patterns, Bass: upfront, driving, slightly overdriven, Vocal: intimate, slightly husky, restrained, Keyboard: maqam-like melodic framework with a drone tonic, Mantra-like motif, modal cadences, quarter-tone inflections, microtonal turns, sliding pitch bends, ornaments, call-and-response with bass, More hypnotic than chord-driven, Textures: tape echo, phaser, short plate reverb, Narrow mono low end; wider keys/FX, Arrangement: Verse 1 minimal bass groove, Verse 2 adds tension with polyrhythms and keyboard lead bursts, Verse 3 releases into warm pads, Interlude becomes a microtonal keyboard ritual, then chorus returns, Mix: bass forward, drums punchy, spacey keys, live-room bite, not glossy pop
4:07

かくしごと
v5.5
Psychedelic progressive rock trio, Drummer is also the male lead vocalist, Bass leads with melodic riffs and occasional odd-meter pushes; keys take lead at key moments, 118 BPM, 4/4 with brief 7/8 bars, D minor, Dark but classy, nocturnal groove, Drums: tight kick, dry snare, hypnotic tom patterns, Bass: upfront, driving, slightly overdriven, Vocal: intimate, slightly husky, restrained, Keyboard: maqam-like melodic framework with a drone tonic, Mantra-like motif, modal cadences, quarter-tone inflections, microtonal turns, sliding pitch bends, ornaments, call-and-response with bass, More hypnotic than chord-driven, Textures: tape echo, phaser, short plate reverb, Narrow mono low end; wider keys/FX, Arrangement: Verse 1 minimal bass groove, Verse 2 adds tension with polyrhythms and keyboard lead bursts, Verse 3 releases into warm pads, Interlude becomes a microtonal keyboard ritual, then chorus returns, Mix: bass forward, drums punchy, spacey keys, live-room bite, not glossy pop


