Reflections of Chaos

A dub-ska / roots reggae track at 90 BPM with one-drop drums driving the groove, deep melodic bassline, and tight offbeat guitar chops, Brass (trumpet, trombone, baritone sax) echo like sea sirens — sharp, mournful, and defiant — while Farfisa organ swells rise and fall like waves, Dub FX (delay, echo, reverb) flood breakdowns, creating the feel of drifting radio signals and stormy seas, Lead voice: Male, semi-spoken with Italian accent, dry yet emotional — ironic but prophetic, Zabradone voice: Distorted baritone rude boy with glitch FX and dub delay, delivering fragmented slogans and patois-inspired toasts, Crowd chants in choruses: Majestic and rebellious, like a marching choir at sea, Structure: Intro (ship-siren sax + wave FX), Verses (narrative protest tone), Choruses (crowd chants), Bridge (Zabradone toasting + system overload FX), Final Chorus (slower, majestic), Outro (spoken fading into wave FX)

A dub-ska instrumental at 90 BPM with one-drop drums, walking bassline, and sharp offbeat guitar chops, Chitarra spaghetti western twang plays bold, reverb-soaked riffs like desert fanfares, Brass (trumpet, trombone, baritone sax) echo as heroic calls, alternating between mariachi-style stabs and dub delays, Farfisa/Hammond organ swells create noir atmosphere, swirling like desert wind, Dub FX (delay, echo, reverb) add cinematic depth, evoking ghost towns and fading radio signals, Structure: Intro (guitar twang + brass fanfare), Verses (bass + organ groove, brass phrases), Bridge (dub breakdown, echo guitar + trombone), Final section triumphant brass layered with guitar, Outro fading into reverb + desert wind FX

A laid-back ska groove at 90 BPM with a classic one-drop drum beat, warm and funky bass as the anchor, offbeat skanking guitar, and a ghostly Hammond organ that drifts in and out, Muted horns add soft brass textures, Vocals are low, dry, semi-spoken with a relaxed Southern English lilt, slightly behind the beat, using stretched-out phrasing that bends into the dub groove, The atmosphere is hypnotic and detached, radiating a “do it later” energy, Choruses feature layered, overlapping vocals; the track closes with a dub-style fade, whispering ad libs over swirling instrumentals

A dub / rocksteady / ska hallucination at 90 BPM: one-drop drums, deep melodic bassline, offbeat guitars, Farfisa organ swells like dream-waves, brass stabs drift in and out like phantom signals, Main vocal: male, semi-spoken, surreal Skankish Talkin’ — mix of patois, nonsense, sound poetry, prophetic and absurd, Zabradone enters with baritone rude boy toast in clean patois (no glitch, no distortion), delivering echo-drenched slogans and rebel fragments, Vocals feel lazy, delayed, muttered — dub-poetic, hypnotic, Music drops into spaced-out breakdowns with heavy dub FX (delay, echo, reverb), unstable rhythm shifts, ghostly brass, Structure: verses (nonsense narrative), choruses (chant-like), bridge (dub poetry toasting with cosmic slogans), final chorus chaotic, outro whispered with dub fade, A dream within a dream — roots-dub one drop at the core

Militant dub-ska a 98 BPM: batteria one-drop, basso profondo e pulsante, fiati (tromba, trombone, sax baritono) in stacchi sincopati e levare, chitarre staccate, organo Farfisa fantasmagorico, effetti dub (delay, eco), Atmosfera caotica ma controllata, sound system giamaicano

Militant dub-ska at 95–100 BPM: punches in with one-drop drums, bass-heavy dub with ska horns (trumpet, trombone, bari sax), staccato offbeat guitars, pulsing Farfisa, fire tight, echo-soaked bursts, Lead voice Zabradone delivers pure patois toast, dub delay, militant cadence, words weaponized, Dub FX (delay, reverb, echo) amplify tension in breakdowns, never flooding the rhythm, Final chorus slows and intensifies, outro dissolves through brass trails and tape delay

A dub-ska / roots reggae track at 90 BPM with one-drop drums driving the groove, deep melodic bassline, and tight offbeat guitar chops, Brass (trumpet, trombone, baritone sax) echo like sea sirens — sharp, mournful, and defiant — while Farfisa organ swells rise and fall like waves, Dub FX (delay, echo, reverb) flood breakdowns, creating the feel of drifting radio signals and stormy seas, Lead voice: Male, semi-spoken with Italian accent, dry yet emotional — ironic but prophetic, Zabradone voice: Distorted baritone rude boy with glitch FX and dub delay, delivering fragmented slogans and patois-inspired toasts, Crowd chants in choruses: Majestic and rebellious, like a marching choir at sea, Structure: Intro (ship-siren sax + wave FX), Verses (narrative protest tone), Choruses (crowd chants), Bridge (Zabradone toasting + system overload FX), Final Chorus (slower, majestic), Outro (spoken fading into wave FX)

Slow dub ska, rocksetady, 90 bpm, Echo rimshot snare, Hammond organ in minor key, dreamy and hollow, Sparse soul-funk bassline with sub delay, Offbeat guitar whispers, Sax phrases like woodland voices, Trombone poetic, misty and warm, Italian spoken-word vocals with prophetic tone, Lynchian atmosphere, Forest of echoes, Levare mistico

A chaotic ska-noir track at 118 BPM with one-drop drums, funky walking bass, syncopated offbeat guitars, and ghostly Farfisa organ, Brass section (trumpet, trombone, baritone sax) delivers unpredictable stabs and siren-like bursts, dub-delayed and distorted like crime-scene alarms, Lead voice: male, semi-spoken with Italian accent, dry yet emotional — ironic, prophetic, never crooner, Zabradone: baritone rude boy toast, patois-influenced, echo-drenched — no glitch, no distortion, just raw MC authority, He enters in interludes and overload sections, like a judge in a dub trial, Choruses: dramatic, almost cabaret-like, with brass call-and-response, Dub FX (delay, echo, reverb) blur and warp transitions, mimicking machine error and language collapse, Bridge: brass sirens crash, guitar frenzy, Zabradone cuts through, Outro fades like dawn breaking over a silent city

A 120 BPM, ska/dub-rocksteady esplosivo: attacca con fiati taglienti in levare, chitarra staccata, batteria one-drop e basso walking fluido, Tasti Farfisa a stacchi aggiungono tensione, Voce maschile secca, semi-parlata, con accento italiano, guida i versi in tono sarcastico, Nel ritornello, esplosione di cori rituali, Il bridge si dissolve in un dub pesante: batteria eco, basso profondo, tasti sporadici, Nel terzo verso, entra Zabradone, MC baritonale, con poesia dub energica e FX in espansione, Il climax unisce fiati aggressivi e cori incalzanti, per poi sfaldarsi in echi dub vorticosi e ripetizioni di “Game Over” che svaniscono nel silenzio

A roots reggae / dub ska track with live band sound, no EDM, no synths, One-drop drums in the style of The Specials, funky walking bass like Sly & Robbie, offbeat guitar chops in the style of The Selecter, ghostly Farfisa organ lines like Madness, and brass stabs inspired by The Skatalites, Male lead vocal: spoken-sung with a dry Italian accent, ironic and detached tone, Zabradone: secondary male voice, glitchy baritone with rude boy inflection, dub FX, patois-inspired toasting, Appears in breakdowns and outro with [ZABRADONE] tag, Structure: Intro, Verses, Choruses, Dub Breakdown with [SYSTEM OVERLOAD EFFECT], Bridge, Final Chorus, Outro with spoken fade