
Reprise 83
Originally written & recorded by Mike Kohler/Ron Fox in the early 80's... in their home studio on Sadlee Cove. The songs were reimagined, remixed and reenergized by jΔwnΞx from Aug-Oct 2025...
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15 songs
3:55

Alzabar
v4.5+
Acoustic folk rock song in a minor key, featuring a male vocalist with a clear, slightly melancholic tone, The primary instrumentation includes an acoustic guitar playing a consistent arpeggiated pattern, a bass guitar providing a walking bass line, and drums with a simple, steady beat, The song structure alternates between verses and a chorus, with a bridge section, The tempo is moderate, around 120 bpm, The vocal melody is relatively simple and follows the chord changes, The production is clean, with a natural sound for the acoustic instruments, There are no significant production effects beyond standard mixing and mastering, ‑Country
3:39

A rock song with a driving rhythm section featuring a prominent bassline and a consistent drum beat, The guitar provides a clean, slightly distorted riff that carries the main melody, The male vocals are clear and delivered in a mid-range, conversational tone, The song structure follows a verse-chorus pattern with instrumental breaks, The tempo is moderate, and the overall production is clean with a balanced mix, emphasizing the guitar and vocals, ‑Country
3:36

Babe Don't Go
v4.5+
The track fuses alt rock rhythms with edgy guitar and punchy drums, Alt pop melodies layer atop rock-pop grooves, intersected by bursts of modern jazz harmony, Avant garde vocal stacks and arrangements heighten intensity each chorus, ‑country
4:07

Love And Me
v4.5+
Explosive alternative rock energy with a punchy rhythm section, commanding electric guitar riffs, and rhythmic guitars intertwine with crisp, high-fidelity piano layers, young male vocals with hints of jazz-infused guitar melodies over lush production, choral harmonies, melodic hook, ‑Country
4:39

Valentine
v4.5+
The song starts with moody minor-key acoustic guitar, enriched by modern jazz nuances and subtle blues-flavored electric licks, A walking bass deepens the groove while soft rock drums shape momentum, Smooth, soulful baritone vocals, lush with reverb, soar above, with melodic orchestra strings weaving warmth through each verse and chorus cycle, ‑Country, ‑Hip Hop
3:32

An Alt country folk song meets Modern Jazz in the key of A minor, with a tempo of 120 BPM, The song features a male vocalist with a clear, slightly melancholic tone, Instrumentation includes acoustic guitar, bass guitar, and drums, The acoustic guitar plays a prominent role, providing both rhythmic strumming and melodic fills, The bass guitar provides a steady, walking bass line, The drums maintain a simple, consistent beat with brushes, emphasizing the folk aesthetic, The song structure follows a verse-chorus pattern with an instrumental break, The production is clean, with a natural reverb on the vocals and instruments, creating an intimate and warm sound, The melody is simple and memorable, with a narrow vocal range, The chord progression is primarily I-IV-V, common in folk and country music
4:16

A driving modern rock track at 130 BPM with a hypnotic groove powered by aggressive guitar riffs, a rolling melodic bassline, and crisp kick-snare interplay, Lush Hammond organ pads widen the mix, Emotionally charged vocals sit upfront, Dynamic verse-to-chorus builds feature surging drum fills, guitar swells, and layered background harmonies, The soaring outro expands with rich reverb and wide stereo, capturing an endless, propulsive sense of motion, ‑Country
4:02

3:59

Upbeat indie rock meets Modern Jazz, features horns, moderately fast drums with a punchy kick, crisp snare, and dynamic cymbals, The bass guitar delivers melodic, eighth-note lines, tightly locking with the drums, Electric guitar uses a clean, slightly overdriven tone, shifting between rhythmic chords and wah-tinted lead phrases in breaks, A clear, mid-range tenor vocal rides the catchy melody, projecting melancholic determination, The major key injects an uplifting energy through the verse-chorus form and memorable instrumental interludes, ‑country
4:30

This is a Alternative rock meets jazz rock song, in a minor key, It features a male vocalist with a baritone range, The instrumentation includes a distorted electric guitar playing a riff, a bass guitar providing a rhythmic foundation, and drums with a driving beat, The song structure follows a verse-chorus format with an instrumental bridge, The tempo is moderate, The production features a clear mix with the vocals prominent and the instruments well-balanced, The electric guitar uses a wah effect during the instrumental sections, jazz rock, melodic trap
4:46

This is a Celtic-infused pop song with a moderate tempo and a major key, The instrumentation includes a clean electric guitar playing a melodic arpeggiated riff, a bass guitar providing a rhythmic foundation, and a drum kit with a prominent Celtic-style beat, The male lead vocal is smooth and clear, delivering the lyrics with a relaxed yet expressive tone, The song features a verse-chorus structure with an instrumental break, Production elements include a clean mix with a slight reverb on the vocals and guitar, creating a spacious and warm sound, The chord progression is relatively simple, emphasizing the major key feel, ‑Country
3:11

Waiting To Be
v4.5+
Rock meets Alternative in a major key at a moderate tempo, Song features a male lead vocalist with a smooth, clear tenor voice, Instrumentation includes two guitars - Rhythm and Lead, bass guitar, drums, A clean electric guitar playing arpeggiated melodies, The Rhythm guitar provides a strummed rhythm, while the bass plays a walking line, The drums maintain a steady beat with a focus on kick and snare, with transitional fills, The electric guitar adds melodic fills and counter-melodies throughout the song, The production is clean and bright, with a balanced mix that highlights the vocals and acoustic elements, The song structure follows a verse-chorus format with a bridge and an instrumental break, The melody is memorable and singable, with a slightly melancholic feel in the verses that brightens in the chorus, There are no complex chord progressions, relying on standard major and minor chords, ‑county
3:29

Fetish
v5
A high-energy Zepplin styled heavy rock track with a driving beat and prominent Bass, Guitars and Synth melodies, The song features a male vocalist with a clear, slightly distorted delivery singing the verses, The instrumentation includes a powerful bass, electric drums with a strong kick and snare, and layered synthesizers providing both melodic lines and atmospheric pads, The tempo is fast, and the key is minor, contributing to an intense and slightly dark mood, Production elements include reverb on the vocals and synths, and a dynamic mix that emphasizes the lead synth and vocal, The song structure is verse-chorus based, with instrumental breaks that maintain high energy, epic guitar solo, ‑Country
3:29

This pop song opens with a dueling guitar riff infused with alternative flair, Moderate tempo, Verses feature tight drums and bass, growing into choruses where bright organ chords lift the arrangement, The refrain highlights a soaring male choir, Saxophone adds flair, sparingly, especially in the solo and outro, ‑Country, ‑Saxophone

