2:31

Indie rock with a conversational, nostalgic tone like "fluorescent adolescence “ by Arctic Monkeys’s type song, Light, melodic guitar groove with clever lyrics and a tight rhythm, Female vocals in the expressive, emotionally sharp style of Hayley Williams’s voice, Slightly moody, bittersweet vibe
3:53

“Alice of the upper class” + “misery business”
A sultry, emotionally restrained female vocal with a hint of Southern rasp and pop melancholy, The singer delivers each line like a secret she's not supposed to tell, Instrumental is a mix of slow-blues electric guitar, steady kick drum, soft slide guitar fills, and modern atmospheric synth textures, The vibe is a blend of Carrie Underwood’s “Drinking Alone” and Halsey’s “You Should Be Sad, ” with a nighttime barroom haze, moody reverb, and intimate confessional tone, Tempo slow to mid, swagger and sadness balanced
3:39

West Coast
v4.5
“Alice of the upper class” + “misery business”
Female vocals with a dreamy, vintage 70s-inspired melody, Smooth, sing-songy delivery with a hint of rawness — think Halsey’s lyric style, Lana Del Rey’s sultry pacing, and Stevie Nicks’s ethereal vibe, Mid-slow tempo with soft rock instrumentation: dusty drums, warm bass, ambient electric guitar swells, and occasional organ or synth haze, The mood is nostalgic, free, and poetic — a road trip to escape the past, find freedom, and let the west coast heal you, No autotune or robotic effects — keep it warm and human, Think vinyl crackle, ocean breeze, barefoot on the dashboard
3:01

Body Ink
v4.5
A slow, emotional acoustic ballad with minimalist production, Female vocals similar to Halsey’s in The End, Sparse piano, ambient synth pads, No drums until the final chorus, Voice should sound intimate, breathy, almost whispering in verses—then slowly grow more cracked and emotional by the final chorus, Tone is vulnerable, poetic, aching, Lyrics focus on tattoos as metaphors for pain taken from others, Like a whispered confession in the dark
2:39

“Alice of the upper class” + “misery business”
Alt-pop rock with feminine edge and raw teenage nostalgia, Inspired by early Halsey’s style, Emotional, slightly dreamy but sharp—soft verses with airy vocals and electric guitar building into a punchy, defiant chorus, Youthful, heartbroken, haunting but not sad, Keywords: daisies, summer heat, unspoken love, rebellion, smirks, parking lot glances, Slightly lo-fi vibe with layered guitar and drum-driven bridge, Grit meets softness
2:47

Gone (For Good)
v4.5
“Alice of the upper class” + “misery business”
female vocal, emotional, gritty
female rock singer, soaring chorus
alt-rock female vocals, scream-singing
3:00

“Alice of the upper class” + “misery business” female alt-rock, Alternative
2:40

Do Me Dirtier
v4.5
Indie rock with a conversational, nostalgic tone like "Do Me a Favour “ by Arctic Monkeys’s type song, Light, melodic guitar groove with clever lyrics and a tight rhythm, Female vocals in the expressive, emotionally sharp style of Hayley Williams’s voice, Slightly moody, bittersweet vibe
2:19

“Alice of the upper class” + “misery business”
“A gritty alt-rock song with raw electric guitar, heavy drums, and a fierce female vocal, Angry, unapologetic tone, Lyrics about refusing to be tamed, biting back after being underestimated, Think ‘Nightmare’ by Halsey’s meets ‘Do I Wanna Know’ by Arctic Monkeys”s with female vocals
2:36

Memory Of Sins
v4.5
“Alice of the upper class” + “misery business”
: Groovy alt-rock with vintage indie vibes, inspired by Arctic Monkeys’ “Fluorescent Adolescent”, with
Instruments: Tight drums, jangly guitars, warm bassline, smoky vocals
Vocal vibe: Sultry, sly, with a punkish lilt
2:45

Same female voice, A raw, emotional blend of dark Americana and alt-rock, Starts mid-tempo and soulful, like Halsey's The End, Ends with gritty alt-rock fire — think Paramore’s style, Slow burn first half, explosive final chorus with distorted guitars, heavier drums, and passionate vocals, Not just blends into it but two completely different songs
2:13

Misfits
v4.5
Indie rock with a conversational, nostalgic tone like "when the sun goes down” by Arctic Monkeys’s type song, Light, melodic guitar groove with clever lyrics and a tight rhythm, Female vocals in the expressive, emotionally sharp style of Hayley Williams’s voice, Slightly moody, bittersweet vibe
3:14

Indie rock with a conversational, nostalgic tone like "Mardy Bum" by Arctic Monkeys’s type song, Light, melodic guitar groove with clever lyrics and a tight rhythm, Female vocals in the expressive, emotionally sharp style of Hayley Williams’s voice, Slightly moody, bittersweet vibe—like she's singing about a person, but it's really a city
3:01

Alt-rock ballad with a slow, moody start that builds into mid-tempo urgency, Inspired by the lyrical style and pacing of Arctic Monkeys's ‘505, ’ mixed with the emotional bite of Hayley Williams, Dreamy guitar intro, brooding atmosphere, cinematic build, Soulful female vocals with a raw, intimate tone—starts soft, gains intensity, About longing, distance, and never giving up on someone even when they push you away, Keep it haunting, melodic, and powerful
2:33

Revolution
v4.5
“Alice of the upper class” + “misery business”
female vocal, female rock singer, soaring chorus
alt-rock female vocals, scream-singing

