企画・イベント用自作

Progressive industrial J-rock × underwater djent × dark jazz, 155 BPM, D# minor, CRUCIAL STRUCTURE: verses MUST be sparse and quiet — only eerie percussive piano, soft distorted bass, intimate siren-like vocal, much negative space, NO guitars in verses; chorus a complete contrast — explosive wide djent guitars, blast drum bursts, clean sub bass, simple catchy anthemic hook, repetitive singalong melody, sharp silence cut before each chorus, Intro: fragile whisper, reversed piano, crystal piano, Bridge: almost a cappella whisper rising to full belt, soaring vocal-like guitar solo, Outro: glass harp, deep blue static, upfront breathy female vocal, delicate verses, sharp catchy chorus, tight low end, wide stereo, -piano ballad, -buried vocal, -constant heaviness, -wall of sound, -busy arrangement, -300-500Hz mud, -shout, -scream, -growl

技巧的プログレメタル×工業音楽×電子ロック融合, 複雑切分リフ, 低音化七弦級ギター, 機械的双踏, 歪ベースが高精度に噛合い, 全体は冷徹な格子状グルーヴで駆動する, 攻撃的工業シンセ, 金属打撃音, 機械雑音, 断続グリッチ, 加工ノイズ, 逆回転残響, 短い電子破裂音, 微細な電子断線音, 圧縮された衝撃効果音を織り込み, 無機質かつ圧迫的な機械世界を形成, 低域は重く深く沈み, 上物は硬質で冷たく, 各音像は精密に分離されながらも一体となって押し寄せる, Verse・Pre-Chorus・静かな中間部は女声主体, Vocaloid風で深く掠れた声質を基盤とし, 涙を含む切実さ, 微かな不安定さ, 感情的な声割れ, 荒々しい情感を帯びる, 芯の強い地声を軸に, 息混じりの上擦る高音, 囁き, 近接感ある弱唱, 時折混じる機械的倍音で, 抑制と執着, 孤独な反復感を描く, リズムは精密だが感情は冷え切らず, 内側で壊れかけた切迫感を常に残す, Chorusのみ男声へ切替え, 旋律的で激情的, 痛みを押し出すような張り上げと切迫感で一気に解放する, 背後では女声の残響, 薄いボコーダ和声, 幽霊的な復唱感が漂い, 反復執着の印象を強める, 編曲は静から動への落差を重視し, Aメロは隙間の多い緊張感, Pre-Chorusで徐々に圧を高め, Chorusで全面衝突, 中間部では一時的な無音や極小伴奏で虚無感を強調する, 変拍子訛り, 不意の休符, 短い無音, 吃音的反復, ビットクラッシュ, 断片遅延, 左右跳躍的スタッター編集を効果的に使用, 随所に同期感の強い停止と再始動, 急激な圧縮解放, 冷たい残響尾を入れ, 機械が感情を模倣しているような異様さを漂わせる, 旋律は陰鬱で流麗, サビでは記憶に残る反復性を持たせ, 無機質な外装の内側に痛覚的な情緒を封じ込める, 速度感は高いが暴走ではなく, 制御された焦燥と持続的圧迫感を保つ, 硬質で洗練された現代的ミックス, 明瞭な低域, 鋭い打撃, 精密な輪郭, 止まらない前進力と感情崩壊寸前の緊張を両立する, ‑shout, ‑scream, ‑growl

[QUALITY: MAX] Casino Lounge Electro × Big Beat × Wa-Yokai Bounce × Jazz-Hop, Arabian motif, BPM 132, Minor verse → Major chorus, Bright percussive shamisen driving upper rhythm (3–8kHz high focus), Stratocaster guitar with phaser effect driving midrange groove (500Hz–3kHz mid focus), funky synth bass, oud-style plucked synth, oriental lead, cinematic brass stabs, breakbeat drums + swing hats + jazz brushes on verses, Casino FX: slot reels, coin drops, jackpot bell, push-notification SE, vinyl crackle, Vocal: playful quirky talk-singing Japanese female, theatrical dopamine-drunk diva, breathy whisper + bratty deadpan + sing-song hook, dry upfront, crisp consonants, Verse=sparse spoken / Hook=big beat drop + gang "ガチャガチャ!" / Bridge=rapid rhyme → micro silence → jackpot drop / Outro=deadpan + vinyl fade, mischievous Vegas-otaku chaos, ‑idol tone, ‑shout, ‑autotune, ‑anime belt, ‑metal, ‑EDM drop, ‑ballad, ‑muddy mix

Gothic alternative J-Rock, BPM150, minor tense verses with major-lift explosive chorus, Seductive decadent mood, sharp contrast, eerie synths, cinematic strings, dense distorted guitar wall, bright cutting guitars, melodic octave bass, punchy J-rock drums, Add ominous violent piano phrases and intense violin runs, Paganini-inspired virtuoso violin, extreme solo violin shredding, rapid arpeggios, ricochet bowing, spiccato, left-hand pizzicato, double stops, chromatic runs Female vocal: exaggerated vibrato, kobushi turns, rolled R consonants, Verse: breathy intimate whisper, Pre-Chorus: rising urgency, rhythmic unease, Chorus: explosive anthem, layered harmonies, gang vocals, chromatic semitone hook, unstable half-step motion, dark intervals, unexpected resolutions, Bridge: stripped intimate, Final: overwhelming, beautiful, ethereal, Guitars enter in stages, Bass and guitar unison only at impact moments, Piano and violin become more chaotic before the final chorus, ‑息継ぎ音

J-Rock × hardcore, BPM 160, E minor verse / E major chorus, Instruments: Freedom Custom Bass finger-pick; TAMA + Zildjian gallop driving snare; Explorer + Les Paul palm-mute riffs, dotted-eighth delay, pinch harmonics; Vocal: Passionate Japanese female rock, playful husky and ruspy, melodic rap verses, clean powerful chorus belt, vibrato, humor but serious core, festival energy, Scene: underground live house, 300 clapping, [Mix EQ] LOW<120Hz M97/S3, 200-350Hz M88/S12, 800-1600Hz M35/S65, VOCAL 1, 5-2kHz M82/S18, SNARE 3-5kHz M92/S8, HIGH 8-12kHz M60/S40, [Master] Initial Transient First 3 Sec, High RMS, Brickwall Limiting, Low-End Mono, Hard Stop, Do not truncate, Exclude: [shout, scream, growl, lo-fi, muddy mix, buried vocals, 300-500Hz mud, boxiness, phase cancellation, mono sub, masking, artifacts, hiss, acoustic ballad, generic R&B, trap drop, dubstep]

Japanese Rock, Piano-driven, Male and Female Vocal Duet, Key of D flat major, 148 BPM, ethereal piano intro with deep reverb and delay, sparse verses with breath and space building to powerful wall-of-sound chorus, interwoven male and female vocal harmonies layered in thirds in chorus, melodic half-rap with half-time 74 BPM feel and syncopated snare, emotional dynamics from intimate whisper to soaring falsetto, 2000s J-Rock, cinematic strings and cello in bridge, post-rock crescendo with tremolo-picked guitars, female vocal solo outro fading into single piano note with long reverb tail, engage ring, movie generating AI, my favorite song, Yokohama Minatomirai

Live performance, jazz-rock with intense rhythmical rock bass, acoustic jazz drums, walking upright bass, expressive acoustic piano, trumpet trombone sax ensemble, horn stabs, harmonized brass lines, harmonic minor harmony, phrygian dominant, Middle Eastern modes, tight ensemble interplay, underground jazz club, cinematic darkness, virtuosic improvisation, evolving 3-4 minute structure

Male vocalist, slightly husky and bright tone, Controlled overall intensity, lower average energy curve, Clear dynamic contrast between sections, springrolls, Verses: Intimate, conversational storytelling, Soft to medium dynamics, relaxed breath attack, Minimal vibrato, warm mid-range focus, Close-mic feeling, calm and reflective, Understated, emotionally controlled, Pre-Chorus: Gentle lift, gradual build, More breath support but still restrained, Chorus & Bridge only: Full emotional expansion, Strong mid-high presence, Increased projection and resonance, Passionate, slightly raspy texture, Sustained high notes with tight vibrato, Powerful but controlled, no shouting, Energy release limited to Chorus & Bridge, Avoid constant intensity plateau, -shout, -scream, -large breath noise, -over-belt, -constant distortion

Modern J-Rock, alternative rock, rap-rock accents, BPM 150, minor key verse with major-lift chorus, fixed gear setup: Explorer rhythm guitar, Les Paul lead guitar, Freedom Custom Bass, TAMA drums, Zildjian cymbals, bright cutting electric guitars, melodic octave bass, punchy J-rock drums, saxophone accents, Guitar Enters In Stages, Bass And Guitar Unison Only At Impact Moments, passionate Japanese male rock vocal, wide range, bright emotional tone, powerful high register, expressive vibrato, strong chest voice belting, slightly husky but clear timbre, Verse intimate and rhythmic, Pre-Chorus rising urgency, Chorus explosive anthem, Bridge fragile then cathartic, Verse: half-spoken breathy whisper, intimate Pre-Chorus: rising urgency, voice cracking Chorus: explosive anthem with gang vocals Bridge: stripped back intimate -shout, -scream, -growl, -lo-fi, -muddy mix, -buried vocals, -300Hz-500Hz mud, -boxiness, -phase cancellation, -monophonic sub, -frequency masking, -artifacts, -hiss

Create a powerful hybrid track blending Japanese folk metal, modern rap-metal, and cinematic elements, Start with airy bamboo flute, taiko pulses, shamisen, and deep sub-bass textures, Transition into crushing Drop-C djent guitars with palm-muted triplets, syncopated riffs, and a thunderous double-kick groove, Add atmospheric pads, harmonic-minor leads, and subtle choir layers to preserve a divine tone, The chorus should expand into wide stereo guitars with a bright melodic hook, contrasting the aggressive verses, Include a double-time rap section with glitch cuts, stutter FX, and rising synth risers, Finish with a brutal halftime breakdown accented by taiko and a radiant outro, Vocal style: a powerful female voice, sharp, very sultry, decadent, exaggerated vibrato, frequent kobushi turns, Rolled R consonants, sneering phrasing, playful sarcasm, precise rap delivery; and wide dynamic range to match the dramatic shifts of the track, heavy bass line, ‑guitar solo, ‑shout, ‑scream

Female vocal: sharp, sultry, decadent, exaggerated vibrato, frequent kobushi turns, Rolled R consonants, sneering phrasing, playful sarcasm, Seductive, sarcastic, confident decadence, ‑guitar solo, ‑scream, ‑shout

Someday's gloves, female vocal, very hard raspy and very hard husky, breath-heavy airy vocal Style: Japanese Rock, BPM180, Melodic and fast Bass & Drum based, Mood: Bright, emotional but refreshing, epic, ethereal Tempo: Upbeat, rhythmic drums with a driving groove Instruments: Clean & crunchy electric guitars, melodic bass, tight drums Vocal: Female vocalist with a strong desire to sing like HYDE, androgynous tone, expressive, high falsetto in chorus, airy and emotional Theme: Winter memories, gray-toned nostalgia, music that transcends time Structure: Dynamic verses, uplifting chorus with soaring falsetto Atmosphere: Cold season air turning into emotional warmth through sound

Female vocal: theatrical poison and erotic tension, sharp, sultry, decadent, exaggerated vibrato, frequent kobushi turns, Rolled R consonants, sneering phrasing, Tempo: mid-fast with rhythmic instability, Style: french grunge influenced jazz, J-rock, distorted power chords, palm-muted verse guitar, overdriven bass lines, snare-heavy backbeat, tom fill transitions, saxophone accents, piano riff stabs, gang shout chorus, dry close-mic drums, plate reverb snare, dynamic quiet-loud shifts, breakdown pause, cathartic release

Someday's gloves, winter atomosphere, Japanese Dramatic Rock Ballad, Slow tempo (around 85 BPM), Winter atmosphere, Cinematic sadness, Ethereal female vocal with crystal-clear tone, Breathiness and softness in verses, Strong but clean power in chorus, Female airy harmonies and layered chorus, Intro with solo cello, Piano chords throughout the song, Very dynamic arrangement, Quiet and intimate verses, Explosive emotional chorus without distortion, Mid-song electric guitar solo that reprises the cello melody, Deep reverb, Spacious mix, Dark but beautiful harmony, Large emotional contrast, Long dramatic ending, Free-time vocal phrasing and rubato sections, with vocal-led rhythm and ad-lib expressive timing, Ethereal Japanese female vocal, crystal-clear and breathy tone, R&B-influenced behind-the-beat phrasing, restrained emotional delivery, layered airy female harmonies, soft unison doubles and octave harmonies, subtle call-and-response ad-libs and breath-based vocal vocal improvisation

Dark experimental alternative rock with gothic intensity, sharp emotional contrast, and a highly sophisticated chorus melody, Female vocal with a fragile but fierce tone, Dense distorted guitar wall, intricate bass movement, precise drums, eerie synth layers, cinematic string shadows, Core requirement: the chorus must strongly feature chromatic melodic motion, especially semitone climbing and descending phrases that create a disturbing, seductive tension, The melody should feel slightly unstable and psychologically intense, using half-step transitions, dark intervals, and unexpected note resolutions, Make it catchy but intellectually complex, Verses should feel minimal, tense, and mysterious, Pre-chorus should tighten the pulse with rhythmic unease, Chorus should hit with dramatic expansion, layered harmonies, and a memorable but twisted melodic hook, Final section should feel overwhelming, beautiful, and ethereal, divine, Chorus melody driven by chromatic semitone motion, springrolls, ‑shout, ‑scream, ‑growl

Jersey Club, blended with modern Japanese emotional club rock and a slight alt-rock edge, Fast bouncy kick patterns, chopped vocal samples, syncopated rhythm, tight sub bass, crisp snare fills, and energetic call-and-response hooks, Keep the groove playful and jumpy, but not overly childish or sugary, Add a clear rock backbone with emotional chord movement, light distorted guitars, punchy bass drive, and a chorus that feels bigger, hotter, and more anthemic than a typical cute club track, Young twin (Male & Female) Japanese vocal with lively phrasing, slight rasp, confident attitude, and emotional lift, Verses should feel cool, urban, and a little sarcastic, while choruses should burst open with release, shout, and uplift, End-of-fiscal-year tension and celebration all at once, Make it stylish, addictive, rhythmic, and memorable, like dancing through overwork with a grin, No babyish idol sweetness, no overly fluffy kawaii tone, Bridge から3度上に転調し, Final Chorusでさらに3度上に転調, 音色さんに祝杯, ‑shout, ‑scream, ‑growl, ‑息継ぎ音

Dark experimental alternative rock with gothic intensity, sharp emotional contrast, and a highly sophisticated chorus melody, Female vocal with a fragile but fierce tone, Dense distorted guitar wall, intricate bass movement, precise drums, eerie synth layers, cinematic string shadows, Core requirement: the chorus must strongly feature chromatic melodic motion, especially semitone climbing and descending phrases that create a disturbing, seductive tension, The melody should feel slightly unstable and psychologically intense, using half-step transitions, dark intervals, and unexpected note resolutions, Make it catchy but intellectually complex, Verses should feel minimal, tense, and mysterious, Pre-chorus should tighten the pulse with rhythmic unease, Chorus should hit with dramatic expansion, layered harmonies, and a memorable but twisted melodic hook, Final section should feel overwhelming, beautiful, and ethereal, divine, Chorus melody driven by chromatic semitone motion, springrolls, ‑shout, ‑scream, ‑growl

【style: 190 BPM, hardcore punk rock, snotty jealous garage punk, Distortion guitars (Explorer + Les Paul) with gritty live amp tone, fast downstroke riffing, palm-muted chugs, Heavy growling overdriven distortion bass (Freedom Custom Guitar Research style), TAMA drum kit, Zildjian cymbals cutting sharply, fast snare, tight fills, Gang shouts, Raw garage lo-fi production, 】 【mood: bitter petty jealousy, self-loathing, pathetic envy, snotty sarcastic rage, lonely self-pity, a little filthy venom】 [Drums | TAMA kit, fast punk beat, sharp Zildjian crash, driving snare] [Bass | growling overdriven distortion bass, pushed to the front] [Guitar | distortion guitars Explorer + Les Paul, downstroke riffing, raw feedback] [Vocals | rough shouting jealous female punk vocal with breath, strain, snotty bratty intensity, occasional spiteful whisper], ‑intelligence

Japanese art-pop × IDM, mid-tempo, Female twin vocals, L: androgynous Japanese female rock voice, boyish, cool, dry, intimate, soft but firm, R: cute 17-year-old Japanese idol-like girl voice, bright, airy, sweet, playful, not too sugary, L/R trade lines in verses, OVERLAP = two voices folding with slight timing offset, UNISON = both voices together, Chorus: L lower firm layer, R higher sweet layer, stacked harmonies, Verse: close spoken-word, staccato, dry, Chorus: bright euphoric twin vocals, Bridge: half-time, sparse, fragile whispers, silence/negative space, Warm flute/clarinet ensemble against deep heavy sub-bass, Dry percussive piano motif, Glitch edits, sudden dropouts, reverb tails, high sparkle textures, Sudden beat cuts between verse and chorus, "デンデン ドロ" scat hook: light, playful, bouncy, Negative: no harsh treble, no metallic edges, no aggressive distortion, no scream/growl/shout, no muddy mix, no buried vocal, no hiss, no masking, no phase issues, ‑electric guitar, ‑guitar solo, ‑shout, ‑scream

Entering the fungus season, 【style: 190 BPM, hardcore punk rock, snotty jealous garage punk, Distortion guitars (Explorer + Les Paul) with gritty live amp tone, fast downstroke riffing, palm-muted chugs, Heavy growling overdriven distortion bass (Freedom Custom Guitar Research style), TAMA drum kit, Zildjian cymbals cutting sharply, fast snare, tight fills, Gang shouts, Raw garage lo-fi production, 】 [Drums | TAMA kit, fast punk beat, sharp Zildjian crash, driving snare] [Bass | growling overdriven distortion bass, pushed to the front] [Guitar | distortion guitars Explorer + Les Paul, downstroke riffing, raw feedback] [Vocals | catchy rebellious chorus, rough shouting female punk vocal with breath, strain, snotty bratty intensity, occasional spiteful whisper], ‑shout, ‑scream, ‑growl

Core sound: High-energy Japanese j-rock with progressive, rap-rock, and dramatic melodic shifts, Production: Fast, odd-meter, stage-ready arrangements; synth and club energy; punchy hooks and rapid build sections, Lyrics & mood: Self-worth, pushing through doubt, gratitude, and direct address; defiant, playful, anxious, upbeat, Vocals: Japanese lead vocals with frequent English hooks; expressive male and female leads, Avoids: No screaming vocals, no growled vocals

HD, Clear Mix, BPM 176, key E major, Skate punk × power pop × EDM fusion with natural energetic Japanese female vocal; bright, clear, non-anime tone, Jangly guitar intro through fading rain, Fast downstroke guitars, punchy live drums, tight bass locked with kick, no energy drop when vocals enter, Dry crisp mix, upfront lead vocal, tight low-end, wide bright stereo guitars, sparkling arpeggios, bright supersaw lead, Verse: palm-muted guitars, impatient upbeat vocal, Pre-chorus: rising synth, snare lift, bass push, Chorus: explosive festival hook, clean group chant, stacked harmonies, supersaw melody, Bridge: short half-time handclap break, then full-power final chorus, Mood: rainy-season frustration exploding into clear blue summer freedom; breezy, refreshing, fast, catchy, modern, about 3 minutes, Exclude: heavy reverb, muddy low-mids, boxiness, gloomy, slow ballad, buried vocal, harsh shouting, screaming, growling, lo-fi, hiss, phasey guitars, over-compressed cymbals

Japanese psychedelic mathrock, intense three-piece band sound, androgynous male voice, technical bass-driven groove, frantic odd-meter drums, sharp distorted guitar riffs, ritualistic and mysterious atmosphere, occult pilgrim imagery, rapid tempo shifts, 7/8 and 5/4 mixed with straight rock sections, eccentric high male vocal, theatrical sneering delivery, sudden falsetto jumps, chaotic but precise ensemble, heavy bass wall, metallic guitar accents, dry live-room drums, hypnotic repetition, abrupt stops, explosive chorus, dark humor, sacred yet vulgar, underground Japanese art-rock energy, no synth pop, no EDM, no lo-fi, no cute idol tone

Japanese psychedelic progressive rock, intense three-piece band sound, androgynous male voice, technical bass-driven groove, frantic odd-meter drums, sharp distorted guitar riffs, ritualistic and mysterious atmosphere, occult pilgrim imagery, rapid tempo shifts, 7/8 and 5/4 mixed with straight rock sections, eccentric high male vocal, theatrical sneering delivery, sudden falsetto jumps, chaotic but precise ensemble, heavy bass wall, metallic guitar accents, dry live-room drums, hypnotic repetition, abrupt stops, explosive chorus, dark humor, sacred yet vulgar, underground Japanese art-rock energy, no synth pop, no EDM, no lo-fi, no cute idol tone

harmonics, Math-rock, ambient, dream pop, ~135 BPM, D Major/B minor, extended suspended/add9 chords, modal shifts, Mood: dreamy, wistful, introspective, exhilarating, Clean shimmering guitar: fingerstyle tapping, evolving riff variations, harmonics, Warm melodic bass: syncopated counter-melodies, Airy drums: ghost notes, syncopation, dynamic bursts, Lush ambient pads: swelling chord beds, Vocal: Female Edgy, Rebelious, raspy, slight growl, theatrical, yet reflective, Production: pristine, immersive, Mix: wide stereo imaging, controlled reverb depth, Journey from intimate reverb-drenched tapping to soaring climax, Structure: intro clean guitar, soft percussion; verse 1 progressive riff; pre-chorus layered guitars, tension; chorus evolving riffs, harmonics, airy energetic drums; verse 2 polymetric tapping, melodic bass; bridge delay-soaked swells; solo expressive slides/bends/tapping; final chorus full layered expansion, emotional peak, Instrumental, ‑strutter fx, ‑scream, ‑glitch fx

Core sound: High-energy Japanese j-rock with progressive, rap-rock, and dramatic melodic shifts, Production: Fast, odd-meter, stage-ready arrangements; synth and club energy; punchy hooks and rapid build sections, Lyrics & mood: Self-worth, pushing through doubt, gratitude, and direct address; defiant, playful, anxious, upbeat, Vocals: Japanese lead vocals with frequent English hooks; expressive male and female leads, Avoids: No screaming vocals, no growled vocals