2:39

Hindi, spiritual, rap, ehru, viola, acoustic, folk, bass
2:45

2:34

2:39

2:49

2:44

3:11

1920s, dreamy, ambient, Doo wap, harmonizing, rock'n'roll, soulful southern male vocals
2:31

Funk Dat
v3.5
japanese, metal, soul, funk, rap, 808, viola, bass, gutteral, broken English male vocals, gutteral broken English male voice
2:16

My Pet Fly
v3.5
1950s, nu metal, grunge, rap, rock phonk, 50 50 tempo, 99 to 1 BPM, 126 BPM drum
2:44

Dirty Laundry
v3.5
electro, phonk, rap, drill, trap, 808s, epic, dark, viola, raspy, male voice, gutteral, male vocals
3:13

1800s, ballroom, classical, jazz, rap, piano, phonk, raw, gutteral male voice, smfh smfh male vocals
2:35

Monster
v3.5
slow, deep, scary monster creeping up on ya kind of tuba lead orchestra accented with deep slow bass riffs and sharp but subtle hi-hats
2:11

2:23

1:37

Work Damn It
v4.5-all
dark, genre-blurring sound, jazz, doowop-dubstep fusion with syncopated basslines, eerie vocal harmonies, and ska-inspired brass stabs, five-part harmonies layer with gritty rap verses for a haunting, harmony, dubstep, ska, rap
2:59

Our God is an Awesome God
v4.5-all
doowap-dubstep fusion with gospel undertones; layered 5-part harmonies over a heavy bassline, jazz, dubstep, creating a dynamic call-and-response, dark, rap, ska, harmony, blending jazzy brass accents with syncopated ska rhythms, male and female vocals alternate, gospel
4:36

Digital Wings
v4.5-all
epic, symphonic rock, soaring, layered with soaring strings and electric guitar, anime, with dynamic male vocals and a driving rhythm
2:39

Pain, Pain, Go Away
v4.5-all
rhythmic, uplifting with a driving beat and layered harmonies, pop
2:25

2:38

Stack and Flip
v4.5-all
raw beats with heavy bass and minimal melody, emphasizing rhythm and flow, hip-hop, gritty
3:32

Kindred Spark
v4.5-all
electro, rnb soul with an electro dark twist; minimal acappella harmonies layer over a moody d minor progression, using tight vocal loops and percussive mouth sounds to create rhythmic texture, the tone is intimate and smooth, soul, with an elegant yet understated vibe
5:39

Invisible Man
v4.5-all
pop, doux atmosphere, transcendent male vocals float between intimacy and detachment, tropical percussion with hypnotic techno-pop undercurrents, intense drums and pumping 432hz clean audio create a shady, corrido, clean, techno, male vocals, meditative, tropical, transcendent
2:44

Falling Through Time
v4.5-all
male vocals, pop, hip hop, edm, wobble bass, vocal chops, a blend of memphis phonk, and an appalachian-inspired melodic line, ethereal textures built around 432hz tuning, slow build at 112 bpm with deep emotional resonance, vocal, and punk with edm and italodisco elements, features heavy layering, k-pop, emotive, punk
3:42

Sever the Ties
v4.5-all
metal, male vocals, hyper-techno drops, aggressive yet melodic; features bağlama accents, techno, dubstep, rhythmic, metal with braggadocious swagger, with night-drive energy and existential undertones, dub, and dubstep breakdowns, angry, raspy male vocals drive the fury
3:18

Let's Get Together
v4.5-all
dubstep, gentle, beats, rap, afrobeat, male vocals, blending surreal pain with communal joy, vibraphone melody over gentle dubstep-infused beats, deep, tenor vocals with vocaloid harmonies, vocaloid, anthemic afrobeat, dark yet energetic
3:38

The Temple of Sound
v4.5-all
blending soul pop with an acoustic bass foundation, punk energy meets hip hop gospel, gospel, layered with dark glitch textures and vibrant melodic lines, epic violin flourishes intertwine with a sweet male voice, musical, with a jersey club twist creating unexpected shifts, multilayered production makes it immersive and electric, hip hop, acoustic, soul, pop, punk, violin, all riding a complex 5/4 rhythm, the song has a jovial yet intense vibe, glitch, male vocals
3:20

The Heart of the Stage
v4.5-all
pop, layered with dynamic transitions and a hint of jersey club rhythm, and epic violins, glitch, male vocals, glitch textures, all carried by a sweet male voice in an adventurous 5/4 time signature, the melody feels joyous yet intense, hip hop, punk, acoustic, musical, soul, violin, gospel, punk energy meets a gospel soul vibe; a vibrant mix of acoustic bass
1:36

It Is What It Is
v4.5-all
distorted bass stabs, dark phonk / dubstep hybrid with swung 808s, roomy reverbs, bounce-heavy drums, radio-lean but underground edge, rap, pitched-down ad-libs and airy pads; hooky rap topline
1:22

Side Piece Blues
v4.5-all
dark, and gritty male vocals, eerie synth pads, heavy trap beat with distorted 808s, rap
3:46

New Love
v4.5-all
1920s, nu metal, Dark, dirty, southern rap trap, 808s, sick bass, keyboards, distorted banjo, cool mean male rapper voice vocals
2:31

What I Gotta Do to Survive
v4.5-all
rap, raw production with heavy drum loops and a haunting piano melody, boom-bap, gritty
2:40

O Tannenbaum Trap
v4.5-all
festive synths, rap, dubstep, high-energy, glitchy percussion, heavy bass
4:01

Jingle in the Jungle
v4.5-all
Dark, Christmas, phonk, bongos, bongos, bongos, and more bongos, wildman male group vocals
3:52

Spinning Out
v4.5-all
Dark, nuanced, gravitational, alternative indie pop, psycho medley Spanish guitar, dirty drumming, dance beat central, cosmetic, hallowed, top heavy, intense nasally raspy male vocals
3:51

Parisian Reverie
v4.5-all
chanson, lo-fi shoegaze with haunting male vocals, creating a hypnotic blend of intimacy and chaos, melancholic rhythm, shoegaze, featuring liquid funk-inspired textures and an aggressive yet dreamy flow, layers of ethereal synths and echoing guitars weave through a gritty, funk, lo-fi, male vocals, liquid funk
