Deutsche Songtexte + Instrumental Hardcore Techno

The track features aggressive, pounding 160-180 BPM gabber kicks—distorted and punchy to drive energy, Fast, rhythmic hi-hats and sharp percussion create relentless momentum, The female vocal hook is spoken with an aggressive, slightly distorted tone, front and center in the mix, Synths are harsh and gritty, layered with heavy basslines and occasional breakbeat elements to add texture, Instrumental breaks use atmospheric pads and echoes for contrast, The verses have a raw, slightly distorted rap vocal style, complementing the hard beats, Effects like reverb, delay, and subtle distortion enhance the vocal presence, The outro fades with typical gabber elements, maintaining the intensity till the end, Popular Dance Song, surround sound

EDM techno, instrumental hardcore, Gabber, baga tek, heavy basses, Abwechslungsreich, steigernd, leidenschaftlich, mitreißend, kraftvoll, atmosphärisch, Party Remix

neue Deutsche härte, Gabber, raw style, hardcore, tribecore, party, heavy beat, 8-Bit elements, rave beats, steigernd, leidenschaftlich, mitreißend, kraftvoll, atmosphärisch, Party Remix, deep basslines, electronic, rhythmic drums

[Hardcore Techno Gabber / 90s speedcore with aggressive 220+ BPM, Hardcore Rave Bass, Punchy Hardcore Kick, Distorted kickdrums, heavy saturation, overdriven basslines, Use industrial percussion, metallic clanks, and short reverse crashes, Synths should be raw, harsh, and detuned – use saw waves, FM growls, and pitch-modulated stabs, Vocals processed with distortion, pitch shift, and stereo delay, Create tension with dark ambient pads in breakdowns, then drop into brutal 4-on-the-floor, Ideal for underground warehouse or illegal rave settings, Energy = relentless, Atmosphere = violent, chaotic, raw, ]

2025er, EDM, Gabber Techno, duell, Acid Jazz, aggresive female voice, mystic doom, retro techno, strong basses, spy trance, dance music, rave, 150-180 bpm

Raggatek, funny balade, speedcore, gabber, party

[gabber kick at extreme speed mit melodischen Rock-Gitarren:, rolling subs, rave saw stabs, acid 303 runs, orchestral choirs layered with hardcore, glitch noise breaks, bass fat and not muddy, fast tempo rave destruction]

[gabber kick at extreme speed, rolling subs, rave saw stabs, acid 303 runs, orchestral choirs layered with hardcore, glitch noise breaks, bass fat and not muddy, fast tempo rave destruction]

neue Deutsche härte, gabber, Hard Rock, baga tek, dirty bouncy beat

bagatek, raggatek, gabber, neue deutsche härte

gabber, baga tek, Hardcore Dance, raggatek, dirty bouncy beat

gabber, baga tek, Hard Dance, raggatek, dirty bouncy beat

bagatek, raggatek, neue deutsche härte, gabber

[kick: pounding 4/4 techno/gabber, clean transient, distorted mid-layer, punchy low-end] [bass: rolling deep sub, sidechained to kick, fat, clean, constant drive] [saxophone: subtle, reverb/delay, plays short motifs, interacts dynamically with violin/piano, harmonized or staggered phrasing] [violin: airy, reverb-heavy, counter-melodies, responds to sax/piano, moves in and out, creates flow] [piano: minimal arpeggios/chord stabs, echoes sax/violin motifs, adds texture and dynamics] [kinderchor: soft, ethereal, reverb-heavy, low in mix, cinematic layer] [melody: dark minor arpeggios, acid 303 lines, rave saw stabs, pads evolving, reacting to instruments] [fx: glitch bursts, reversed impacts, metallic hits, risers, crowd shouts/claps/whistles] [mix: kick + sub separated, mids clear for dynamic instruments, highs crisp, instruments subtle, interacting, festival-ready]

[gabber kick at extreme speed mit melodischen Rock-Gitarren:, rolling subs, rave saw stabs, acid 303 runs, orchestral choirs layered with hardcore, glitch noise breaks, bass fat and not muddy, fast tempo rave destruction, aggresive female]

[gabber kick at extreme speed mit melodischen Rock-Gitarren:, rolling subs, rave saw stabs, acid 303 runs, orchestral choirs layered with hardcore, glitch noise breaks, bass fat and not muddy, fast tempo rave destruction]

Genre: Hardcore / Gabber / Pop / Experimental (180-320 BPM) Style: Emotional rave track with hypnotic drops, ambient textures, lush vocal layers Vocals: Chill, dreamy male voice with soft delivery, Italian/German mix – intimate tone, gentle but intense, processed with light reverb and delay Bass & Rhythm: Deep, juicy sub-bass, clean Speedcore-style kicks with clarity, emotional contrast to airy melodies Mood: Euphoric, emotional longing, nostalgic yet powerful – ideal for dancefloor or headphones Structure: Whispered intro, ambient verses, deep melodic drop, repeated chorus with intensifying mood Use case: Emotional rave anthem, melancholic dancefloor track, night-drive mood

German Male Songwriter, Front Singer, Opera voice, Funny Party, emotional Ballade, Party, EDM, Cinematic, Gabber Techno, duell, Acid Jazz, mystic doom, retro techno, strong basses, spy trance, dance music, rave, 320 bpm

German Male Songwriter, Front Singer, Opera voice, Funny Party, emotional Ballade, Party, EDM, Cinematic, Gabber Techno, duell, Acid Jazz, mystic doom, retro techno, strong basses, spy trance, dance music, rave, 320 bpm

cinematic, emotional ballade, aggressive doom, aggressive female voice, Hardcore Gabber, Frenchcore, Drumcore, schranz Hardcore meets8-Bit-Elementen, hardcore_frenchcore_version = """ 240bpm

[Sound design: Begin with dark ambient textures and cold industrial field recordings, Layer with moody pads and minor jazz chords, Slowly introduce acid synths (TB-303) and trance plucks, For drops, use ultra-distorted Gabber/Hardcore kicks (909-style, overdriven, clipped) with aggressive compression and sidechain, BPM: 190, Add dirty sub bass stabs and sharp snares, Vocal lines like “Ich hatte ein gutes Leben” should be chopped and glitched as rhythmic hooks, Build tension with fast risers, snare rolls, and reverse FX, Breakdown sections: emotional plucks, cinematic pads, filtered vocal echoes, Vocal FX: tape delay, plate reverb, lo-fi crunch, Final line (“Ich liebe dich, Sohn”) must hit dry and raw over silence or deep drone, Whole track blends hardcore Gabber energy with emotional storytelling, Extreme dynamics, sharp transitions, and nostalgic synth layers carry the soul, ], techno-pop

[Sound design: Start with ambient textures, field recordings (cold wind, distant factory hum), layered with dark pads and light jazz chords, Slowly introduce acid synth (TB-303 style) and trance arpeggios, Use a dry distorted gabber kick (909-based) for the drop, with heavy compression and fast BPM (180), Add chopped vocal stabs from emotional lines like “Ich hatte ein gutes Leben, ” Keep breakdowns emotional with reverb-heavy plucks and cinematic pads, FX chain for vocals: light tape delay, low-pass filter sweeps, plate reverb for space, Final vocal line should be dry, intimate, Blend retro techno drive with spy-trance atmosphere and rave aggression, The emotional weight must carry through rising energy, Keep transitions sharp but meaningful, Each section should evolve but always center around the spoken word, ]

heavy bass, Detuned Reese Bass, Rumbling Techno Bass, Reverse Bass, Punchy Hardcore Kick, Hardcore Rave Bass, Saturated Frenchcore Bass, edm, German male vocals, beats, k-pop

[Hard Techno / Gabber Techno with aggressive 180+ BPM, Distorted kickdrums, heavy saturation, overdriven basslines, Use industrial percussion, metallic clanks, and short reverse crashes, Synths should be raw, harsh, and detuned – use saw waves, FM growls, and pitch-modulated stabs, Vocals processed with distortion, pitch shift, and stereo delay, Create tension with dark ambient pads in breakdowns, then drop into brutal 4-on-the-floor, Ideal for underground warehouse or illegal rave settings, Energy = relentless, Atmosphere = violent, chaotic, raw, ]

[genre: Frenchcore, Gabber, Experimental Kids Music] [sound design: 200 BPM distorted hardcore kick drums with saturated low end, punchy transient, and short tail; layered with toy sounds (squeaky ducks, xylophone, baby giggles, rattles); playful synth melodies inspired by kindergarten tunes; vocal textures include cheerful children's voices, animated adult narrator, and chaotic group chanting; transitions use cartoonish risers, whooshes, and fake claps; drops are intense but fun, break sections soft with ambient kindergarten room tone; tone is absurd, hyperactive, and whimsical; structure alternates between spoken-word breaks and full-on Frenchcore drops; think “Sesame Street on speed meets Thunderdome”]

[Hardcore Techno Gabber / 90s speedcore with aggressive 180-320+ BPM, Punchy Hardcore Kick, Distorted kickdrums, heavy saturation, overdriven basslines, Use industrial percussion, metallic clanks, and short reverse crashes, Synths should be raw, harsh, and detuned – use saw waves, FM growls, and pitch-modulated stabs, Vocals processed with distortion, pitch shift, and stereo delay, Create tension with dark ambient pads in breakdowns, then drop into brutal 4-on-the-floor, Ideal for underground warehouse or illegal rave settings, Energy = relentless, Atmosphere = violent, chaotic, raw, ]

2025er, EDM, Gabber Techno, duell, Acid Jazz, mystic doom, retro techno, strong basses, spy trance, dance music, rave, 150-180 bpm

[Create a driving German Gabber Techno track meets Acid Techno Gabber and aggressive german female voice/vocals, different variations of strong basses and beats (150-220 BPM) with a summer concert vibe, Start with deep sub-bass and dark drone, with an excited crowd in the background, After 50 seconds, add a quiet hard kick, At 60 seconds, bring in a powerful distorted kickdrum; the bassline changes pitch or filter every 8 bars, At 90 seconds, add an aggressive simple minor melody with reverb/delay, introducing the bass shifts, At 1:30 min, drop: full kick, deep distorted bass, crowd shouting “Bass!”, At 3:30 min break: kick drops out, just bass and soft melody, crowd claps, snare roll builds up, shout “Everybody percussion, call & response (“ wieso? wieso? wieso?→ “Bass!”), Finale: kick speeds up, stops, only crowd, last kick + shout “sachsie und mukkie smile it”, Track should be hard, energetic, focused on kick and bass]

[sound design: High-energy frenchcore/gabber at 320 BPM, Use distorted, punchy kickdrums with clipped transients and tight sub-layering, Emphasize rhythmic variation with offbeat bass punches, synced glitch fills, and percussive breaks, Keep synths sharp and short – saw leads, metallic stabs, and synced arpeggios, Vocals: tight, dry male narrator voice with slight compression and subtle distortion; chorus vocals short and chant-like, with wide stereo and slight delay, Add crowd shouts as rhythmic FX, Minimal use of melody – focus on impact, pulse, and speed, Drops should feel like mechanical impact zones, Use filtered noise risers, kickrolls, reverse impacts, and short breaks for tension, Final drop = full aggression, no breaks, ]

2025er, modern, German gabber track meet driven by pulverizing distorted kicks and relentless, rapid percussion, German male shouts punctuate the mix acid abrasive schranz screeches and sharp breakbeats, each section intensifying the chaotic, high-energy assault, 150-180 bpm, mystic doom

Reggeacore, menatlcore meets German Techno Gabber, strong drums with cinematic storytelling, atmospheric build-up, distorted gabber kicks (140-220 BPM), heavy sub-bass drones, industrial textures, glitchy acid leads, exotic percussion breaks, and dub-style delay FX, Spoken German voice (slow, emotional, clear), layered with rhythmic shout vocals, Haunting forest vibe, surreal intensity, hypnotic rhythm progression

[Create a driving German Gabber Techno track meets Acid Techno Gabber and aggressive german female voice/vocals, different variations of strong basses and beats (180-320 BPM) with a summer concert vibe, Start with deep sub-bass and dark drone, with an excited crowd in the background, After 50 seconds, add a quiet hard kick, At 60 seconds, bring in a powerful distorted kickdrum; the bassline changes pitch or filter every 8 bars, At 90 seconds, add an aggressive simple minor melody with reverb/delay, introducing the bass shifts, At 1:30 min, drop: full kick, deep distorted bass, crowd shouting “Bass!”, At 3:30 min break: kick drops out, just bass and soft melody, crowd claps, snare roll builds up, shout “Everybody percussion, call & response (“ Sachse rave with the Mukkes→ “Bass!”), Finale: kick speeds up, stops, only crowd, last kick + shout “The End”, Track should be hard, energetic, focused on kick and bass, ]

[kick: hard 4/4 techno kick layered with clean sub, punchy low-end, distorted mid-layer, tight transient, no muddiness] [bass: deep rolling sub bass sidechained to the kick, fat pressure, always audible but clean, never overpowering melodies] [melody: dark minor arpeggios on synths, acid 303 sequences evolving with filter sweeps, sharp rave saw stabs with delay and reverb, eerie pads for atmosphere, cinematic orchestral hits in build-ups] [fx: glitch bursts, reversed impacts, metallic hits, riser sweeps, crowd FX like shouts, claps, whistles in reverb] [structure: build tension with filter automation, breakdowns with only sub + pad, drops with full distorted kick + rave stabs, melodies shift every 32 bars to keep track fresh] [mix: kick and sub always separated, bass low and fat, mids open for acid and stabs, highs crisp with hats and FX, loud but clean festival mix, 200 bpm]

Hardstyle (65%) + Rawstyle (35%); Tonality: Melodic, Aggressive, Anthemic; Tempo: Vivace (150 BPM), Signature: 4/4, Instrumentation: Screechy distorted kicks, reverse bassline, anthem synth leads, wide stereo pads, hard snare, cinematic impacts, Mix: Loud master, punchy kick, vocal-forward, mid-scooped EQ, Mood: sarcastic, dark, asozial parody of dreamy pop, [Structure: Intro (piano + chopped vocals) → Build (snare rolls, riser) → Drop A (anthem screech + kicks) → Verse 1 (staccato parody lines) → Pre-Chorus (rising aggression) → Chorus → Verse 2 (darker) → Break/Interlude (melodic variation) → Chorus (full power, layered) → Outro (slowed pads, spoken)]

Frenchcore (85%) + Melodic Hardcore (15%), Relentless distorted 4/4 kickdrives with gated subs, piercing 16th hi-hats and rapid snare-roll transitions, Bright supersaw leads, filtered pads in breaks, short white-noise risers, Male German lead vocals, doubled and harmonic in choruses, staccato chopped in drops, sustained and emotive in the bridge, Tempo: Prestissimo (210–220 BPM), with half-time break for dynamic contrast, Transitions with filter sweeps, pitch-rises, and sudden kick cuts for maximum impact, [Structure: Intro (8 bars filtered) → Verse (16 bars) → Pre-Chorus (8 bars riser build) → Chorus (16 bars anthem) → Drop (16 bars full slam) → Verse (variation) → Bridge (half-time, 8 bars melodic) → Final Chorus + Drop (32 bars extended, octave layers) → Outro (fade 8 bars)] [Mastering: Loudness target -8 LUFS · Transient-shaping on kicks · Sub mono-tight · Leads stereo-wide · Strong limiting for festival impact]

Frenchcore remix with clear vocals but it includes the vocal samples and sound effects, including a 'splash' sound effect and a 'shark' sound effect, adding to the thematic elements of the lyrics, RØSCØRE Remix Style

Modern German Emo Trap fuses melancholic 808s and atmospheric synth layers with bittersweet, reverb-drenched guitar lines, Verses alternate between melodic singing and rap, underscored by crisp hi-hats, A massive, singalong hook lifts the bittersweet techno-inspired groove, blending raw energy and moody introspection, ‑autotune excess

An ultra-aggressive Rawstyle remix featuring distorted harmonic kickdrums, Frenchcore screech basslines, and militant German spoken word vocals, The chorus chant “Einzelfall!” is layered as a pitched vocal chop hook, Harsh kick-bass combos drive the drop, while glitchy midrange fills and gated reverb crashes emphasize rage and urgency, Dark ambient intros and filter sweeps build into brutal drops with relentless rhythm and combative energy

This German techno rave slams in with relentless percussion, aggressive analog kicks, and a twisted, hypnotic acid bass, Hoover stabs flood the mids, sliced by rave whistles and piercing siren risers, Echoed whistle hooks craft a theatrically dark, emotionally charged, and melodically dissonant atmosphere, Stern, dry German vocals cut through the grooves, sharp dynamic shifts, delivering a ritualistic, epic, and powerfully urban sonic landscape, Loud but perfect mastered for maximal impact and physical sound, professional and made for top charts, complex and impressive, fantastical overall

A melancholic 140-BPM techno track inspired by Bicep’s "Glue", blending ambient modular synth pads with a subtle sidechained analog kick, The mix is built around long, sustained chords in a-minor, soft tape-saturated delays, and a pulsing halftime groove from the sample derived, Builds gradually from atmospheric intros to deep drops with layered harmonies and ghostly vocal refrains, evoking introspection, absence, and emotional weight, Minimalist, immersive, and emotionally resonant, german clear pronunciation, max 5 min

A festival-ready rolling drum & bass anthem launches with rapid jungle breaks, deep sub-bass, and infectious whistle stabs, Chant-style male vocals, Euphoric drops explode with punchy kicks, bass, and whistles leading energetic, Classic rave synths with modern DnB textures, while tight vocal and whistle interplay fuels every hook

oldschool gabber, bouncing bass, medieval flute, glitches, stutter, slated and high melodic, four minutes, experimental, crazy, surprising switches

[Create a powerful hard techno track with a driving, deep bassline and sharp, punchy kicks inspired by Frenchcore, Use a fast tempo around 150-160 BPM, Incorporate distorted, aggressive bass synths with heavy sub frequencies to fill the low end, Layer with crisp hi-hats and rhythmic claps for groove, Add atmospheric pads with dark textures for depth, Use occasional risers and impacts to build tension before drops, The kick drum should be punchy and upfront with a slight distortion effect, Keep the arrangement dynamic with breaks and builds that emphasize energy and intensity, Make sure the mix balances clarity and power, emphasizing the bass and kick to drive the dancefloor vibe, ]

A high-energy techno track blending hardstyle, hard tekk, jumpstyle, and melodic trance, Starts with tribal percussion and atmospheric pads, building tension with snare rolls and rising synths, The drop hits with distorted kick drums, reverse bass, and offbeat jumpstyle rhythms, Euphoric supersaw leads and sidechained pads create a cinematic, emotional contrast, Female vocal loop: “Los, Bass – fick die Gedanken, ” repeated 8 times with FX variation (dry, reverb, stutter, whisper, glitch), Glitch FX, white noise sweeps, and pitch risers intensify the build-ups, BPM: 150, Style: brachial, dominant, melodic, club-ready, Inspired by underground rave culture, emotional rebellion, and operatic power, Perfect for a dark, euphoric dancefloor explosion, Music speaks louder than words

This fusion track kicks off with a spoken intro layered over deep Moog subbass and sparse Miami bass hits, The build-up blends snappy snare rolls with Doppler risers, FM bell arps, and glitching vocal chops, leading into a frenetic drop: supersaw leads, sidechained kick-bass, colored bass lines, energetic hardstyle kicks, and crowd chant samples “Opa! Opa! Opa!” Female vocals glide through auto-tune slides, granular stretch, reverse vox, and ping-pong stereo delays, Call-and-response hooks, hard-hitting sub-drops, and rhythmic stuttered word repeats energize the dancehall-tinged techno grooves, Arrangement rides club-driven momentum with glitchy stuttered FX (“Opi taumelt”) and pitch-enveloped synths throughout each section, maintaining a club-ready, relentless feel, Hardcore x Hardstyle x Dancehall x Electronic x Techno fusion, female vocal

Hardstyle x Hardcore x Dancehall x Electronic x Techno fusion, Catchy melodic topline, dancefloor-ready groove, aggressive transient shaping, Female vocal: dominant, smoky timbre, Auto-Tune lead with pitch modulation, emotional phrasing, vocal stutter glitch FX, Lyrics: multilingual (German-English), dominant phrasing, call & response, crowd vox layering, stereo delay ping-pong, Ad-libs: “oh oh”, “cha cha”, “yeah yeah”, “uhh”, “woo”, Drums: tribal swing, syncopated kick patterns, clap accents on 2 & 4, closed/open hi-hat interplay, Bass: acid synths, sub-bass layering, moog-style saturation, Miami-style kick-bass with sidechain compression, pitch envelope bass FX, FX: reverse reverb swells, vocal chops, pitch dive drops, distorted vocal saturation, subharmonic enhancer, breath FX, tape stop post-hook, riser with Doppler effect, Synths: atmospheric pads, filter sweeps, techno stabs, Structure: [Intro: spoken vox + distorted layer + build-up + “Hardcore Weib bringt dich um dein Verstand”

house, choir, dark pop, rolling bass, cinematic, melodic, choir vocals, warped bass, glitch, electric strings, trap beat, uplifting, Hip-Hop, Synth-wave, Trap Beat, Glitch, Cinematic, anthemic choir