GiR 1: Girls in Reality

Jazz-pop at 90–115 BPM with upright bass, brushed drums, soft piano comping, and light guitar riff, Four female Vocals are intimate, whispery, and dry upfront with minimal reverb, never belted, Four female voices trade short lines in verses like a quiet conversation, each line passed between members, Pre-chorus adds close two-part harmonies, subtle and breathy, Chorus expands into soft unison with thin layered harmonies, growing slightly wider but still minimal, Key phrases are answered gently by another voice, creating a natural back-and-forth, Final chorus blends all four voices stacked for a fuller but restrained texture, Mix is clean, spacious, elegant, highlighting delicate delivery, breath sounds, and graceful phrasing over the warm acoustic band atmosphere, ‑big band brass hits, ‑scatting improv, ‑diva belting, ‑heavy swing shuffle, ‑lounge clichés, ‑EDM or trap elements

Minimal electro pop; Airy four female group vocals; 115 BPM, tight 4/4; Four female Vocals are intimate, whispery, and dry upfront with minimal reverb, never belted, Four female voices trade short lines in verses like a quiet conversation, each line passed between members, Pre-chorus adds close two-part harmonies, subtle and breathy, Chorus expands into soft unison with thin layered harmonies, growing slightly wider but still minimal, Key phrases are answered gently by another voice, creating a natural back-and-forth, Final chorus blends all four voices stacked for a fuller but restrained texture, Mix is clean, spacious, elegant, highlighting delicate delivery, breath sounds, and graceful phrasing, Catchy unique melodies, ‑belting, ‑screaming, ‑power vocals, ‑chest-heavy singing, ‑strong vibrato, ‑melisma, ‑gospel-style runs, ‑dramatic ad-libs, ‑operatic vocals

The production is modern and crisp, with upfront mixes prioritizing clear, forward vocals, Airy harmonies provide light, sparse texture, while sampled background elements remain subtle and understated, Space is carefully preserved to let the topline melody fully shine

Studio live band pop style at 115 BPM; Bright clean guitar arpeggios and light funky bass create a fresh, lively groove, Tight dry drums with crisp hi-hats keep rhythm clear, Rhodes piano adds warm stereo depth, Four female vocals are intimate, dry upfront, never belted, Harmonies are airy and well-defined, spread wide for 3D clarity, Verses: members trade short conversational lines, Pre-chorus: subtle two-part harmonies placed apart for space, Chorus: soft unison with thin layered harmonies, wide and shimmering while main vocal stays centered, Key phrases answered gently with panned voices for natural depth, Final chorus: all four stacked, fuller yet delicate, harmonies bright and dimensional, Post-chorus whisper “STAY” with instruments dropping out, Outro includes soft group laughter, Mixing: clean, elegant, spacious; vocals always forward, harmonies crisp, instruments supporting with light and fresh tones

Afrobeat-influenced minimal electro pop, Bright yet spacious, 113 BPM, stripped-down arrangement with punchy kick-snare and light hi-hats, repeating minimal bass groove, acoustic guitar strums and soft electric piano chords, minimal brass stabs only in chorus, Vocals: 4 female vocalists clear airy bright warm playful, GiR-style layered harmonies, Verse dry intimate single lead vocal with subtle whisper accents, Pre-Chorus two-part harmony building tension with call and response, Chorus wide stereo full 4-part harmony layered and bright, Bridge stripped down to solo dry vocal and bass then rebuild, Mixing clean modern pop minimal reverb upfront vocals wide chorus harmonies

Refine the mix with GiR’s restrained emotional style — no vocal bends, no lifted phrasing, keep lines straight and conversational, Every tone should feel natural, like breathing, Let harmonies drift softly without rising; avoid any showy or dramatic delivery, Keep glitch or rhythmic elements gentle, like fragments of light, not effects, Focus on emotional clarity over intensity, The rhythm moves quietly under the surface, with each sound spaced like a thought between words, Everything should feel close, human, and unforced — the sound of four voices staying still while time moves around them, Mood: soft, modern, cinematic stillness, The feeling is not sadness, but recognition — the quiet understanding “between us, ”, ‑EDM, ‑Trap, ‑K-pop Idol Pop, ‑Hyperpop, ‑Future Bass, ‑Funk Revival, ‑Ballad

modern electro-acoustic pop master with restored midrange warmth and organic texture, gentle analog saturation, soft guitar presence blended under vocals, smooth low-mid depth, clear highs without harshness, balanced loudness and wide space, maintaining GiR’s emotional realism and human air, ‑flat electro pop, ‑harsh top end, ‑sterile tone, ‑over-bright vocal, ‑synthetic plastic sound, ‑metallic reverb

Minimal electro pop; Airy four female group vocals; 115 BPM, tight 4/4; Four female Vocals are intimate, whispery, and dry upfront with minimal reverb, never belted, Four female voices trade short lines in verses like a quiet conversation, each line passed between members, Pre-chorus adds close two-part harmonies, subtle and breathy, Chorus expands into soft unison with thin layered harmonies, growing slightly wider but still minimal, Key phrases are answered gently by another voice, creating a natural back-and-forth, Final chorus blends all four voices stacked for a fuller but restrained texture, Mix is clean, spacious, elegant, highlighting delicate delivery, breath sounds, and graceful phrasing, Catchy unique melodies, ‑belting, ‑screaming, ‑power vocals, ‑chest-heavy singing, ‑strong vibrato, ‑melisma, ‑gospel-style runs, ‑dramatic ad-libs, ‑operatic vocals

Full brass orchestra and funky live band arrangement, Tight rhythm section with slap bass, syncopated funky guitar riffs, and dry punchy drums, Horn section (trumpets, trombones, saxophones) plays bright stabs, call-and-response lines, and energetic fills, Brass leads drive the groove, with occasional unison hits and jazzy runs for excitement, Vocals are light, clear, and airy, performed by four female singers trading short phrases in playful call-and-response style, Harmonies are thin, transparent, and layered sparingly, keeping the topline upfront in the mix, Overall sound is upbeat, rhythmic, and bold, combining the fullness of a big band with the groove of funk, ‑Avoid EDM-style synth leads, ‑heavy sub-bass, ‑supersaws, ‑gated reverb snares, ‑dubstep drops, ‑rock guitar distortion, ‑overly orchestral symphonic swells, ‑ballad-style belting vocals, ‑excessive reverb or echo