3:04

Eternal Love For Black Heart
v4.5-all
pop, Shimmering pop groove with bright synth plucks and warm pads, mid-tempo lift, Intro starts tender and airy, then drums and sidechained bass pulse in for an upbeat verse and hooky, sugary chorus, Bridge strips to piano and filtered vocal chops for a slow, swelling variation before a final full-power chorus, slow, soothing
3:52

Noble Lady's Tea Time
v4.5-all
Light, courtly chamber ensemble with solo piano leading; airy strings and a playful woodwind sprinkle add a slightly mischievous bounce, Tempo sits in an unhurried dance pulse, brushing between waltz and leisurely stroll, Dynamics swell with the butler’s gestures, then soften into lingering, romantic cadences; room reverb creates an intimate, candlelit glow, romantic, classical, warm
4:29

Teddy、Honey、Lovely
v4.5-all
pop, Warm emotional J-pop ballad at a moderate tempo; tender piano and airy pads carry long, legato phrases that feel syrupy and slow-drifting, Soft programmed drums and gentle bass keep a steady, comforting pulse, Strings bloom in the chorus for a sweet, plush lift, with female vocals floating close and intimate, reverb wrapping everything like a fuzzy blanket, emotional, gentle
4:06

I Never Die
v4.5-all
rock, Aggressive modern metal with deep male vocals; double-time drums, chugging low-tuned guitars, and a cutting lead riff, Verses stay tight and percussive, almost shouted; chorus opens into a wide, anthemic hook with layered gang vocals on the title line, Brief half-time drop in the bridge for a haunting, melodic turn when the lover returns, then a final explosive chorus and a soaring sustained high note on the last word, deep, male vocals, electric
3:59

rap, Aggressive hybrid of double-time rap and modern heavy rock; deep male vocals with a menacing growl on verses, shouted gang-style hook, Palm-muted electric guitars lock to a rapid-fire drum groove, then explode into wide, dissonant power chords in the chorus, Distorted bass grinds under eerie clean guitar motifs during story moments; chaotic feedback swells and tom rolls underline the resurrection twist, Big, saturated mix with brief melodic phrases cutting through the brutality, beautiful, electric, rock, deep, vocal
3:22

pop, Shimmering pop groove with bright synth plucks and warm pads, mid-tempo lift, Intro starts tender and airy, then drums and sidechained bass pulse in for an upbeat verse and hooky, sugary chorus, Bridge strips to piano and filtered vocal chops for a slow, swelling variation before a final full-power chorus, slow, soothing
3:34

Noble Lady's Tea Time エレガントデー
v4.5-all
Light, courtly chamber ensemble with solo piano leading; airy strings and a playful woodwind sprinkle add a slightly mischievous bounce, Tempo sits in an unhurried dance pulse, brushing between waltz and leisurely stroll, Dynamics swell with the butler’s gestures, then soften into lingering, romantic cadences; room reverb creates an intimate, candlelit glow, romantic, classical, warm
4:53

Teddy、Honey、Lovely ずっと貴方の側に
v4.5-all
pop, Warm emotional J-pop ballad at a moderate tempo; tender piano and airy pads carry long, legato phrases that feel syrupy and slow-drifting, Soft programmed drums and gentle bass keep a steady, comforting pulse, Strings bloom in the chorus for a sweet, plush lift, with female vocals floating close and intimate, reverb wrapping everything like a fuzzy blanket, emotional, gentle
3:41

I Never Die 罪愛の証
v4.5-all
rock, Double-speed modern heavy rock instrumental built on tightly palm-muted rhythm guitars, rapid-fire kicks and snares, and a snarling, overdriven bass buried under the mix; eerie, glassy lead guitar threads fractured melodies through a cruel, tense atmosphere, Mid-song, chaotic feedback and rolling toms explode into a dramatic resurrection peak before collapsing into brief, haunting melodic fragments that flicker over a still-relentless rhythm, rapid, deep, electric
4:52

I Never Die 死を拒絶した漢
v4.5-all
rock, Double-speed modern heavy rock instrumental built on tightly palm-muted rhythm guitars, rapid-fire kicks and snares, and a snarling, overdriven bass buried under the mix; eerie, glassy lead guitar threads fractured melodies through a cruel, tense atmosphere, Mid-song, chaotic feedback and rolling toms explode into a dramatic resurrection peak before collapsing into brief, haunting melodic fragments that flicker over a still-relentless rhythm, rapid, deep, electric
3:49

Oh, My Lady
v4.5-all
rap, Silky jazz-funk groove with a tight drum pocket, walking bass, and syncopated guitar comps; saxophone answers the vocal lines and takes short fills between phrases, Male vocals switch between laid-back, rhythmic rap in the verses/bridge and raw, emotive singing in the choruses, Energy rises from intimate club feel to soaring, heart-on-sleeve hooks with layered harmonies on the title line and extra horn stabs on the final chorus, funk, saxophone, male vocals, emo, jazz
4:09

World Down
v4.5-all
rock, Female vocals with lush stacked harmonies, Intro rides a soft organ pad that gradually swells into one minute of expanding harmony, then the band slams in with fast, heavy rock: crunchy rhythm guitars, driving bass, aggressive drums, Verses stay tense and punchy; choruses lift with bright major turns and call-and-response backing vocals, Bridge drops back to a calm, expressive organ solo before one final soaring chorus and abrupt, tight ending, electric, soothing, world
3:12

九千九百九十九最終禍津娘
v4.5-all
Hyper-accelerated Japanese game BGM with lead pipa phrasing in tight, ornamented runs; dense taiko and festival percussion driving a relentless parade groove, Pentatonic festival modes over shifting minor harmonies, with brief half-time breaks then sudden double-time bursts, Layered festival chants as distant textures, bright shakuhachi stabs, and bell chimes create a whirling nighttime carnival, climaxing in a dazzling, dissonant final flourish
4:39

九千九百九十九超禍津千妖百鬼大夜行!
v4.5-all
Hyper-accelerated matsuri chaos track with pipa lead; jagged pentatonic runs over thunderous taiko patterns and sidechain-pumping sub, Call-and-response between shrill fue and gang-shout vocals (wordless), plus clattering festival percussion and glitchy pitch-bent hits for a supernatural carnival feel; energy starts high, surges into a double-time midpoint frenzy, then spins out in a whirling, dissonant night-parade finale
