1:40

Rock Cru
v4.5-all
Raw rock track, mid tempo (100–130 BPM), powerful bassline as the main driver, punchy live drums, gritty electric guitar riffs, minimal production, no synths, no electronic elements, strong groove, dynamic rhythm, energetic and aggressive vibe, garage rock feel, female rock band energy, tight and punchy mix, focus on bass, drums and guitar only
3:42

Entre as Cinzas
v4.5-all
Emotional alternative rock track, melancholic atmosphere, 95 BPM, clean emotional guitar verses, deep emotional bassline, dynamic live drums, intimate female-style emotional vocals, soft verses building into explosive emotional choruses, raw and organic production, nostalgic and painful mood, powerful distorted guitars during chorus, emotional tension and release, poetic lyrics atmosphere, Brazilian alternative rock influence, dramatic but melodic energy
5:33

Last Page of the Story
v4.5-all
rock, Expansive, uplifting post-rock build: clean tremolo guitars over soft, rolling toms at the start, gradually stacking delayed lead lines and warm bass, Drums grow from brushes to pounding half-time, then open hats and big cymbal swells in the final chorus, Huge, reverb-heavy gang vocals in the hook; guitars bloom into octave melodies and shimmering chords for a triumphant, cinematic climax
3:25

Shadowed Optimism
v4.5-all
rock, High-energy pop-rock with male vocals, stomping drums, syncopated claps, animated piano stabs, banjo picking tucked into the groove, and a gritty distorted bassline, Verses stay tight and urgent; pre-chorus leans on rising tenor sax riffs and thick tape-saturated room sound, Chorus explodes into chant-style hooks and call-and-response gang vocals; breakdown drops to claps, kicks, and vocal before a final lifted chorus with soaring sax ad-libs, bassline, saxophone, pop rock
3:19

Rust on the Halo
v4.5-all
rap, Trap rock / nu metal at 165 BPM with male vocals, Blown-out 808s and detuned bass drops lock with tight distorted guitar chugs; animated piano stabs shadow the vocal rhythm, Banjo tremolo creeps in on verse edges, sax riffs answer the hook, Gang claps drive the choruses, huge parallel compression and slapback on lead vocal, cavernous plate on screams, wide stereo chorus on guitars for an immediate, restless, uplifting slam, nu metal, rock, saxophone
3:15

Galaxies
v4.5-all
rock, Psychedelic / alt-rock at 118 BPM with male vocals; lazy garage groove built on pushed bass and a swung backbeat, Sparse, almost whispered verses with mono, springy guitar and roomy drums; choruses hit with an aggressive vocal lift, fuzzed-out lead answering each line, Tape-saturated, raw 60s-style mix, call-and-response backing shouts in the hook, density building into a slightly chaotic outro wash, alternative rock, soft, psychedelic rock, raw, vocal, male vocals, gradual, steady
3:38

TIME PASSES
v4.5-all
alt rock, rap rock, nu metal, distorted baritone guitar, palm muted chugs, analog drum room, overdriven snare, sub octave bass, turntable scratches, spoken intro, gang shouts, tape saturation, concrete reverb, 90s rock mix, anthemic release, restless defiance, 128 BPM, half time groove
4:02

Concrete Room Fever
v4.5-all
rock, Male vocals over a hybrid of downtuned nu metal riffs and dark phonk groove, syncopated 16ths locking with distorted sub and industrial snares, Psychedelic Latin art rock colors from rotary guitars and detuned keys, tape-smeared arps weaving in and out, Verses stay tense and intimate, chorus explodes with shouted gang vocals and crowd samples, Abrupt breakdowns with glitched percussion and turntable cuts reset the energy, sidechain swells breathe late-night urgency into the mix, art rock, nu metal, latin, electric, industrial
2:04

“ME-OW / CLAW / CHAOS”
v4.5-all
Experimental alternative metal, chaotic and unpredictable structure, fast tempo (120–160 BPM), aggressive live drums with sudden tempo changes, distorted heavy guitars, raw bass, intense and dynamic vocals with screams, whispers, and weird vocal effects, playful and chaotic energy, nonsense vocal patterns, rhythmic chanting, sudden transitions, heavy breakdowns, surreal and slightly humorous dark tone, raw and explosive sound, weird vocal noises, cat sounds like meow and hiss integrated into rhythm, weird vocal noises, cat sounds like meow and hiss integrated into rhythm
3:34

Match in My Teeth
v4.5-all
rock, High-gain garage alt-rock at ~135 BPM, male vocals, Tense, palm-muted guitar and ticking hats in the intro; drums explode in on the first verse with crunchy power chords and a snaking bassline, Choruses slam hard with doubled vocals, wide guitars, and open hi-hats; verses stay slightly drier and tighter for contrast, Bridge pulls back to tom-heavy, almost spoken intensity before a final, screamed cathartic chorus and abrupt ring-out, electric, strong, alternative rock, minimal, bassline, dynamics, raw, dynamic, emotional, post-grunge
2:54

Blaze in the Blackout
v4.5-all
rap, Anime rock x electronic phonk banger at 140 BPM, male vocals, Distorted drop-tuned guitars locked to a crushing 808 low-end, cowbell and razor hi-hats running drill-style patterns, Verses: tight, breathless rap with filtered rhythm guitars and bass swells, Chorus: widescreen layered synth leads doubling the guitar hook, sidechained pads, ghostly vocal sample chopped in the gaps, Breakdown: stuttered drums, glitch edits, vinyl-style scratches, then an all-in final hook with octave-doubled screams and ad-lib stacks, rock, beats, rapid, vocal, electronic, anime
3:11

Grinning At The Block Party
v4.5-all
Brooding gothic alt-rock with male vocals; tom-heavy drums and detuned bass under reverb-drenched baritone, Verses stay sparse with palm-muted guitars and distant choir pads; chorus hits with wide distorted power chords, gang shouts, and a soaring, chantable hook, Bridge drops to floor toms and choir, then explodes back into the final chorus, gothic alternative
3:53

Onde está minha mente?
v4.5-all
The song opens with soft acoustic guitar or clean piano, minimal ambient textures, and calm, close-mic vocals at a slow tempo, creating a melancholic, reflective alternative pop atmosphere, With each verse, subtle rhythmic elements and additional guitar layers build tension, Drums gradually rise in intensity, guiding a cinematic crescendo, In the final section, the track erupts into explosive alternative rock—distorted guitars, powerful drums, and an intense, emotional vocal performance bring ca
1:59

Breakneck & Breathless
v4.5-all
rock, Explosive punk assault with ragged male vocals, hyper-fast downpicked guitars, snarling bass, and relentless kick–snare barrage; verses barked in tight bursts, choruses explode with shouted gang vocals and wide stereo grit, middle eight drops to half-time stomp then slams back into a final all-out sprint, raw, raucous, punk
4:13

Vazio em Volume Máximo
v4.5-all
metal, Dark nu metal with distorted, grinding bass intro leading the track, guitars dropping in as a crushing wall on the first chorus, Male vocals shifting from hushed, melodic introspection to layered, throat-tearing screams, Dense drums, subtle industrial textures and glitchy synth swells, with sudden drop-outs to just bass and voice before explosive full-band hits, drama, vocal, nu metal
3:03

Cream Cracker
v4.5-all
The track opens with atmospheric synths and soaring female vocals, building tension, Verses feature intense rap rock male vocals over driving, distorted guitars and punchy, modern drums, The pre-chorus shifts to melodic, echoing female vocals atop evolving textures, Both vocalists unite in a soaring, duet-driven chorus, merging aggressive riffs and cinematic energy, Each section alternates vocal leads, amplifying the dynamic interplay and emotional depth, anchored by heavy instrumentation and po
3:44

Teeth In The Dark
v4.5-all
metal, Modern heavy metal with pounding, syncopated drums and grinding guitars; thick, distorted bass anchoring a dark low end, Male vocals roar and snarl through tense verses, then open into a shouted, hooky chorus, Sharp breakdowns hit like sledgehammers with stop-start chugs and gang vocals, layered under eerie atmospheric swells between sections, male vocals, raw
4:14

Static in My Veins
v4.5-all
rap, Nu metal assault: downtuned, palm-muted riffs over tight, punchy drums and a surging sub layer, Verses ride tense, close-miked male vocals with eerie sample stabs and filtered pads, Choruses explode into shouted gang vocals and wide guitars, Industrial-tinged breakdown introduces glitchy hits and distorted atmospheres with a scratched DJ bridge before a final all-out reprise, nu metal, raw, deep, industrial
3:09

Blue Black
v4.5-all
gang, piano jazz, hard base, echo vocable, latin, dubstep, гитара, indie rock, assobios, Sutilmente, Art rock psicodélico com influências latinas, loops de guitarra de nylon desafinados, bateria com escovas
2:17

Sem Entender
v4.5-all
Experimental guitarra song about beach sunset, hard-hitting beats, surf rock, frantic, pop folk, crust punk, hip pop, hot, alternative rock, rap, whistles, pop rock, dark trap beat, metal, electronic, latin
4:11

Luz nas Ruínas
v4.5-all
alternative rock, emotional male and female vocal, atmospheric guitars, powerful chorus, cinematic mood, modern rock production, heavy metal
2:57

The Way
v4.5-all
Rap Rock, Hip Hop Alternativo, A música mantém um tempo moderado de aproximadamente 94 BPM (batidas por minuto) em uma fórmula de compasso clássica de 4/4, A batida combina elementos de Alternative Rock com Hip Hop, A batida é mais contida e seca, focando no groove para dar espaço aos vocais rítmicos, A percussão se torna muito mais expansiva e pesada, utilizando pratos abertos, bateria acústica, samples de sintetizadores, texturas eletrônicas
4:18

Perto de Ti
v4.5-all
Post-hardcore / nu metal sombrio e intenso, atmosfera pesada e emocional, baixo forte e marcante, guitarras distorcidas, bateria agressiva, versos tensos e refrão explosivo, Tema: conflito interno, escuridão, luta para continuar existindo, sentimentos profundos e intensos, clima dramático e melancólico, Perto de Ti, oh oh
3:46

Entre o Nada e o Agora
v4.5-all
Nu metal sombrio, muito intenso, baixo dominante, guitarras pesadas, bateria forte, vocal emocional alternando partes melódicas e gritadas, atmosfera escura, tema existencial e psicológico, clima tenso e dramático
2:36

Ainda Continuo
v4.5-all
Nu metal and alternative rock, emotional and powerful, male and female duet vocals, male vocal in rap rock style in verses, female vocal melodic and atmospheric in pre-chorus and intro, both singing together in the chorus, heavy distorted guitars, strong drums, dark and emotional mood, modern production, energetic and cinematic, alternating male and female vocals, duet chorus
2:34

Duas Caras
v4.5-all
Heavy-metal, all-drums, all-bass, electronica, opera, boom-bap, indie-rock, electropop, mellow beat, strong drum intro, heavy distorted guitar riff intro
3:34

Wow, Okay Then
v4.5-all
Heavy-metal, all-drums, all-bass, electronica, opera, boom-bap, indie-rock, electropop, mellow beat, strong drum intro, heavy distorted guitar riff intro, Heavy metal / nu metal, strong drum intro, heavy distorted guitar riff intro, aggressive bass, powerful male vocal, dark and intense atmosphere, modern heavy metal production, breakdown sections, Heavy nu metal, aggressive drums, distorted guitars, dark chaotic atmosphere, industrial elements, male vocal, heavy breakdown
4:43

Última Luz
v4.5-all
Style: industrial metal, alt-metal, heavy aggression, Heavy, downtuned 7‑string guitars with blown‑out distortion, chugging low‑end riffs, dissonant bends, and grinding industrial textures, Hard‑hitting drums with sharp snare cracks, deep tom resonance, and syncopated nu‑metal groove, Thick, oppressive bass following the guitar with slight overdrive, Mood: Prophetic, inevitable, scripture‑tone, cold, declarative, No pleading, No whispering, Heavy fatalism, Vocal Delivery: Aggressive male vocal, half‑mumbled verses, sharp rhythmic phrasing, explosive full‑voice pre‑chorus lift, and unhinged but controlled chorus delivery, Occasional layered doubles for intensity, Ad‑Lib: Recurring line — “This is how it was supposed to end, ” delivered like a prophecy breaking through the mix, Production: Dirty, raw, early‑Korn basement energy, Slight room reverb, Tight compression, Industrial edge, No polish, No modern sheen, audio 3D
3:59

Rust in the Sky
v4.5-all
Heavy metal / nu metal, strong drum intro, heavy distorted guitar riff intro, aggressive bass, powerful male vocal, dark and intense atmosphere, modern heavy metal production, breakdown sections
3:24

Dancing With the Ceiling
v4.5-all
Heavy metal / nu metal, strong drum intro, heavy distorted guitar riff intro, aggressive bass, powerful male vocal, dark and intense atmosphere, modern heavy metal production, breakdown sections, Heavy nu metal, aggressive drums, distorted guitars, dark chaotic atmosphere, industrial elements, male vocal, heavy breakdown
3:46

Ecos na Escuridão
v4.5-all
Nu metal and alternative rock, emotional and powerful, male and female duet vocals, male vocal in rap rock style in verses, female vocal melodic and atmospheric in pre-chorus and intro, both singing together in the chorus, heavy distorted guitars, strong drums, dark and emotional mood, modern production, energetic and cinematic, alternating male and female vocals, duet chorus
4:16

Break the Noise
v4.5-all
Heavy metal / nu metal, strong drum intro, heavy distorted guitar riff intro, aggressive bass, powerful male vocal, dark and intense atmosphere, modern heavy metal production, breakdown sections
3:41

2:45

Chain Break Riot
v4.5-all
Nu metal rap rock at 148 BPM with drop-tuned seven-string palm-muted chugs, syncopated bass, turntable scratches, tight snare crack, programmed loops, and industrial distortion; verse rides gritty rap delivery over chugs, pre-chorus strips to bass and scratches, chorus lifts with clean harmonies and shouted doubles, then a djent breakdown slams the bridge, Layered call-and-response hooks, gang shouts, short delay throws, and a punchy, aggressive mix with a raw low-end bite, nu metal, rap rock, rap, clean, industrial, djent
5:07

nu metal, rap rock, 148 BPM, drop tuned seven string, palm muted chugs, syncopated bass guitar, turntable scratches, gritty rap verses, layered shouted vocals, clean harmonies, tight snare crack, programmed loops, industrial distortion, djent breakdown, punchy kick, sudden chorus lift, call and response, mosh pit energy
3:14

Anestesia
v4.5-all
Dark emotional acoustic ballad, intimate late night atmosphere, soft fingerpicked acoustic guitar, melancholic piano, raw vulnerable male vocals, emotional and numb atmosphere, haunting ambient echoes, deep emotional lyrics about losing the ability to feel, subtle cinematic textures, organic acoustic sound, emotional silence between phrases, lonely midnight vibe, breathing sounds, emotional vocal cracks, minimal percussion, distant reverb, introspective and painful mood, cinematic emotional crescendo, human imperfections, slow emotional build-up, empty city atmosphere, soft bass near the climax, heartbreaking and emotionally exhausted energy
3:17

Falha No Sistema
v4.5-all
heavy nu-metal, alternative metal, rap-rock hybrid, emotional female lead with aggressive male backing vocals, huge guitar walls, gritty bass, explosive live drums, haunting intro, massive arena chorus, distorted screams, intimate verses, chaotic breakdown, rebellious youth energy, dark neon city atmosphere, modern polished production with raw emotion, layered harmonies, cinematic transitions, aggressive yet melodic, emotionally charged, high impact mastering
3:23

Rust on the Bumper
v4.5-all
Dark phonk hip hop fused with Brazilian phonk, rap rock, and nu metal at a relentless halftime bounce; verse rides a Memphis-chop pulse with jagged guitar stabs, pre-chorus tightens into clipped call-and-response, chorus hits with shouted hooks and gang doubles, Distorted vocal leads, low ad-libs, pitch-bent echoes, and delay throws on the last word, Ear candy: reversed swells, siren-like risers, choke breaks, and ghost claps, Mix is blown-out, gritty, and front-row loud, nu metal, hip hop, groove metal, rap rock, bounce


