
Collabs/Covers
Playlist of collaborative works with other artists. This can contain songs done by me or songs done from my songs.
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11 songs
2:55

3:54

Funk, edm, female vocals, synth pad, catchy, rap, anthemic, clear vocals, lyric soprano, raw vocals, operatic belting, female voice, electro funk, upbeat, layered synth, hip hop, R & B, determined
4:18

Radio Static, Radio Crackle Fx, Spoken-word, Announcement, Public Service Announcement, Male Voice, Sound Effect Samples, Full Soundstage
2:52

powerful female vocalist-post punk-electro-pop-french disco-neo-soul-wailing guitars-screams-studio 54-edm-punk
4:33

Full Soundstage, A melancholic yet explosive punk rock anthem with post-grunge undertones, gritty vocals, heavy distorted guitars, driving drums, raw shouted refrains, & haunting melodic sections
4:29

Energetic electro-pop house, clean conversational male vocals, Tight rhythms, shimmering synths, stripped-back moments for emotional impact
5:09

chill dubstep, dark pop, electro pop, horror swing, deep bass, haunting melodies
3:49

4:10

A post-grunge track opens with wide-panned, layered drop C# guitars—mid-heavy distorted rhythms intersect with spacious, delayed clean harmonics, Root-focused bass tightly syncs to punchy, dry drums, Female vocals, dreamy and upfront, transition from angsty verses to intense, textured choruses
2:52

Dark post-grunge track with raw, confessional energy, Guitars shift between muted clean tones in verses and explosive distorted power chords in choruses, tuned low for heaviness, Bass is gritty, anchoring the rhythm with thick punch, Drums are driving and dynamic, alternating between tight hi-hat grooves and crashing cymbals for impact, Vocals are gritty, anguished, and strained—low and brooding in the verses, erupting into pained shouts and layered harmonies in the choruses, Bridge section pulls back into a bass-and-reverb-driven space before exploding again, Overall tone: bitter, self-destructive, and emotionally raw, with tension-and-release dynamics typical of post-grunge anthems, Ends in distorted feedback and slow instrumental collapse
2:49




