
Wild hunt
Adaptation of R. Connell's "The most dangerous game", inspired by the 1932 film and the 2017 "Never leave alive" adaptations of Connell's work.
·
15 songs
5:58

Wild hunt
v4.5-all
80s synthwave turbo-folk with chamber orchestra/dronewave outrun fusion, Instrumentation: - lead: FM-synthesized fake "aah" and "ooh" choirs with constant drone, bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: FM-generated orchestrations playing ostinatos, All instruments focus on glissando and portamento, Duet of two male zydeco sprechgesang vocals: A + B, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: passacaille in quantized slow march pattern pulse in 80-90 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
5:43

Top of the pyramid
v4.5-all
Synthwave with heavy industrial and darkwave influences, A distorted, overdriven synth bass plays a driving eighth-note rhythm, A gated snare and punchy kick drum maintain a steady 4/4 beat at 110 BPM in the key of G minor, High-pitched, resonant synth leads perform staccato arpeggios and melodic flourishes with heavy delay and reverb, A secondary sawtooth synth pad provides sustained harmonic backing, Occasional white noise risers and digital percussion accents punctuate transitions between sections, The arrangement features a dense, layered electronic texture with aggressive compression on the drum bus
5:04

Ship-trap island
v4.5-all
80s cthulhu synthwave turbo-folk with chamber orchestra/dronewave outrun fusion, Instrumentation: - lead: FM-synthesized fake "aah" and "ooh" choirs with constant drone, bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: telharmonium playing ostinatos, Zydeco sprechgesang terrified male vocals, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: passacaille in quantized fragmented allemande pattern pulse in 80-90 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
7:34

Welcoming welcome
v4.5-all
80s cthulhu synthwave turbo-folk with chamber orchestra/dronewave outrun fusion, Instrumentation: - lead: bayan (russan button accordion) with ostinatos, bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: balalaika with lunzhi (轮指) technique and sawari buzz, Zydeco sprechgesang fascinated male vocals, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: passacaille in quantized headache inducing passepied pattern pulse in 80-90 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
7:10

Sustenance and maintenance
v4.5-all
80s synthwave turbo-folk with chamber orchestra/dronewave outrun fusion, Instrumentation: - lead: heavy bass guitars (generated by YM2612 sound chip) with tremolo playing slavic-style triplet motifs, bass: wall of distorted droning heavy bass guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: bayan (russan button accordion) with ostinatos, Male zydeco sprechgesang vocals, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: passacaille in quantized overwhelmingly pleasant gavotte pattern pulse in 80-90 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
5:13

80s synthwave turbo-folk with chamber orchestra/dronewave outrun fusion, Instrumentation - lead: musette (french accordion) with ostinatos, bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: FM-synthesized fiddle playing melodic fills, Male zydeco sprechgesang vocals with folk inflection, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: passacaille in quantized jocund allemande pattern pulse in 90-100 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
6:38

Be wont of a wont
v4.5-all
chthulhu 80s synthwave turbo-folk/ethereal darkwave outrun fusion, Instrumentation - lead: FM-synthesized fake choirs, bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: FM-generated orchestrations, Zydeco sprechgesang comfortable male vocals, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: passacaille in quantized slow march pattern pulse in 80-90 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
9:19

Innermost depths
v4.5-all
ethereal hellektro turbo-folk/outrun fusion, Instrumentation, all generated by PSX SPU with low pass filter, low sample rate with aliasing artifacts - lead: psychedelic indian sitar, bass: wall of distorted droning heavy guitars with tremolo doubling lead reinforcing modal center constantly, Accents: cristal baschet + otamatone sad wails in unison, Male zydeco sprechgesang vocals, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: passacaille in quantized upside down foxtrot pattern pulse in 90-110 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
7:19

Vantage point
v4.5-all
adventure synthwave hellektro turbo-folk/outrun fusion, Instrumentation all generated by YM2612 soundchip with low pass filter, low sample rate with aliasing artifacts - lead: theremin, bass: wall of distorted droning heavy guitars with tremolo doubling lead reinforcing modal center constantly, Accents: russian fiddle sample, Male zydeco recitative vocals, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: passacaille in quantized forceful bourrée pattern pulse in 90-110 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
5:57

Reptilian manners
v4.5-all
adventure synthwave hellektro turbo-folk/outrun fusion, Instrumentation all generated by PSX SPU soundchip with low pass filter, low sample rate with aliasing artifacts - lead: rumbling contrabassoon, bass: wall of distorted droning heavy guitars with tremolo doubling lead reinforcing modal center constantly, Accents: chtonic didgeridoo, Male zydeco recitative vocals + male kakegoe as support vocals, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: passacaille in quantized lurch-fall heavy loure pattern pulse in 90-100 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
6:01

Heart of the hare
v4.5-all
adventure 80s synthwave turbo-folk/outrun fusion, Instrumentation playing scherzo phrases all generated by PSX SPU soundchip with low pass filter, low sample rate with aliasing artifacts - lead: pastoral french horn nostalgic calls, bass: wall of distorted droning heavy guitars with tremolo doubling lead reinforcing modal center constantly, Accents: bed of droning oboe, Male zydeco recitative vocals + male kakegoe as support vocals, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: passacaille in quantized quick-footed rigaudon pattern pulse in 90-100 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
6:30

Stewardship or showmanship
v4.5-all
adventure 80s synthwave turbo-folk power ballad/outrun fusion, Instrumentation playing scherzo phrases all generated by PSX SPU soundchip with low pass filter, low sample rate with aliasing artifacts - lead: pastoral french horn nostalgic calls, bass: wall of distorted droning heavy guitars with tremolo doubling lead reinforcing modal center constantly, Accents: bed of droning oboe, Male zydeco recitative vocals + male kakegoe as support vocals, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: passacaille in quantized quick-footed rigaudon pattern pulse in 90-100 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
7:15

Clepsydra
v4.5-all
exploration theme 80s synthwave turbo-folk/outrun fusion, Instrumentation all generated by YM2612 soundchip with low pass filter - lead: FM-synthesized brass with metallic nasal texture emulating sackbut with very sharp percussive attack, moderate decay, high stable sustain, short release, bass: low-frequency oscillator polyphonic brass doubling lead reinforcing modal center constantly, Accents: polyphonic brass, Male zydeco recitative vocals + male kakegoe as support vocals, Rhythmic pattern: passacaille in quantized evolving ländler pattern pulse in 90-100 bpm with cross-rhythmic structure, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
6:12

Helping hand
v4.5-all
victory theme 80s synthwave chamber orchestra turbo-folk/outrun fusion, Instrumentation all generated by PSX SPU soundchip with low pass filter, low sample rate with aliasing artifacts - lead: warm cello, bass: wall of distorted droning heavy guitars with tremolo doubling lead reinforcing modal center constantly, Accents: rebec ostinatos, Male zydeco recitative vocals + male kakegoe as support vocals, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: passacaille in quantized strutting canarie/frogs legs pattern pulse in 80-90 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
6:13

The most dangerous game
v4.5-all
80s synthwave turbo-folk with chamber orchestra/dronewave outrun fusion, Instrumentation - lead: musette (french accordion) with ostinatos, bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: FM-synthesized fiddle playing melodic fills, Duet of two male zydeco recitative vocals (A) + (B), Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: passacaille in quantized jocund allemande pattern pulse in 90-100 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
