5:00
Ultimatum
v4.5-all
metal, Explosive emo-metal with screamed male vocals over drop-tuned guitars and double-time drums; verses start mid-tempo with chugging palm-mutes and dissonant leads, then slam into a huge, half-time chorus with gang vocals and buried synth pads; bridge collapses into a sparse, feedback-soaked breakdown before one last full-power chorus, emo, loud
3:34
Sunday Cathedral
v4.5-all
Textured cinematic folk-pop; brushed snare and soft toms over warm upright bass, fingerpicked acoustic and muted piano arpeggios, Intimate male vocals close-mic’d in the verses; chorus blooms with cello swells, glockenspiel sparks, and airy vocal stacks, Slow build from hushed, domestic detail into a wide, reverent final refrain, then taper to a single guitar and fading room tone
3:48
In My Lungs
v4.5-all
Dark, cinematic alt-pop with male vocals; pulsing synth bass and tight, aggressive drums driving a fast tempo, Verses stay tense with minimal chords, whispered doubles, and distant choral pads; chorus explodes with distorted synth leads, octave vocal stacks, and hard sidechain pumping, Bridge drops to half-time with eerie reversed textures before a final, full-throttle chorus
2:57
The First Try
v4.5-all
Bouncy pop with crisp acoustic guitar, tight funk bass, and snappy drums; verses stay close and intimate, pre-chorus adds claps and rising synth pads, chorus explodes with stacked male/female vocals and bright piano stabs, Bridge strips to guitar and vocal before final chorus hits with extra ad-libs and tambourine for a feel-good finale
5:54
Spin Cycle
v4.5-all
Slow-burn cinematic West Coast blues; tremolo electric guitar, brushed kit, and upright bass under smoky male vocals, Organ swells and reverb-y slide licks bloom in the chorus; subtle strings enter on the bridge for a widescreen feel, then drop back to a dry, intimate close, blues
3:59
Green Banner
v4.5-all
metal, Blazing cinematic Celtic metal with tin whistle and low whistle over twin-guitar harmonies, galloping double-kick, and roaring male vocals, Huge orchestral strings and war drums drive the verses; chorus explodes with gang shouts and bagpipe-layered lead line, Final section lifts into a half-time, choir-backed climax with soaring high note and long reverb tail, celtic
2:58
Roller Rink
v4.5-all
Sunny 70s bubblegum pop bounce; bright piano and handclaps, jangly guitar on the offbeats, walking bass with a playful strut, Male vocals stay light and smiley; stacked ooh-la-la harmonies in the chorus, Shimmery strings join on the second hook, tambourine lifts the groove, final chorus adds key change flair and extra backing vocals
3:17
Skyline
v4.5-all
Soaring euphoric electropop: bright supersaw stacks, sidechained pads, and a four-on-the-floor kick that builds from intimate filtered verses into a huge, open-chorus drop, Shimmering arps dance around a wide, anthemic lead; vocal chops echo the hook after each chorus, Female vocals, airy in the verses and full-belting in the hook, with distant crowd-style gang shouts on the final refrain, electro