Other's Songs Vol.2

raw darkwave, leading electric guitar, synth exciter, slow 3/4 tempo, Electric guitar will have sustained tone, with harmonics and full-bodied mids, and gentle overdrive, Spacious and atmospheric reverb and delay are audible

Alternative Rock / Cinematic Pop / Ambient Rock, Unique Male Lead Vocal, A dynamic and charismatic baritone with an immense emotional range, blending the theatrical power and clarity of a pop icon with the raw, anthemic force of a rock frontman, Verses are intimate, smooth, and sometimes breathy, conveying deep melancholy, Choruses explode into powerful, soaring, soul-baring belts with a touch of natural grit and vibrato, Harmonies are epic, multi-layered, and create a massive, arena-filling wall of sound, The performance must feel both vulnerable and overwhelmingly powerful, Begins with a profound sense of isolation and digital perfection, transitions to awe and creative awakening, builds to a cathartic, explosive connection, and ends with a lingering, hopeful melancholy, A fusion of organic and electronic elements, The foundation is built on powerful, stadium-sized drums [Imagine Ddragons influence] with heavy kicks and echoing snares, A deep, pulsating synth bass provides a dark

Set in a minor key, this fast paced song Opens with a sinister guitar riff and a funky twisting bass line in the Hijaz Kar scale, then tribal drums enter, Between verses erupt with nasty avant-garde thrash riffs, Verses merge haunting powerful clean male vocals with Arabicvocalflourishes, evolving to epic, gritty deep vocals, Funky bass lines weave under Arabic-influenced melodies, Arrangements alternate between frantic thrash and expansive avant-garde sections, layered with shifting textures and polyrhythms for a studio-polished, experimental metal sound, filled with horror-soaked atmosphere

Melodic Black Metal, drums, keyboards, Doom Metal, dark growls, slow, intricate solos, Dungeon Synth, hypnotic, energetic melody

alternative rock, postrock, jazz rock, art rock, soul

90s, post-grunge, alternative, singer-songwriter, sad, longing, piano, female vocals

80s synth-pop, dramatic orchestral hits, slap bass, electric guitar riffs, pulsating beats, Charismatic male spoken verses mixed with powerful female choir harmonies, catchy theatrical melody

100 bpm, male vocals, pop, electro, choir, celestial, trance, bag pipes, organ, string harp, panning, ‑rap, ‑hip hop, ‑hiphop, ‑trip hop, ‑talking, ‑acapella, ‑distortion, ‑dithering, ‑overdriven, ‑poor quality

Thunderous symphonic metal foundation with layered strings, driving guitars, and punchy drums supports a deep, commanding male vocal, Darkwave synths entwine with haunting cathedral choir harmonies, An interlude features soaring Irish melodies on fiddle and flute, merging folk and metal power

Ballad, Sad, emotional, touching, story telling, melodic, progressive, powerful

dark Americana, swampy, haunting, raw and gritty female vocals

Driving prog rock with hard edged guitars, synth flourishes, virtuosic baritone vocals, extended guitar and synth solos, arena rock choruses

70s soft rock, french ambient, exotica, analog synthesizers, pedal steel guitar, glitter rock drums, fuzz guitar, vintage synth bass, lush harmonies, fender rhodes, hammond b3 organ, analog delay effects, mid-tempo stomp, drum machine, vocoder, arpeggiator, sequenced basslines

symphonic metal, powerful guitar riffs, Punk rock, epic orchestration, powerful chorus, and a lyrical female voice

Style: Stoner trip-hop x sad indie rock Theme: Burnout, rebellion, reclaiming self-worth (inspired by soot sprites from Spirited Away)

ambient, symphonic rock, fusion, spactial sound, bassline, atmospheric, echoing synth, acoustic guitar, ballad, echoing metal rock multi guitar solo's, harmonic male group vocals, syncopated, drumline, electric piano

folk rock, americana, indie folk, acoustic, emotional, anthemic, heartfelt vocals, male vocals, stomping rhythm, folk revival, melancholic, dynamic build-up, raw vocals, rustic instrumentation, piano and strings, cellos, string section, Denver sound

A hard rock anthem with a driving tempo and a powerful, raw vocal performance, The song features a prominent electric guitar riff that carries the main melody, supported by a strong bassline and energetic drum work, The drums utilize a consistent kick and snare pattern with frequent cymbal crashes, particularly during transitions and emphasized beats, The lead vocals are delivered by a male singer with a gritty, slightly distorted quality, employing a passionate, almost shouting delivery, The song structure includes distinct verse and chorus sections, with instrumental breaks that highlight the guitar, The overall production is clean but retains a live, raw feel, with the instruments well-balanced in the mix, The key appears to be minor, contributing to the intense and somewhat melancholic mood, The tempo is fast, creating a sense of urgency and drive

[Genre: 80s Glam Metal Power Ballad, Stadium Anthem, Love Ode] [Instruments: Les Paul Electric Guitar (Twin Harmony Leads), Deep Punchy Bass, Roland Jupiter-8 Synth (Airy Pads), Grand Piano (Wide Reverb), Glam Metal Drum Kit (Big Snare, Gated Reverb), Live 80s Stadium Ambience] [Vocals: Powerful Male Tenor (High Range, Slightly Raspy), Emotional Delivery, Glam Metal Phrasing (Vibrato, Sustained Notes), Layered Harmonies (Queen-Style Stacking), Live Crowd Echo Effects] [Mood: Epic, Romantic, Triumphant, 80s Stadium Rock Grandeur, Cinematic Chorus Swells] [Production: Wide Stereo Panning, Analog Tape Warmth, Dynamic Reverb (Drums/Vocals), Delayed Guitar Harmonies, "Live in Tokyo Dome" Crowd Noise, Chorus-Drenched Clean Arpeggios] [Lyrical Theme: Passionate Love Ode, Midnight Highway Romance, "Heaven on Wheels" Imagery, Fire & Rain Metaphors]

80s pop rock, dance, violin, tribal drums, tambourine, seductive, fire, passion, energetic, female vocals, electric guitar, synth, catchy chorus, retro vibe, wild night, dancing, freedom

Hard rock driven by fuzz‑drenched drop‑C riffs, jagged syncopated drums, and a bass tone that growls like jet engines, Shimmering chorus‑soaked lead lines drift over the heaviness, evoking weightless altitude, Vocals pivot between gritty mid‑range belts and half‑spoken incantations, while brief bursts of Mellotron choir and radio‑static samples widen the sonic horizon, The mood is colossal yet strange—a flight through impossible skies rather than medieval battlefields

Hard Rock, Blues Rock, Heavy Riffs, Driving Rhythm, Distorted Guitar, Power Vocals, 140 BPM, Gritty, Urban, Sinister Mood

Dolby, Arena Intro, Heavy Metal, Glam Metal, Glam Rock, Catchy, Crispy Male Voice, Anthemic Chorus, 80s, Punchy Bassline, Clear Vocals

Indie pop, post-grunge, contemporary UK pop, indie, atmospheric, nostalgic, melancholic sound, emotionally charged guitar-driven melody, working up to climax in the choruses, distinctive acoustic guitar intro, followed by an electric guitar riff, strong drum parts, and soft bass riffs, vulnerable female vocals, intimate, melodic, melancholic, raw, emotive, delivered with pristine, ultramodern production and perfect EQ for maximum clarity

indie-pop anthem with a sunny, rhythmic groove and emotionally, The song combines shimmering electric guitars, warm synth layers, bouncy bass, and groovy live-style drums, Think handclaps, tambourine sprinkles, rhythmic acoustic guitar strums, and melodic piano stabs that add playful texture, The beat should make you want to move vibrant and danceable, but not overproduced, Vocals should be expressive and soulful dark male horase with catchy melodies and clear phrasing that invites singalong moments, Use layered backing vocals in choruses for that festival-feel joy, Emphasize dynamics: keep verses a bit more spacious and intimate, let pre-chorus build tension, and explode into a bright, hook-filled chorus with joyful energy, The overall mood is empowering and life-affirming a song for open windows, dancing barefoot, or running through the city with headphones on, It blends a hint of nostalgic shimmer with fresh, modern indie-pop energy, [Keep the tempo between 105–115 BP

🏴 Scottish Folk Anthem: 🎵 Lead Instrument: Solo Highland Bagpipes (12-sec intro melody, outro reprise) 🪕 Acoustic Rhythm Guitar with percussive strums and Highland swing 🥁 Bodhrán providing 6/8 stomp-clap pub groove 🎻 Lyrical Fiddle with call-and-response to bagpipes 🎶 Penny Whistle for upper-harmony ornaments in chorus 🗣️ Male vocals in rich Scottish brogue with storytelling tone, light grit 🎤 Group harmonies and pub-style chants on choruses 🎚️ Cinematic Depth: 📯 Bagpipes re-enter in outro to close full-circle 🎧 Stereo image: pipes centered in intro/outro, fiddle and whistle panned wide 🌫️ Natural reverb simulating stone pub interior #Tempo: 96 BPM (6/8 swing feel) #Key: A Dorian

Dark cinematic electronics, Seductive and domineering, Pulsating bass, Harsh and passionate long-drawn shamanic female vocals, Breathtaking Tension, Powerful movements, Explosive impulse, Adrenaline

Progressive art metal inspired-Tool and Karnivool, Long-form 8–12 min piece in multiple movements, deep spiritual and psychedelic atmosphere, Starts with reversed ambient guitars, heartbeat bass pulses, tribal percussion and distant vocal fragments, Shifts through 7/8, 5/4, 9/8, and 6/8 meters, Spoken word, meditative verses, layered falsetto vocals, emotional build-ups, Dense polyrhythms, wah bass grooves, reversed delays, feedback, AM static, and talk box guitar textures, Vocals used also as texture: grunts, whispers, chants, Rain and slide guitar interlude, Smooth ambient crossfades link sections, Final climax unifies all elements with ritualistic force, Cinematic, immersive, and dynamic, Mastering: emphasize spatial depth, stereo imaging, and analog warmth with focused midrange, deep lows, and softened highs

hurdy gurdy, hurdy gurdy driven, folk, dark folk, folk metal, bard, medieval, atmospheric, instrumental, melancholic, low tempo, sorrow, haunting, layered vocal, raspy female vocal, ethereal vocal, raw, breathy, soaring soprano female vocals, progressive metal

Pop Rock, Soft Rock, Synth-pop, Adult Contemporary, Raspy Smoky Female Vocals, Synthesizer, ambient soundscape, reverb-heavy electric guitar, deep tom drums, airy vocal harmonies, subtle chimes, low drone synths, reversed piano notes, mystical, forbidden, witches, high-register keyboard plucks, slightly doubled for shimmer

> Epic blues‑rock ballad, folk and acoustic elements with mysterious, mystical mood, Gentle fingerpicked acoustic guitar intro in a minor key, slow tempo, ambient flute or Mellotron accents, spacious reverb, Gradually builds with layered acoustic textures, warm bass, subtle percussion, leading to a powerful electric guitar solo and full drum crescendo, Male vocal, poetic and introspective tone, evocative narrative storytelling, Cinematic dynamics, evolving from soft intimacy to grand emotional peak, ]

A driving fusion of hard and alternative rock guitar riffs with disco 80s synths and a liquid funk-inspired, syncopated bass groove, Tight live drums propel verses under melancholic high-pitched vocals, exploding into an airy falsetto chorus layered with lush harmonies and glittering pads

This song This song is a high‑octane gypsy‑punk anthem blending raw Romani folk rhythms with driving punk guitars and accordion, Up-tempo 4/4, brisk ~160 BPM, frenetic energy, Violin (Sergey Ryabtsev’s electrified fiddle) provides ecstatic melodic swirl, accordion (traditional piano‑accordion) adds gritty cabaret pulse, electric guitar (thin punk tone) cuts rhythmic bursts of defiance, bass guitar (steady, diesel‑drive tone) grounds the groove, drums (fast punk‑driving snare) propel relentless urgency, lead vocal (Eugene Hütz) snarls charismatic exhortation, Layering rises from sparse intro to full ensemble riot; dynamic dropouts and violin breaks release tension before crescendo choruses, Performance energy is visceral, sweaty and communal—crowd‑inviting frenzy, Produced circa 2002 in NYC by the band on *Multi Kontra Culti vs, Irony*, raw and live‑sounding mix that prioritises immediacy and group sound, The track must deliver ecstatic liberation and gritty immigrant defiance

Medieval rock style, English lyrics, Blend of electric guitar and medieval instruments like lute, hurdy-gurdy, and flute, Powerful rock drums with folk dance rhythms, Epic, bard-like vocals, Include a lute and guitar duet solo, [brackets] mark spoken or instrumental

live concert, live epic symphonic metal, melodic metal, power metal, industrial-influenced metal, theatrical metal, darkwave metal, smooth riff-driven metal, layered female-fronted metal, stacked harmonised female vocals, belted soprano leads, smoky mezzo underlayers, whisper-sung interludes, melodic edges, choral background textures, syncopated kick/guitar lock-in, quad-tracked overdriven guitars, subharmonic DI/cab bass blend, tom-driven fills, ambient mic bleed, stereo crowd spill, stage-left vocal reverb tail, parallel-compressed drums, gate-processed snare, FOH mix coherence, audience response mapping, analog saturation, L2-limited headroom, mic-level realism, dynamic phrasing variance, tempo rubato breakdowns, ritardando transitions, theatrical but heavy, emotional weight, majestic, dangerous, soaring, supernova intensity

The song pulses with a raw, layered sound, blending New Wave’s shimmering synths, Traditional Heavy Metal’s gritty guitars, Industrial’s mechanical edge, and Americana’s earthy warmth, Driving, distorted guitar riffs, thick with mid-range crunch, lock into a steady, galloping rhythm, grounding the track with metallic heft, Synths weave eerie, pulsating arpeggios, their bright, glassy tones cutting through like distant stars, adding a futuristic sheen, The bass rumbles low, industrial-edged with a gritty, overdriven pulse, anchoring the rhythm section alongside pounding, reverb-heavy drums that echo like factory hammers, A lone baritone guitar occasionally surfaces, its twangy, mournful notes evoking wide-open plains, lending soulful contrast, The arrangement builds dynamically, each instrument carving space, supporting a narrative arc that feels both epic and introspective, balancing raw power with haunting melody

Folk-rock anthem, building from acoustic to stadium rock, world music elements, epic choir finale

British heavy metal from the early 1980s, Driving, melodic twin electric guitars with galloping rhythms and energetic bass, Punchy acoustic drums with strong snare and crash accents, Dark, epic atmosphere with dynamic buildups, powerful instrumental breaks, and soaring, dramatic male vocals, Anthemic, adventurous, and powerful—evokes images of crusaders, distant lands, and epic journeys

Psychedelic Stoner Metal, Aggressive, Male Scratcly Voice, Psychedelic vibrant Keyboards, Wah-Wah guitar effect, Psychedelic Church Choir, Psychedelic Metal, Psychedelic Garage Rock, Grunge

Epic Symphonic Power Metal fused with medieval acoustic and fairytale folk, Starts with bouzouki, nyckelharpa, Celtic flutes, and soft medieval harp over whispered Gregorian chants, evoking magic awakening, Builds into full symphonic metal with soaring strings, epic horns, thunderous timpani, and complex syncopated drums, Vocals lead with a powerful yet crystal-clear female voice, shifting between operatic highs and raw rock emotion, Backed by massive choirs—Gregorian, Celtic, and magical duets, Acoustic interludes with baroque violin, classical guitar, tambourine highlight emotional intimacy between Carry and Noctelya, Final climax blends celestial choir, elven flutes, tribal percussion, and virtuosic electric guitar solos, A mystical metal ritual, a journey through heart, fire, and fate

Crushing, Relentless, Alternative Metal, Hard Rock, Post-Grunge, Nu Metal, Heavy Rock, Gritty Powerful Male Vocals, Raspy Growl, Aggressive Melodic Vocals, Heavy Distorted Guitars, Punchy Drums, Solid Bass, Moody Dark Atmosphere, Dynamic Build-ups, Strong Choruses, Dark Intense Brooding Energy, 90s Rock, Post-Grunge Aggression, Gritty Hard Rock Vocals, Heavy Riff

Electric, rock, gritty, classic rock, sleaze rock, glam rock, rock’n’roll, powerful, legendary, epic, hot, dynamic, Intense atmospheric, beautiful, love, romantic, electric guitar

This piece is a musical journey through centuries, tracing the evolution of a city from pastoral 16th-century villages to a vast futuristic metropolis, It maintains cohesion through recurring melodic motifs while contrasting instruments, textures, and dynamics to mark each era, Early centuries feature acoustic lute, harp, flute, and strings, evoking calm and simplicity, The 18th–19th centuries introduce metallic timbres, brass, harpsichord, and snare percussion, reflecting commerce and industrialization, The 20th century adds electric guitar, saxophone, drums, and bass for urban energy and human expression, The 21st century blends electronic synths, sampled city sounds, and programmed percussion to depict fast, modern life, The 22nd-century outro combines epic synths, choirs, metallic percussion, and robotic-acoustic hybrids, creating a cinematic climax, Tempo and dynamics progressively increase, conveying historical growth, struggle, and enduring hope, while motifs ensure continuity a

Cinematic Gothic Americana/Dark Folk song about Civil War veteran turned bounty hunter Mike Hunter, Focus on a more atmospheric, cinematic approach with fingerpicked acoustic guitar, haunting violin/fiddle, and deep cello drones, The style should lean toward Southern Gothic with influences of murder ballads and Appalachian folk, Use minor pentatonic scales, sparse arrangement, and emphasize storytelling through dramatic pauses and building tension, Vocals should be more narrative and conversational, less rough than traditional country, Include subtle percussion (brushed snare, kick drum), ambient soundscape elements, and a more orchestral, film-noir aesthetic compared to standard Dark Country