Turtleneck RMXs｜RUFFNEKK "protect ya neck" BREAKS

[RAGA BREAKCORE BOSSA 190BPM GAGAKU LIQUID DnB JAPANESE TRADITIONAL avant-garde JAZZ/BEBOP x Unpredictable Structure HIPHOP SOUL/BRASS-ROCK first] [SHORT SONG] [DEEP-ORIENTAL Organic but DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ live] [Super-PSYCHEDELIC DEEP FUNK core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO NOIR COLLAGE SUITE] [Artistic/hyper-sensual catharsis/SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT] [Virtuoso PANO god, Technical Shakuhachi/Koto Amazing Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [Evil Glossy Horns, fingerstyle accorstic guitar vs Slap bass Technique, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), PUNCHY Taiko drum-break, RAW Energy, HEAVY Textures, Dynamic but Sensual Swells, PERFECT FOR ALL] [A design in which every part complements the next measure and the next part, creating a highly integrated whole], ‑smooth-jazz sweetness, ‑elevator-jazz clichés, ‑romantic sax clichés, ‑sentimental piano, ‑lounge polish, ‑easy-listening mood, ‑bright major-key comfort, ‑pop chorus structure, ‑catchy vocal hooks, ‑predictable solos, ‑repetitive ii-V-I loops, ‑melodic clutter, ‑decorative ornament overload, ‑thin arrangements, ‑karaoke production, ‑plastic MIDI tone, ‑fake vibrato, ‑muddy low-mids, ‑overcompressed loudness, ‑stock risers, ‑bland background-music ambience

[DARK-MELLOW breakcore / avant-garde jazz classical live first; 170BPM EXPERIMENTAL French electro BOSSA; psychedelic deep funk / bebop x dreamy/dark prog jazz] [short song] [dramatically Catharsis] [MASTER CLASS GROOVE first, hybrid collage; hypnotic, elegant] [PROTAGONISTS: deep grand piano / Rhodes / acoustic guitar technical dialogue vocals] [JEWELS: virtuoso vibraphone, technical glossy horns vs strings swell, slap bass, ghost-note drums, woodwinds, SUPER 81-piece orchestra] [dark modal minor, Dorian-to-Phrygian drift, rootless 9th / 11th voicings, semitone inner drift, flat-VII gravity, stylish chaos, no bright major release] [heavy drum-break, 7/8 & 5/4] [every 4 bars 1 jewel] [sampling-friendly hook-grade riff, arpeggio, counter-line] [Audio Engine: Ultra-HD 96kHz] [Buffer: Lossless] [Dithering: None] [Frequency Response: 20Hz-22kHz] [Exclude: 300Hz-500Hz mud, boxiness, phase cancellation, monophonic sub, frequency masking] [Exclude: vocal gasps, humming, artifacts, hiss, noise, ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise, ‑smooth-jazz sweetness, ‑elevator-jazz clichés, ‑romantic sax clichés, ‑sentimental piano, ‑lounge polish, ‑easy-listening mood, ‑bright major-key comfort, ‑pop chorus structure, ‑catchy vocal hooks, ‑predictable solos, ‑repetitive ii-V-I loops, ‑melodic clutter, ‑decorative ornament overload, ‑thin arrangements, ‑karaoke production, ‑plastic MIDI tone, ‑fake vibrato, ‑muddy low-mids, ‑overcompressed loudness, ‑stock risers, ‑bland background-music ambience

[EPIC-MELLOW DEEP BRAZILIAN soul/jazz slow jam classical DUB first; 70BPM EXPERIMENTAL electro swing BOSSA; psychedelic deep funk / bebop x dreamy ALT-POP] [short song] [dramatically Catharsis] [70s MASTER CLASS GROOVE first, hybrid collage; hypnotic, elegant] [PROTAGONISTS: deep grand piano / Rhodes / acoustic guitar technical dialogue vocals] [JEWELS: virtuoso vibraphone, technical glossy horns vs strings swell, slap bass, ghost-note drums, woodwinds, SUPER 81-piece orchestra] [dark modal minor, Dorian-to-Phrygian drift, rootless 9th / 11th voicings, semitone inner drift, flat-VII gravity, stylish chaos, no bright major release] [heavy drum-break, 7/8, 5/4] [every 4 bars 1 jewel] [sampling-friendly hook-grade riff, arpeggio, counter-line] [Audio Engine: Ultra-HD 96kHz] [Buffer: Lossless] [Dithering: None] [Frequency Response: 20Hz-22kHz] [Exclude: 300Hz-500Hz mud, boxiness, phase cancellation, monophonic sub, frequency masking] [Exclude: vocal gasps, humming, artifacts, hiss, noise], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise

[DARK BREAKCORE 190BPM GAGAKU LIQUID DnB JAPANESE TRADITIONAL avant-garde JAZZ x Unpredictable Structure HIPHOP SOUL first] [SHORT SONG] [DEEP-ORIENTAL Organic but DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO NOIR COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [Super-Evil Glossy Horn, fingerstyle accorstic guitar vs Slap bass Technique, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, HEAVY Textures, Dynamic but Sensual Swells, PERFECT FOR ALL, artistic/hyper-sensual catharsis] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT], ‑smooth-jazz sweetness, ‑elevator-jazz clichés, ‑romantic sax clichés, ‑sentimental piano, ‑lounge polish, ‑easy-listening mood, ‑bright major-key comfort, ‑pop chorus structure, ‑catchy vocal hooks, ‑predictable solos, ‑repetitive ii-V-I loops, ‑melodic clutter, ‑decorative ornament overload, ‑thin arrangements, ‑karaoke production, ‑plastic MIDI tone, ‑fake vibrato, ‑muddy low-mids, ‑overcompressed loudness, ‑stock risers, ‑bland background-music ambience

[EPIC-MELLOW DEEP BRAZILIAN soul/jazz slow jam classical DUB first; 70BPM EXPERIMENTAL electro swing BOSSA; psychedelic deep funk / bebop x dreamy ALT-POP] [short song] [dramatically Catharsis] [70s MASTER CLASS GROOVE first, hybrid collage; hypnotic, elegant] [PROTAGONISTS: deep grand piano / Rhodes / acoustic guitar technical dialogue vocals] [JEWELS: virtuoso vibraphone, technical glossy horns vs strings swell, slap bass, ghost-note drums, woodwinds, SUPER 81-piece orchestra] [dark modal minor, Dorian-to-Phrygian drift, rootless 9th / 11th voicings, semitone inner drift, flat-VII gravity, stylish chaos, no bright major release] [heavy drum-break, 7/8, 5/4] [every 4 bars 1 jewel] [sampling-friendly hook-grade riff, arpeggio, counter-line] [Audio Engine: Ultra-HD 96kHz] [Buffer: Lossless] [Dithering: None] [Frequency Response: 20Hz-22kHz] [Exclude: 300Hz-500Hz mud, boxiness, phase cancellation, monophonic sub, frequency masking] [Exclude: vocal gasps, humming, artifacts, hiss, noise], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise

[DARK-MELLOW breakcore / avant-garde jazz classical live first; 170BPM EXPERIMENTAL French electro BOSSA; psychedelic deep funk / bebop x dreamy/dark prog jazz] [short song] [dramatically Catharsis] [MASTER CLASS GROOVE first, hybrid collage; hypnotic, elegant] [PROTAGONISTS: deep grand piano / Rhodes / acoustic guitar technical dialogue vocals] [JEWELS: virtuoso vibraphone, technical glossy horns vs strings swell, slap bass, ghost-note drums, woodwinds, SUPER 81-piece orchestra] [dark modal minor, Dorian-to-Phrygian drift, rootless 9th / 11th voicings, semitone inner drift, flat-VII gravity, stylish chaos, no bright major release] [heavy drum-break, 7/8 & 5/4] [every 4 bars 1 jewel] [sampling-friendly hook-grade riff, arpeggio, counter-line] [Audio Engine: Ultra-HD 96kHz] [Buffer: Lossless] [Dithering: None] [Frequency Response: 20Hz-22kHz] [Exclude: 300Hz-500Hz mud, boxiness, phase cancellation, monophonic sub, frequency masking] [Exclude: vocal gasps, humming, artifacts, hiss, noise, ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise, ‑smooth-jazz sweetness, ‑elevator-jazz clichés, ‑romantic sax clichés, ‑sentimental piano, ‑lounge polish, ‑easy-listening mood, ‑bright major-key comfort, ‑pop chorus structure, ‑catchy vocal hooks, ‑predictable solos, ‑repetitive ii-V-I loops, ‑melodic clutter, ‑decorative ornament overload, ‑thin arrangements, ‑karaoke production, ‑plastic MIDI tone, ‑fake vibrato, ‑muddy low-mids, ‑overcompressed loudness, ‑stock risers, ‑bland background-music ambience

[RAGA BREAKCORE BOSSA 190BPM GAGAKU LIQUID DnB JAPANESE TRADITIONAL avant-garde JAZZ/BEBOP x Unpredictable Structure HIPHOP SOUL/BRASS-ROCK first] [SHORT SONG] [DEEP-ORIENTAL Organic but DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra BRAZILIAN/AFRO JAZZ] [PSYCHEDELIC DEEP FUNK core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO NOIR COLLAGE SUITE] [Artistic/hyper-sensual catharsis/SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT] [Virtuoso PANO god, Technical Shakuhachi/Koto Amazing Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [Evil Glossy Horns, fingerstyle accorstic guitar vs Slap bass Technique, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), PUNCHY Taiko drum-break, RAW Energy, HEAVY Textures, Dynamic but Sensual Swells, PERFECT FOR ALL] [A design in which every part complements the next measure and the next part, creating a highly integrated whole]

[DEEP-MELLOW breakcore / avant-garde jazz classical live first; 200BPM EXPERIMENTAL French electro; psychedelic deep funk / bebop core x dreamy/dark prog jazz] [short song] [dramatically Catharsis] [MASTER CLASS GROOVE first, hybrid collage; hypnotic, elegant] [PROTAGONISTS: deep grand piano / Rhodes / acoustic guitar technical dialogue vocals] [JEWELS: virtuoso vibraphone, technical glossy horns vs strings swell, slap bass, ghost-note drums, woodwinds, SUPER 81-piece orchestra] [dark modal minor, Dorian-to-Phrygian drift, rootless 9th / 11th voicings, semitone inner drift, flat-VII gravity, stylish chaos, no bright major release] [heavy drum-break, 7/8 & 5/4] [every 4 bars 1 jewel] [sampling-friendly hook-grade riff, arpeggio, counter-line] [Audio Engine: Ultra-HD 96kHz] [Buffer: Lossless] [Dithering: None] [Frequency Response: 20Hz-22kHz] [Exclude: 300Hz-500Hz mud, boxiness, phase cancellation, monophonic sub, frequency masking] [Exclude: vocal gasps, humming, artifacts, hiss, noise], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise, ‑smooth-jazz sweetness, ‑elevator-jazz clichés, ‑romantic sax clichés, ‑sentimental piano, ‑lounge polish, ‑easy-listening mood, ‑bright major-key comfort, ‑pop chorus structure, ‑catchy vocal hooks, ‑predictable solos, ‑repetitive ii-V-I loops, ‑melodic clutter, ‑decorative ornament overload, ‑thin arrangements, ‑karaoke production, ‑plastic MIDI tone, ‑fake vibrato, ‑muddy low-mids, ‑overcompressed loudness, ‑stock risers, ‑bland background-music ambience

[RAGA BREAKCORE 190BPM GAGAKU LIQUID DnB JAPANESE TRADITIONAL avant-garde JAZZ/BEBOP x Unpredictable Structure HIPHOP SOUL/BRASS-ROCK first] [SHORT SONG] [DEEP-ORIENTAL Organic but DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ ROCK live] [Super-PSYCHEDELIC DEEP FUNK core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO NOIR COLLAGE SUITE] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT] [Virtuoso PANO god, Technical Shakuhachi/Koto Amazing Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [Evil Glossy Horn, fingerstyle accorstic guitar vs Slap bass Technique, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, RAW Energy, HEAVY Textures, Dynamic but Sensual Swells, PERFECT FOR ALL, artistic/hyper-sensual catharsis] [A design in which every part complements the next measure and the next part, creating a highly integrated whole], ‑smooth-jazz sweetness, ‑elevator-jazz clichés, ‑romantic sax clichés, ‑sentimental piano, ‑lounge polish, ‑easy-listening mood, ‑bright major-key comfort, ‑pop chorus structure, ‑catchy vocal hooks, ‑predictable solos, ‑repetitive ii-V-I loops, ‑melodic clutter, ‑decorative ornament overload, ‑thin arrangements, ‑karaoke production, ‑plastic MIDI tone, ‑fake vibrato, ‑muddy low-mids, ‑overcompressed loudness, ‑stock risers, ‑bland background-music ambience

[EPIC avant-garde JAZZ ROCK x ALT HIPHOP SOUL/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [JAPANESE TRADITIONAL DEEP-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 3:33 SHORT SONG] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT], ‑long song

[DEEP-MELLOW breakcore / avant-garde jazz classical live first; 200BPM EXPERIMENTAL French electro; psychedelic deep funk / bebop core x dreamy/dark prog jazz] [short song] [dramatically Catharsis] [MASTER CLASS GROOVE first, hybrid collage; hypnotic, elegant] [PROTAGONISTS: deep grand piano / Rhodes / acoustic guitar technical dialogue vocals] [JEWELS: virtuoso vibraphone, technical glossy horns vs strings swell, slap bass, ghost-note drums, woodwinds, SUPER 81-piece orchestra] [dark modal minor, Dorian-to-Phrygian drift, rootless 9th / 11th voicings, semitone inner drift, flat-VII gravity, stylish chaos, no bright major release] [heavy drum-break, 7/8 & 5/4] [every 4 bars 1 jewel] [sampling-friendly hook-grade riff, arpeggio, counter-line] [Audio Engine: Ultra-HD 96kHz] [Buffer: Lossless] [Dithering: None] [Frequency Response: 20Hz-22kHz] [Exclude: 300Hz-500Hz mud, boxiness, phase cancellation, monophonic sub, frequency masking] [Exclude: vocal gasps, humming, artifacts, hiss, noise], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise, ‑smooth-jazz sweetness, ‑elevator-jazz clichés, ‑romantic sax clichés, ‑sentimental piano, ‑lounge polish, ‑easy-listening mood, ‑bright major-key comfort, ‑pop chorus structure, ‑catchy vocal hooks, ‑predictable solos, ‑repetitive ii-V-I loops, ‑melodic clutter, ‑decorative ornament overload, ‑thin arrangements, ‑karaoke production, ‑plastic MIDI tone, ‑fake vibrato, ‑muddy low-mids, ‑overcompressed loudness, ‑stock risers, ‑bland background-music ambience

[ULTIMATE BREAKS BOSSA 140BPM GAGAKU LIQUID DnB JAPANESE TRADITIONAL avant-garde JAZZ/BEBOP x Unpredictable Structure HIPHOP SOUL/BRASS-ROCK first] [SHORT SONG] [DEEP-ORIENTAL Organic but DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra BRAZILIAN/AFRO JAZZ] [PSYCHEDELIC DEEP FUNK core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO NOIR COLLAGE SUITE] [Artistic/hyper-sensual catharsis/SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT] [Virtuoso PANO god, Technical Shakuhachi/Koto Amazing Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [Evil Glossy Horns, fingerstyle accorstic guitar vs Slap bass Technique, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), PUNCHY Taiko drum-break, RAW Energy, HEAVY Textures, Dynamic but Sensual Swells, PERFECT FOR ALL] [A design in which every part complements the next measure and the next part, creating a highly integrated whole], ‑long song, ‑smooth-jazz sweetness, ‑elevator-jazz clichés, ‑romantic sax clichés, ‑sentimental piano, ‑lounge polish, ‑easy-listening mood, ‑bright major-key comfort, ‑pop chorus structure, ‑catchy vocal hooks, ‑predictable solos, ‑repetitive ii-V-I loops, ‑melodic clutter, ‑decorative ornament overload, ‑thin arrangements, ‑karaoke production, ‑plastic MIDI tone, ‑fake vibrato, ‑muddy low-mids, ‑overcompressed loudness, ‑stock risers, ‑bland background-music ambience

[DARK-MELLOW breakcore / avant-garde jazz classical DUB first; 170BPM EXPERIMENTAL French electro BOSSA; psychedelic deep funk / bebop x dreamy/dark ALT-POP] [short song] [dramatically Catharsis] [MASTER CLASS GROOVE first, hybrid collage; hypnotic, elegant] [PROTAGONISTS: deep grand piano / Rhodes / acoustic guitar technical dialogue vocals] [JEWELS: virtuoso vibraphone, technical glossy horns vs strings swell, slap bass, ghost-note drums, woodwinds, SUPER 81-piece orchestra] [dark modal minor, Dorian-to-Phrygian drift, rootless 9th / 11th voicings, semitone inner drift, flat-VII gravity, stylish chaos, no bright major release] [heavy drum-break, 7/8, 5/4] [every 4 bars 1 jewel] [sampling-friendly hook-grade riff, arpeggio, counter-line] [Audio Engine: Ultra-HD 96kHz] [Buffer: Lossless] [Dithering: None] [Frequency Response: 20Hz-22kHz] [Exclude: 300Hz-500Hz mud, boxiness, phase cancellation, monophonic sub, frequency masking] [Exclude: vocal gasps, humming, artifacts, hiss, noise], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise, ‑smooth-jazz sweetness, ‑elevator-jazz clichés, ‑romantic sax clichés, ‑sentimental piano, ‑lounge polish, ‑easy-listening mood, ‑bright major-key comfort, ‑pop chorus structure, ‑catchy vocal hooks, ‑predictable solos, ‑repetitive ii-V-I loops, ‑melodic clutter, ‑decorative ornament overload, ‑thin arrangements, ‑karaoke production, ‑plastic MIDI tone, ‑fake vibrato, ‑muddy low-mids, ‑overcompressed loudness, ‑stock risers, ‑bland background-music ambience

[ULTIMATE DUB BREAKS 66BPM GAGAKU LIQUID IDM JAPANESE TRADITIONAL avant-garde JAZZ/BEBOP x Unpredictable Structure HIPHOP SOUL/BRASS-ROCK LIVE first] [SHORT SONG] [DEEP-ORIENTAL Organic but DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra BRAZILIAN/AFRO JAZZ] [PSYCHEDELIC DEEP FUNK core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO NOIR COLLAGE SUITE] [Artistic/hyper-sensual catharsis/SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT] [Virtuoso PANO god, Technical Shakuhachi/Koto Amazing Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [Evil Glossy Horns, fingerstyle accorstic guitar vs Slap bass Technique, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), PUNCHY Taiko drum-break, RAW Energy, HEAVY Textures, Dynamic but Sensual Swells, PERFECT FOR ALL] [A design in which every part complements the next measure and the next part, creating a highly integrated whole], ‑long song, ‑smooth-jazz sweetness, ‑elevator-jazz clichés, ‑romantic sax clichés, ‑sentimental piano, ‑lounge polish, ‑easy-listening mood, ‑bright major-key comfort, ‑pop chorus structure, ‑catchy vocal hooks, ‑predictable solos, ‑repetitive ii-V-I loops, ‑melodic clutter, ‑decorative ornament overload, ‑thin arrangements, ‑karaoke production, ‑plastic MIDI tone, ‑fake vibrato, ‑muddy low-mids, ‑overcompressed loudness, ‑stock risers, ‑bland background-music ambience

[DARK-MELLOW breakcore / avant-garde jazz classical DUB first; 170BPM EXPERIMENTAL French electro BOSSA; psychedelic deep funk / bebop x dreamy/dark ALT-POP] [short song] [dramatically Catharsis] [MASTER CLASS GROOVE first, hybrid collage; hypnotic, elegant] [PROTAGONISTS: deep grand piano / Rhodes / acoustic guitar technical dialogue vocals] [JEWELS: virtuoso vibraphone, technical glossy horns vs strings swell, slap bass, ghost-note drums, woodwinds, SUPER 81-piece orchestra] [dark modal minor, Dorian-to-Phrygian drift, rootless 9th / 11th voicings, semitone inner drift, flat-VII gravity, stylish chaos, no bright major release] [heavy drum-break, 7/8, 5/4] [every 4 bars 1 jewel] [sampling-friendly hook-grade riff, arpeggio, counter-line] [Audio Engine: Ultra-HD 96kHz] [Buffer: Lossless] [Dithering: None] [Frequency Response: 20Hz-22kHz] [Exclude: 300Hz-500Hz mud, boxiness, phase cancellation, monophonic sub, frequency masking] [Exclude: vocal gasps, humming, artifacts, hiss, noise], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise, ‑smooth-jazz sweetness, ‑elevator-jazz clichés, ‑romantic sax clichés, ‑sentimental piano, ‑lounge polish, ‑easy-listening mood, ‑bright major-key comfort, ‑pop chorus structure, ‑catchy vocal hooks, ‑predictable solos, ‑repetitive ii-V-I loops, ‑melodic clutter, ‑decorative ornament overload, ‑thin arrangements, ‑karaoke production, ‑plastic MIDI tone, ‑fake vibrato, ‑muddy low-mids, ‑overcompressed loudness, ‑stock risers, ‑bland background-music ambience

[ULTIMATE DUB BREAKS 66BPM GAGAKU LIQUID IDM JAPANESE TRADITIONAL avant-garde JAZZ/BEBOP x Unpredictable Structure HIPHOP SOUL/BRASS-ROCK LIVE first] [SHORT SONG] [DEEP-ORIENTAL Organic but DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra BRAZILIAN/AFRO JAZZ] [PSYCHEDELIC DEEP FUNK core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO NOIR COLLAGE SUITE] [Artistic/hyper-sensual catharsis/SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT] [Virtuoso PANO god, Technical Shakuhachi/Koto Amazing Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [Evil Glossy Horns, fingerstyle accorstic guitar vs Slap bass Technique, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), PUNCHY Taiko drum-break, RAW Energy, HEAVY Textures, Dynamic but Sensual Swells, PERFECT FOR ALL] [A design in which every part complements the next measure and the next part, creating a highly integrated whole], ‑long song, ‑smooth-jazz sweetness, ‑elevator-jazz clichés, ‑romantic sax clichés, ‑sentimental piano, ‑lounge polish, ‑easy-listening mood, ‑bright major-key comfort, ‑pop chorus structure, ‑catchy vocal hooks, ‑predictable solos, ‑repetitive ii-V-I loops, ‑melodic clutter, ‑decorative ornament overload, ‑thin arrangements, ‑karaoke production, ‑plastic MIDI tone, ‑fake vibrato, ‑muddy low-mids, ‑overcompressed loudness, ‑stock risers, ‑bland background-music ambience

[DARK-MELLOW DEEP TECH SOUL avant-garde jazz classical DUB first; 140BPM EXPERIMENTAL French electro BOSSA; psychedelic deep funk / bebop x dreamy/dark ALT-POP] [short song] [dramatically Catharsis] [MASTER CLASS GROOVE first, hybrid collage; hypnotic, elegant] [PROTAGONISTS: deep grand piano / Rhodes / acoustic guitar technical dialogue vocals] [JEWELS: virtuoso vibraphone, technical glossy horns vs strings swell, slap bass, ghost-note drums, woodwinds, SUPER 81-piece orchestra] [dark modal minor, Dorian-to-Phrygian drift, rootless 9th / 11th voicings, semitone inner drift, flat-VII gravity, stylish chaos, no bright major release] [heavy drum-break, 7/8, 5/4] [every 4 bars 1 jewel] [sampling-friendly hook-grade riff, arpeggio, counter-line] [Audio Engine: Ultra-HD 96kHz] [Buffer: Lossless] [Dithering: None] [Frequency Response: 20Hz-22kHz] [Exclude: 300Hz-500Hz mud, boxiness, phase cancellation, monophonic sub, frequency masking] [Exclude: vocal gasps, humming, artifacts, hiss, noise], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise, ‑smooth-jazz sweetness, ‑elevator-jazz clichés, ‑romantic sax clichés, ‑sentimental piano, ‑lounge polish, ‑easy-listening mood, ‑bright major-key comfort, ‑pop chorus structure, ‑catchy vocal hooks, ‑predictable solos, ‑repetitive ii-V-I loops, ‑melodic clutter, ‑decorative ornament overload, ‑thin arrangements, ‑karaoke production, ‑plastic MIDI tone, ‑fake vibrato, ‑muddy low-mids, ‑overcompressed loudness, ‑stock risers, ‑bland background-music ambience

[DARK-MELLOW DEEP TECH SOUL avant-garde jazz classical DUB first; 140BPM EXPERIMENTAL French electro BOSSA; psychedelic deep funk / bebop x dreamy/dark ALT-POP] [short song] [dramatically Catharsis] [MASTER CLASS GROOVE first, hybrid collage; hypnotic, elegant] [PROTAGONISTS: deep grand piano / Rhodes / acoustic guitar technical dialogue vocals] [JEWELS: virtuoso vibraphone, technical glossy horns vs strings swell, slap bass, ghost-note drums, woodwinds, SUPER 81-piece orchestra] [dark modal minor, Dorian-to-Phrygian drift, rootless 9th / 11th voicings, semitone inner drift, flat-VII gravity, stylish chaos, no bright major release] [heavy drum-break, 7/8, 5/4] [every 4 bars 1 jewel] [sampling-friendly hook-grade riff, arpeggio, counter-line] [Audio Engine: Ultra-HD 96kHz] [Buffer: Lossless] [Dithering: None] [Frequency Response: 20Hz-22kHz] [Exclude: 300Hz-500Hz mud, boxiness, phase cancellation, monophonic sub, frequency masking] [Exclude: vocal gasps, humming, artifacts, hiss, noise], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise, ‑smooth-jazz sweetness, ‑elevator-jazz clichés, ‑romantic sax clichés, ‑sentimental piano, ‑lounge polish, ‑easy-listening mood, ‑bright major-key comfort, ‑pop chorus structure, ‑catchy vocal hooks, ‑predictable solos, ‑repetitive ii-V-I loops, ‑melodic clutter, ‑decorative ornament overload, ‑thin arrangements, ‑karaoke production, ‑plastic MIDI tone, ‑fake vibrato, ‑muddy low-mids, ‑overcompressed loudness, ‑stock risers, ‑bland background-music ambience

[DARK-MELLOW DEEP TECH SOUL avant-garde jazz classical DUB first; 140BPM EXPERIMENTAL French electro BOSSA; psychedelic deep funk / bebop x dreamy/dark ALT-POP] [short song] [dramatically Catharsis] [MASTER CLASS GROOVE first, hybrid collage; hypnotic, elegant] [PROTAGONISTS: deep grand piano / Rhodes / acoustic guitar technical dialogue vocals] [JEWELS: virtuoso vibraphone, technical glossy horns vs strings swell, slap bass, ghost-note drums, woodwinds, SUPER 81-piece orchestra] [dark modal minor, Dorian-to-Phrygian drift, rootless 9th / 11th voicings, semitone inner drift, flat-VII gravity, stylish chaos, no bright major release] [heavy drum-break, 7/8, 5/4] [every 4 bars 1 jewel] [sampling-friendly hook-grade riff, arpeggio, counter-line] [Audio Engine: Ultra-HD 96kHz] [Buffer: Lossless] [Dithering: None] [Frequency Response: 20Hz-22kHz] [Exclude: 300Hz-500Hz mud, boxiness, phase cancellation, monophonic sub, frequency masking] [Exclude: vocal gasps, humming, artifacts, hiss, noise], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise, ‑smooth-jazz sweetness, ‑elevator-jazz clichés, ‑romantic sax clichés, ‑sentimental piano, ‑lounge polish, ‑easy-listening mood, ‑bright major-key comfort, ‑pop chorus structure, ‑catchy vocal hooks, ‑predictable solos, ‑repetitive ii-V-I loops, ‑melodic clutter, ‑decorative ornament overload, ‑thin arrangements, ‑karaoke production, ‑plastic MIDI tone, ‑fake vibrato, ‑muddy low-mids, ‑overcompressed loudness, ‑stock risers, ‑bland background-music ambience

[DARK-MELLOW DEEP TECH SOUL avant-garde jazz classical DUB first; 140BPM EXPERIMENTAL French electro BOSSA; psychedelic deep funk / bebop x dreamy ALT-POP] [short song] [dramatically Catharsis] [MASTER CLASS GROOVE first, hybrid collage; hypnotic, elegant] [PROTAGONISTS: deep grand piano / Rhodes / acoustic guitar technical dialogue vocals] [JEWELS: virtuoso vibraphone, technical glossy horns vs strings swell, slap bass, ghost-note drums, woodwinds, SUPER 81-piece orchestra] [dark modal minor, Dorian-to-Phrygian drift, rootless 9th / 11th voicings, semitone inner drift, flat-VII gravity, stylish chaos, no bright major release] [heavy drum-break, 7/8, 5/4] [every 4 bars 1 jewel] [sampling-friendly hook-grade riff, arpeggio, counter-line] [Audio Engine: Ultra-HD 96kHz] [Buffer: Lossless] [Dithering: None] [Frequency Response: 20Hz-22kHz] [Exclude: 300Hz-500Hz mud, boxiness, phase cancellation, monophonic sub, frequency masking] [Exclude: vocal gasps, humming, artifacts, hiss, noise], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise

[EPIC-MELLOW DEEP BRAZILIAN soul/jazz slow jam classical DUB first; 70BPM EXPERIMENTAL electro swing BOSSA; psychedelic deep funk / bebop x dreamy ALT-POP] [short song] [dramatically Catharsis] [70s MASTER CLASS GROOVE first, hybrid collage; hypnotic, elegant] [PROTAGONISTS: deep grand piano / Rhodes / acoustic guitar technical dialogue vocals] [JEWELS: virtuoso vibraphone, technical glossy horns vs strings swell, slap bass, ghost-note drums, woodwinds, SUPER 81-piece orchestra] [dark modal minor, Dorian-to-Phrygian drift, rootless 9th / 11th voicings, semitone inner drift, flat-VII gravity, stylish chaos, no bright major release] [heavy drum-break, 7/8, 5/4] [every 4 bars 1 jewel] [sampling-friendly hook-grade riff, arpeggio, counter-line] [Audio Engine: Ultra-HD 96kHz] [Buffer: Lossless] [Dithering: None] [Frequency Response: 20Hz-22kHz] [Exclude: 300Hz-500Hz mud, boxiness, phase cancellation, monophonic sub, frequency masking] [Exclude: vocal gasps, humming, artifacts, hiss, noise], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise

[EPIC-MELLOW DEEP BRAZILIAN soul/jazz slow jam classical DUB first; 70BPM EXPERIMENTAL electro swing BOSSA; psychedelic deep funk / bebop x dreamy ALT-POP] [short song] [dramatically Catharsis] [70s MASTER CLASS GROOVE first, hybrid collage; hypnotic, elegant] [PROTAGONISTS: deep grand piano / Rhodes / acoustic guitar technical dialogue vocals] [JEWELS: virtuoso vibraphone, technical glossy horns vs strings swell, slap bass, ghost-note drums, woodwinds, SUPER 81-piece orchestra] [dark modal minor, Dorian-to-Phrygian drift, rootless 9th / 11th voicings, semitone inner drift, flat-VII gravity, stylish chaos, no bright major release] [heavy drum-break, 7/8, 5/4] [every 4 bars 1 jewel] [sampling-friendly hook-grade riff, arpeggio, counter-line] [Audio Engine: Ultra-HD 96kHz] [Buffer: Lossless] [Dithering: None] [Frequency Response: 20Hz-22kHz] [Exclude: 300Hz-500Hz mud, boxiness, phase cancellation, monophonic sub, frequency masking] [Exclude: vocal gasps, humming, artifacts, hiss, noise], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise

[DARK-MELLOW DEEP TECH SOUL avant-garde jazz classical DUB first; 140BPM EXPERIMENTAL French electro BOSSA; psychedelic deep funk / bebop x dreamy/dark ALT-POP] [short song] [dramatically Catharsis] [MASTER CLASS GROOVE first, hybrid collage; hypnotic, elegant] [PROTAGONISTS: deep grand piano / Rhodes / acoustic guitar technical dialogue vocals] [JEWELS: virtuoso vibraphone, technical glossy horns vs strings swell, slap bass, ghost-note drums, woodwinds, SUPER 81-piece orchestra] [dark modal minor, Dorian-to-Phrygian drift, rootless 9th / 11th voicings, semitone inner drift, flat-VII gravity, stylish chaos, no bright major release] [heavy drum-break, 7/8, 5/4] [every 4 bars 1 jewel] [sampling-friendly hook-grade riff, arpeggio, counter-line] [Audio Engine: Ultra-HD 96kHz] [Buffer: Lossless] [Dithering: None] [Frequency Response: 20Hz-22kHz] [Exclude: 300Hz-500Hz mud, boxiness, phase cancellation, monophonic sub, frequency masking] [Exclude: vocal gasps, humming, artifacts, hiss, noise], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise, ‑smooth-jazz sweetness, ‑elevator-jazz clichés, ‑romantic sax clichés, ‑sentimental piano, ‑lounge polish, ‑easy-listening mood, ‑bright major-key comfort, ‑pop chorus structure, ‑catchy vocal hooks, ‑predictable solos, ‑repetitive ii-V-I loops, ‑melodic clutter, ‑decorative ornament overload, ‑thin arrangements, ‑karaoke production, ‑plastic MIDI tone, ‑fake vibrato, ‑muddy low-mids, ‑overcompressed loudness, ‑stock risers, ‑bland background-music ambience

[DARK-MELLOW DEEP TECH HOUSE avant-garde jazz classical DUB first; 130BPM EXPERIMENTAL electro swing BOSSA; psychedelic deep funk / bebop x dreamy ALT-POP] [short song] [dramatically Catharsis] [MASTER CLASS GROOVE first, hybrid collage; hypnotic, elegant] [PROTAGONISTS: deep grand piano / Rhodes / acoustic guitar technical dialogue vocals] [JEWELS: virtuoso vibraphone, technical glossy horns vs strings swell, slap bass, ghost-note drums, woodwinds, SUPER 81-piece orchestra] [dark modal minor, Dorian-to-Phrygian drift, rootless 9th / 11th voicings, semitone inner drift, flat-VII gravity, stylish chaos, no bright major release] [heavy drum-break, 7/8, 5/4] [every 4 bars 1 jewel] [sampling-friendly hook-grade riff, arpeggio, counter-line] [Audio Engine: Ultra-HD 96kHz] [Buffer: Lossless] [Dithering: None] [Frequency Response: 20Hz-22kHz] [Exclude: 300Hz-500Hz mud, boxiness, phase cancellation, monophonic sub, frequency masking] [Exclude: vocal gasps, humming, artifacts, hiss, noise], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise

[DARK-MELLOW DEEP TECH HOUSE avant-garde jazz classical DUB first; 130BPM EXPERIMENTAL electro swing BOSSA; psychedelic deep funk / bebop x dreamy ALT-POP] [short song] [dramatically Catharsis] [MASTER CLASS GROOVE first, hybrid collage; hypnotic, elegant] [PROTAGONISTS: deep grand piano / Rhodes / acoustic guitar technical dialogue vocals] [JEWELS: virtuoso vibraphone, technical glossy horns vs strings swell, slap bass, ghost-note drums, woodwinds, SUPER 81-piece orchestra] [dark modal minor, Dorian-to-Phrygian drift, rootless 9th / 11th voicings, semitone inner drift, flat-VII gravity, stylish chaos, no bright major release] [heavy drum-break, 7/8, 5/4] [every 4 bars 1 jewel] [sampling-friendly hook-grade riff, arpeggio, counter-line] [Audio Engine: Ultra-HD 96kHz] [Buffer: Lossless] [Dithering: None] [Frequency Response: 20Hz-22kHz] [Exclude: 300Hz-500Hz mud, boxiness, phase cancellation, monophonic sub, frequency masking] [Exclude: vocal gasps, humming, artifacts, hiss, noise], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise

[EPIC-MELLOW DEEP BRAZILIAN soul/jazz slow jam classical DUB first; 70BPM EXPERIMENTAL electro swing BOSSA; psychedelic deep funk / bebop x dreamy ALT-POP] [short song] [dramatically Catharsis] [70s MASTER CLASS GROOVE first, hybrid collage; hypnotic, elegant] [PROTAGONISTS: deep grand piano / Rhodes / acoustic guitar technical dialogue vocals] [JEWELS: virtuoso vibraphone, technical glossy horns vs strings swell, slap bass, ghost-note drums, woodwinds, SUPER 81-piece orchestra] [dark modal minor, Dorian-to-Phrygian drift, rootless 9th / 11th voicings, semitone inner drift, flat-VII gravity, stylish chaos, no bright major release] [heavy drum-break, 7/8, 5/4] [every 4 bars 1 jewel] [sampling-friendly hook-grade riff, arpeggio, counter-line] [Audio Engine: Ultra-HD 96kHz] [Buffer: Lossless] [Dithering: None] [Frequency Response: 20Hz-22kHz] [Exclude: 300Hz-500Hz mud, boxiness, phase cancellation, monophonic sub, frequency masking] [Exclude: vocal gasps, humming, artifacts, hiss, noise], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise

[EPIC-MELLOW DEEP BRAZILIAN soul/jazz slow jam classical DUB first; 70BPM EXPERIMENTAL electro swing BOSSA; psychedelic deep funk / bebop x dreamy ALT-POP] [short song] [dramatically Catharsis] [70s MASTER CLASS GROOVE first, hybrid collage; hypnotic, elegant] [PROTAGONISTS: deep grand piano / Rhodes / acoustic guitar technical dialogue vocals] [JEWELS: virtuoso vibraphone, technical glossy horns vs strings swell, slap bass, ghost-note drums, woodwinds, SUPER 81-piece orchestra] [dark modal minor, Dorian-to-Phrygian drift, rootless 9th / 11th voicings, semitone inner drift, flat-VII gravity, stylish chaos, no bright major release] [heavy drum-break, 7/8, 5/4] [every 4 bars 1 jewel] [sampling-friendly hook-grade riff, arpeggio, counter-line] [Audio Engine: Ultra-HD 96kHz] [Buffer: Lossless] [Dithering: None] [Frequency Response: 20Hz-22kHz] [Exclude: 300Hz-500Hz mud, boxiness, phase cancellation, monophonic sub, frequency masking] [Exclude: vocal gasps, humming, artifacts, hiss, noise], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise

[EPIC-MELLOW DEEP BRAZILIAN soul/jazz slow jam classical DUB first; 70BPM EXPERIMENTAL electro swing BOSSA; psychedelic deep funk / bebop x dreamy ALT-POP] [short song] [dramatically Catharsis] [70s MASTER CLASS GROOVE first, hybrid collage; hypnotic, elegant] [PROTAGONISTS: deep grand piano / Rhodes / acoustic guitar technical dialogue vocals] [JEWELS: virtuoso vibraphone, technical glossy horns vs strings swell, slap bass, ghost-note drums, woodwinds, SUPER 81-piece orchestra] [dark modal minor, Dorian-to-Phrygian drift, rootless 9th / 11th voicings, semitone inner drift, flat-VII gravity, stylish chaos, no bright major release] [heavy drum-break, 7/8, 5/4] [every 4 bars 1 jewel] [sampling-friendly hook-grade riff, arpeggio, counter-line] [Audio Engine: Ultra-HD 96kHz] [Buffer: Lossless] [Dithering: None] [Frequency Response: 20Hz-22kHz] [Exclude: 300Hz-500Hz mud, boxiness, phase cancellation, monophonic sub, frequency masking] [Exclude: vocal gasps, humming, artifacts, hiss, noise], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise

[EPIC-MELLOW DEEP BRAZILIAN soul/jazz slow jam classical DUB first; 70BPM EXPERIMENTAL electro swing BOSSA; psychedelic deep funk / bebop x dreamy ALT-POP] [short song] [dramatically Catharsis] [70s MASTER CLASS GROOVE first, hybrid collage; hypnotic, elegant] [PROTAGONISTS: deep grand piano / Rhodes / acoustic guitar technical dialogue vocals] [JEWELS: virtuoso vibraphone, technical glossy horns vs strings swell, slap bass, ghost-note drums, woodwinds, SUPER 81-piece orchestra] [dark modal minor, Dorian-to-Phrygian drift, rootless 9th / 11th voicings, semitone inner drift, flat-VII gravity, stylish chaos, no bright major release] [heavy drum-break, 7/8, 5/4] [every 4 bars 1 jewel] [sampling-friendly hook-grade riff, arpeggio, counter-line] [Audio Engine: Ultra-HD 96kHz] [Buffer: Lossless] [Dithering: None] [Frequency Response: 20Hz-22kHz] [Exclude: 300Hz-500Hz mud, boxiness, phase cancellation, monophonic sub, frequency masking] [Exclude: vocal gasps, humming, artifacts, hiss, noise], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise

[EPIC-DRIVING BRAZILIAN soul/jazz slow jam classical DUB first; 170BPM EXPERIMENTAL electro swing BOSSA; psychedelic deep funk / bebop x dreamy ALT-POP] [short song] [dramatically Catharsis] [70s MASTER CLASS GROOVE first, hybrid collage; hypnotic, elegant] [PROTAGONISTS: deep grand piano / Rhodes / acoustic guitar technical dialogue vocals] [JEWELS: virtuoso vibraphone, technical glossy horns vs strings swell, slap bass, ghost-note drums, woodwinds, SUPER 81-piece orchestra] [dark modal minor, Dorian-to-Phrygian drift, rootless 9th / 11th voicings, semitone inner drift, flat-VII gravity, stylish chaos, no bright major release] [heavy drum-break, 7/8, 5/4] [every 4 bars 1 jewel] [sampling-friendly hook-grade riff, arpeggio, counter-line] [Audio Engine: Ultra-HD 96kHz] [Buffer: Lossless] [Dithering: None] [Frequency Response: 20Hz-22kHz] [Exclude: 300Hz-500Hz mud, boxiness, phase cancellation, monophonic sub, frequency masking] [Exclude: vocal gasps, humming, artifacts, hiss, noise], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise

[avant-garde JAZZ ROCK x ALT HIPHOP/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [JAPANESE TRADITIONAL DEEP-ORIENTAL DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 5:55 HARD STOP] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise

[avant-garde JAZZ ROCK x ALT HIPHOP/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [JAPANESE TRADITIONAL DEEP-ORIENTAL DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 3:33 SHORT SONG] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise

[avant-garde JAZZ ROCK x ALT HIPHOP/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [JAPANESE TRADITIONAL DEEP-ORIENTAL DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 3:33 SHORT SONG] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise

[avant-garde JAZZ ROCK x ALT HIPHOP/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [JAPANESE TRADITIONAL DEEP-ORIENTAL DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 3:33 SHORT SONG] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise

[avant-garde JAZZ ROCK x ALT HIPHOP/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [JAPANESE TRADITIONAL DEEP-ORIENTAL DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 3:33 SHORT SONG] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise

[DREAMY/avant-garde JAZZ ROCK x ALT HIPHOP/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [JAPANESE TRADITIONAL DEEP-ORIENTAL DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 3:33 SHORT SONG] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT], ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise

[avant-garde JAZZ ROCK x ALT HIPHOP/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC DREAMY/EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [JAPANESE TRADITIONAL DEEP-ORIENTAL DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 3:33 SHORT SONG] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT]

[avant-garde JAZZ ROCK x ALT HIPHOP/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC DREAMY/EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [JAPANESE TRADITIONAL DEEP-ORIENTAL DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 3:33 SHORT SONG] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT]

[avant-garde JAZZ ROCK x ALT HIPHOP/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC DREAMY/EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [JAPANESE TRADITIONAL DEEP-ORIENTAL DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 3:33 SHORT SONG] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT]

[avant-garde JAZZ ROCK x ALT HIPHOP/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [JAPANESE TRADITIONAL DEEP-ORIENTAL DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 3:33 SHORT SONG] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT]

[DRIVING avant-garde JAZZ ROCK x ALT HIPHOP SOUL/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [JAPANESE TRADITIONAL DEEP-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 3:33 SHORT SONG] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT]

[DRIVING avant-garde JAZZ ROCK x ALT HIPHOP SOUL/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [JAPANESE TRADITIONAL DEEP-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 3:33 SHORT SONG] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT], ‑long song

[DRIVING avant-garde JAZZ ROCK x ALT HIPHOP SOUL/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [JAPANESE TRADITIONAL DEEP-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 3:33 SHORT SONG] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT], ‑long song

[DRIVING avant-garde JAZZ ROCK x ALT HIPHOP SOUL/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [JAPANESE TRADITIONAL DEEP-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 3:33 SHORT SONG] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT], ‑long song

[EPIC avant-garde JAZZ ROCK x ALT HIPHOP SOUL/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [JAPANESE TRADITIONAL DEEP-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 3:33 SHORT SONG] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT], ‑long song

[EPIC avant-garde JAZZ ROCK x ALT HIPHOP SOUL/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [JAPANESE TRADITIONAL DEEP-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 3:33 SHORT SONG] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT], ‑long song

[ALT HIPHOP SOUL/WORLD-IDM x avant-garde JAZZ LIVE ILLBIENT NOIR first, DRIVING PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [TOTAL: 3:00 SHORT SONG] [JAPANESE TRADITIONAL DEEP-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT], ‑long song, ‑long intro, ‑During the lull, ‑Muddiness of sound, ‑Musical boredom, ‑A run-of-the-mill arrangement

[ALT HIPHOP SOUL/WORLD-IDM x avant-garde JAZZ LIVE ILLBIENT NOIR first, DRIVING PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [TOTAL: 3:00 SHORT SONG] [JAPANESE TRADITIONAL DEEP-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT], ‑long song, ‑long intro, ‑During the lull, ‑Muddiness of sound, ‑Musical boredom, ‑A run-of-the-mill arrangement

[ALT HIPHOP SOUL/WORLD-IDM x avant-garde JAZZ LIVE first] [JAPANESE TRADITIONAL DEEP-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [DRIVING PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO ILLBIENT NOIR COLLAGE SUITE] [TOTAL: 3:00 SHORT SONG] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT], ‑long song, ‑long intro, ‑During the lull, ‑Muddiness of sound, ‑Musical boredom, ‑A run-of-the-mill arrangement

[ALT HIPHOP SOUL/WORLD-IDM x avant-garde JAZZ LIVE first] [JAPANESE TRADITIONAL DEEP-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [DRIVING PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO ILLBIENT NOIR COLLAGE SUITE] [TOTAL: 3:00 SHORT SONG] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT], ‑long song, ‑long intro, ‑During the lull, ‑Muddiness of sound, ‑Musical boredom, ‑A run-of-the-mill arrangement