2:31

2:31

2:24

3:09

3:09

3:08

3:09

3:45

3:14

2:27

3:15

Typical Day
v4.5+
male vocals, female vocals, guitar, electronic, rap, electric guitar, chill
2:31

2:39

3:30

Tommy G
v4.5+
Guitar, emo, rap, trap, indie rock, extreme high pitch nasally voiced male vocal, 2nd vocalist doing guttural screams, metalcore
3:13

Tommy G
v4.5+
Guitar, emo, extreme high pitch nasally voiced male vocal, 2nd vocalist doing guttural screams, deathcore
3:01

1:49

3:32

Day Dreaming
v4.5+
male vocals, female vocals, guitar, emo, metalcore, pop, funky bass line, acoustic guitar, electric guitar
4:27

3:04

3:24

male vocals, guitar, metalcore, outlaw country, raspy, catchy, funky bass lines, explosive drums
3:39

3:37

Overdose
v4.5+
forceful sad male vocals, guitar, emo, trap, 2000s pop rock, funky bass lines, male fry for chorus, metalcore, d# tuning on guitar and bass, punchy guitar lines
3:44

O.D.
v4.5+
forceful male vocals, guitar, emo, trap, energetic, funky bass lines, punchy guitar, 2000s rock, metalcore
3:10

Lust or Fate
v4.5+
forceful male vocals, sleezy 2000s rock, metalcore, punchy guitar, rap, huge bass lines, seductive hard rock
4:38

Torn Again
v4.5+
female vocals, pop rock, post hardcore, alternative rock, raw emotive vocals, soaring melodies, screamed outbursts in bridge, gritty melodic guitar solo in bridge, driving drums, dynamic shifts from soft verses to explosive choruses, polished production with catchy hooks and layered harmonies
5:07

Lost in the Cold
v4.5+
male vocals, guitar, emo rap, nu metal, Post-hardcore, huge bass lines, punchy drums
2:54

T is for Tony
v4.5+
forceful male vocals, guitar, emo, rap, alternative, 2000s pop rock, funky bass lines
3:13

Hearts go to War
v4.5+
Modern trap-metal rock in the style of Falling in Reverse, blending rap-driven verses, soaring melodic choruses, and aggressive screamed breakdowns, Muted palm-muted chugging guitars in verses, layered distorted power chords in choruses, heavy drop-tuned chugs in breakdowns, Drums mix trap-inspired hi-hats and 808 kicks in verses with full rock kit crashes and snare in choruses and double-kick in breakdowns, Dark distorted bass following guitar riffs, subtle synth pads under verses, glitchy effects and risers into choruses, Vocals alternate between fast rhythmic rap, raw layered screams, and clean melodic harmonies with reverb, Dynamic build from moody, tense verses to explosive choruses and chaotic outro, dramatic, edgy
4:09

Queen of Reapers
v4.5+
Female vocals, nu-metal, post-hardcore, glam-metal, raw and aggressive vocal delivery with melodic hooks, screamed outbursts in chorus and bridge, heavy distorted guitars, punchy drums with breakdown rhythms, theatrical synths and orchestral strings for cinematic flair, soaring glam-metal guitar solo in bridge, dynamic shifts from haunting verses to explosive anthemic choruses, polished production with catchy pop-punk-inspired hooks, high-energy and dramatic vibe
4:09

Reaper Royals
v4.5+
nu-metal, rap-rock, dual vocals, forceful male screams, seductive female clean, dark, heavy guitars, cinematic, driving drums, huge bass lines
3:20

Alt-rock / post-grunge in the style of Eve 6 (late 90s/early 2000s), Punchy rhythm, sarcastic wit, metaphor-heavy lyrics, driving bass, crunchy guitars, and a hook that feels ironic but catchy, Vocal delivery: slightly sneering, energetic, but melodic
2:53

Upbeat Irish-folk pop in the style of Ed Sheeran’s ‘Galway Girl’, Bright acoustic guitar strumming, lively fiddle and bodhrán rhythm, catchy pop-folk melody with a bouncy 4/4 groove, warm male vocal lead, pub-session energy and modern pop polish, nu-metal, metalcore, pop punk, female vocals, emo
4:16

nu-metal metalcore rock song with catchy melodic hooks, intense breakdowns paired with soaring melodies, dramatic theatrical flair, aggressive raw energy, gritty emotional depth, and powerful anthemic choruses, Upbeat verses build to heavy riffs and screams in pre-chorus, explosive breakdowns in bridge, soaring vocals in chorus with gang shouts, aggressive male vocals
3:37

Post-grunge alternative rock song with raw, gritty guitar riffs, brooding verses building to explosive choruses, Shaun-like strained and emotive vocals conveying deep-seated pain and defiance, heavy distortion, driving drums, and themes of fractured bonds amid inner turmoil
4:27

A hard rock song with a driving rhythm section, distorted electric guitars, and a female vocalist, The song is in a minor key, with a tempo of approximately 120 beats per minute, The main riff is played on a distorted electric guitar, featuring a repeating melodic phrase, The drums provide a solid backbeat with a prominent snare drum, The bass guitar plays a foundational role, locking in with the kick drum, The female vocalist sings with a clear, slightly raspy tone, delivering the lyrics with a sense of urgency, The song structure includes verses, choruses, and an instrumental bridge with a guitar solo, Production elements include a tight mix with the drums and bass providing a strong low end, and the guitars having a bright, cutting presence, Reverb is used on the vocals and guitars to add depth
3:49

Upbeat funk-pop track with groovy bass lines and syncopated rhythms, smooth high-register vocals soaring over electric guitar riffs and handclaps, catchy synth hooks layering in, mid-tempo groove building to an anthemic chorus with layered harmonies and ad-libs, vibrant production evoking late-night city adventures and irresistible romance, subtle percussion driving the verses to a full-band explosion in the bridge
4:59

One
v5
Emotional pop ballad with soaring high-register vocals and intricate vocal runs, lush atmospheric synths layering over a subtle piano melody, soft percussion building to a swelling orchestral drop in the chorus, intimate verse delivery with breathy whispers escalating to powerful belts and ad-libs, reverb-drenched production evoking heartbreak and longing under starry nights, mid-tempo groove with emotional string swells in the bridge for dramatic tension
3:18

Burn It
v5
Explosive pop-punk banger cranked to 11 with blistering power chords and rapid-fire palm-muting, hyper-upbeat tempo slamming at 180 BPM, thunderous drums pounding with relentless double-kick blasts and explosive crash cymbal walls in the choruses, raw youthful male vocals shredding with gritty sarcasm and urgent yelps backed by massive gang-vocal shouts, razor-sharp hooks exploding with layered whoa-oh-oh ad-libs and chant-along refrains, gritty overdriven production channeling sweaty DIY venue mosh pits and adrenaline-fueled road trips, surging to a full-throttle breakdown in the bridge with distorted guitar chaos, crowd-surfing energy, and screamed call-and-response
3:36

Post-hardcore metalcore track, raw screamed vocals over heavy breakdowns and melodic cleans, lyrics about battling depression and suicidal thoughts as a haunting ghost, intense guitars and pounding drums, emotional build from despair to defiant rage, 3:30 length, piano
3:34

Hard-hitting nu-metal rock track with crushing distorted guitar riffs and chugging breakdowns, aggressive mid-tempo groove around 130 BPM driven by slamming double-kick drums and syncopated bass thumps, raw screamed male vocals exploding in the choruses with guttural intensity and layered harmonies, rap-infused verses building tension through spoken-word delivery escalating to full-throated roars, gritty production evoking late-night rage and emotional wreckage, chaotic bridge with mosh-pit drop and crowd-chant hooks
2:47

90s grunge in the style of Pearl Jam's early sound, melodic yet heavy, prominent driving bass lines leading the groove, chiming 12-string bass vibes or harmonic guitar layers, mid-distorted guitars with sustain and reverb, dynamic builds from brooding verses to soaring emotional choruses, pounding drums with deep kick and reverb-y snare, raw passionate male and female duet vocals—deep gravelly yarling male storytelling verses contrasting soaring emotive female belts, harmonized desperate choruses with vocal cracks and power, themes of betrayal addiction entrapment and desperate redemption, arena-rock edge with classic rock influences, subtle feedback and roomy production
