Remixes

[style | 90s piano house×soulful club][idiom | riff-based, loop hypnosis, organ lead dominant, piano support, vocal shouts, evolving intensity][ensemble | 909 drums punchy, sub bass rolling, organ chords fierce stab+sustain soaring, distorted edge, piano stabs bright support, airy pad bg, vocal shouts short, perc accents cowbell/rim, bg fx meow subtle][timbre | organ upfront fierce+analog-rich, overdrive edge, soaring sustain, piano perc support, kick punch, sub deep, pads spacious, vox energetic, hi-fi polished fresh][rhythm | 4/4@124, claps sync, hats roll, driving groove][fx | tape echo organ+piano, overdrive organ, dub dly shouts, resonant filter sweeps, gated verb hits, st widen, HPF, LPF][form | club mix≥6min, organ fall break→vocal shouts, piano+drums rebuild, explosive climax][atmosphere | euphoric, uplifting, soulful, fresh, explosive, intense, driving, ecstatic, overwhelming, elegant, gorgious][intention | organ lead peak, piano support only, build explosive climax with FX+arr, overwhelm dancefloor]

basic early 2000s liquid funk which is a type of drum and bass created by likes of LTJ Bukem, spicy snare, heavy funky bass with tight tangy kicks, atomospheric slightly warm positive vibes consisting of minimalistic 2-3 chords, 1-2 breaks to create a bit of rest from rhythm, before or after needs a bit of build-up, apart from rhythm, the melody should not contain too much instrument, floating feel needed, DJ friendly with at least 15 seconds of drum only part at the beginning and the end, throughtout the tune slightly funky and very minimal feel, mechanical tangy bass line but not too busy, [fx | echo, sidechain, dub delay(vocal）, tape echo, tidal reverb, HPF sweeps, LPF]

Classic 90a drum n bass with a hint of acid, Old kick and snare line, a break or two needed, start and finish with kicks, ska inspired key and chord, a little bit heavy on the bass, snare needs crispness, a little element of liquid funk, not so much melody needed, dj friendly, more than 4 minutes, no cheesy or tacky melody, or too much drama, [fx | long reverb tails, stereo widen, shimmer pad FX, subtle chorus] [fx | filter sweeps, gated verb hits, distortion, dub delay throws]

[style | classic 90s piano house×soulful house×club mix][idiom | riff-based, loop hypnosis, organ+piano stabs, vocal shouts, contemporary fresh][ensemble | 909 drums(punchy club), sub bass(rolling), piano chords(bright perc stabs), organ chords(sparse stab+sustain lush, fewer notes), pad riff(stacc+sustain airy bg), female vocal shouts/ha/uh(short), bg fx(meow tone subtle)][timbre | kick+clap clean punch, sub roll, piano bright impact, organ sparse lush warm, pads airy spacious, vox shouts energetic, fx subtle, hi-fi fresh][rhythm | 4/4@124, sync claps, rolling hats, club drive][bass | warm sub groove sidechain][fx | lush verb(organ+pad), st widen, airy dly(piano+vox), dub dly(vox shouts), HPF, LPF][form | club mix6–7min, organ fall break→vocal shouts+drop, piano+drums lead return][atmosphere | euphoric, communal, uplifting, soulful, fresh, polished, 90s club+modern edge][intention | organ sparse fewer notes, piano upfront stabs, add vocal shouts for energy, emph fresh+modern polish, club mix spacious FX]

Strong powerful and driving tribal house Rhythm: snares, Cabasa, conga, bongo, etc, kicks of short decay, Exotic African percussion instruments, Hi hats and cymbals, Melody: as it is a tribal house tune, melody should be very minimal, repetitive and occasional, South America or African or aboriginal instruments preferred Structure: rhythm only intro and outro, Unexpected 2 breaks and 2 buildups, Atmosphere: powerful, energetic, impatient, driving, relentless, positive, confident, intelligent, anthropological, funky, warehouse groove, underground feel, Pounding, jumpy, hi-fi polished, Grinding [fx | tape echo organ+piano, overdrive organ, dub dly shouts, resonant filter sweeps, gated verb hits, st widen, HPF, LPF]

techno, techno, big band jazz, Neutral voice, Androgynous vocals, [Traditional Voice], Vibrato Vocals, flute solo, 120bpm

Japanese city pop with british new romantic influence, 80s italo house or new wave beats, not eurobeat, positive dreamy but not mellow or hypnotic, simple synth melody, not too many progressions, dancefloor friendly, nostalgic but experimental

Japanese city pop with british new romantic influence, 80s italo house or new wave beats, not eurobeat, positive dreamy but not mellow or hypnotic, simple synth melody, not too many progressions, dancefloor friendly, nostalgic but experimental

A 132 BPM minimal techno-house track inspired by the spirit of Derrick May’s “R-Theme”: stripped-down, hypnotic rhythms with a relentless 4/4 kick, crisp claps, and shuffling hi-hats, Sparse acid stabs add movement, while faint, atmospheric pads provide subtle depth, The vibe is underground and futuristic, soulful yet minimal, capturing the raw Detroit warehouse energy

1990s underground warehouse techno / rave hybrid at 128 BPM, techno 80%, rave 10%, Acid house 10% Driving 4/4 kick like R-Tyme - R-Theme, Minimal, only 1 chord progression, few layers, Made with 90s drum machines, minimal and danceable, Classic 303 acid stab, Confusing, aggressive but positive too

Japanese city pop with british new romantic influence, 80s italo house or new wave beats, not eurobeat, positive dreamy but not mellow or hypnotic, simple synth melody, not too many progressions, dancefloor friendly, nostalgic but experimental

Ultra minimal house track made only of rhythm: tight 909 kick, sharp disco hi-hats, and dry snare, No melody, no chords, no bassline, no pads, Just percussive groove, stripped-down and hypnotic, Fast-paced, steady, and relentless rhythm, dancefloor-ready, DJ-friendly structure with long intro and outro, consistent tempo, pure groove

basic early 2000s liquid funk which is a type of drum and bass created by likes of LTJ Bukem, spicy snare, heavy funky bass with tight tangy kicks, atomospheric slightly warm positive vibes consisting of minimalistic 1-2 chords and not so many notes, 1-2 breaks to create a bit of rest from rhythm, before or after needs a bit of build-up, apart from rhythm, the melody should not contain too much instrument, floating feel needed, DJ friendly with at least 15 seconds of drum only part at the beginning and the end, throughtout the tune slightly funky and very minimal feel, mechanical tangy bass line but not too busy

basic early 2000s liquid funk which is a type of drum and bass created by likes of LTJ Bukem, spicy snare, heavy funky bass with tight tangy kicks, atomospheric slightly warm positive vibes consisting of minimalistic 1-2 chords and not so many notes, 1-2 breaks to create a bit of rest from rhythm, before or after needs a bit of build-up, apart from rhythm, the melody should not contain too much instrument, floating feel needed, DJ friendly with at least 15 seconds of drum only part at the beginning and the end, throughtout the tune slightly funky and very minimal feel, mechanical tangy bass line but not too busy

A driving 132 BPM techno-house track with a relentless 4/4 kick, crisp claps, and sharp, shuffling hi-hats, Melody is kept minimal: only sparse, hypnotic 303 acid stabs and very subtle chord textures, Faint atmospheric pads provide a touch of depth without becoming melodic or bright, No trance-style leads — the sound design stays raw, underground, and hypnotic, with a warehouse energy that emphasizes rhythm and texture over melody

basic early 2000s liquid funk which is a type of drum and bass created by likes of LTJ Bukem, spicy snare, heavy funky bass with tight tangy kicks, atomospheric slightly warm positive vibes consisting of minimalistic 2-3 chords, 1-2 breaks to create a bit of rest from busy rhythm, apart from rhythm, the melody should not contain too much intrument, floating feel needed

basic early 2000s liquid funk which is a type of drum and bass created by likes of LTJ Bukem, spicy snare, heavy funky bass with tight tangy kicks, atomospheric slightly warm positive vibes consisting of minimalistic 2-3 chords, 1-2 breaks to create a bit of rest from busy rhythm, apart from rhythm, the melody should not contain too much intrument, floating feel needed

Classic 126 BPM early 90s piano house style, inspired by Xpansions “Move Your Body, ” Tight 909 kick, crisp clap, open hi-hats, ONLY one bright piano chord stab loop repeats throughout — no chord changes, no progression, no variations, NO melodies, NO jazzy chords, NO runs, Piano is upfront, percussive, and powerful, driving the groove with raw impact, One dramatic break: the single piano stab swells with reverb before drums return, DJ-friendly: Intro = 20 seconds drums only, Outro = 20 seconds drums only

Alt rock track opens with clean melodic guitars and soft brushed drums, setting a dreamy mood, Pulsing bass and rhythmic picking build into verses, shifting in verse two to math rock syncopation, Choruses feature bright kawaii vocals, lush layers, and spacey synths, intensifying with distorted guitars, Bridge expands into ambient pads, guitar harmonics, and swirling textures, The final chorus rises dramatically, resolving into minimal echoing guitar and sparse drums, marked by emotional urgency and anxious undertones

A driving 132 BPM techno-house track with a relentless 4/4 kick, crisp claps, and sharp, shuffling hi-hats, Melody is kept minimal: only sparse, hypnotic 303 acid stabs and very subtle chord textures, Faint atmospheric pads provide a touch of depth without becoming melodic or bright, No trance-style leads — the sound design stays raw, underground, and hypnotic, with a warehouse energy that emphasizes rhythm and texture over melody

EDM Synth Pad + Pipa, Shakuhachi breath FX, Female airy soft voice, Ethereal harmonies, Festival crowd sing-along, Handpan rhythm 4/4, Sub-bass clean mix, Sparkling chimes, Stereo 3D spread, Strong chorus layering, Emotional tone, Clear consonant articulation, Mastering compression balanced

Jazzy, afrobeat, and most importantly minimal house music, No arrpegios, or too many key progression needed, Band member: Flute player, bassist, guitarist, drummer, percussionists, and organ player, Rhythm: conga, bongo, snares, hihats, claps, drums, kicks Feels of the rhythm: tight, driving, pacey, impatient, hopping, 4 to the floor, BPM: 125-128 Bass - Funky minimal, a riff with very few notes, Melody: single-bar riff of guitar, flute and organ, Very simple jazzy feel that creates a floating groove, Sound of instruments are soft, Avoid using saxophone or trumpet sound or other brass-based instrument, Not overwhelming, but keep it simple and minimal, Make sure there is a good space between melody, No code progression or arrpegios, but effects such as filter or echo of those three instruments make rise and flow, Atmosphere: Floating but crispy, Jazzy, Groovy, swinging Dancefloor-feel, tight kick-line, pacey

[style | 60s ska spirit × modern reggae fusion] [idiom | crisp offbeat guitar, tight rim snare, round bass groove, clean organ comp, smooth brass pad, energetic male vocal] [ensemble | stereo rhythm guitar, punchy bass, bright drums, clean organ, soft brass pad, vocal lead] [performance | precise 2/4 rhythm, dynamic horn swells, clear organ phrasing, tight ensemble feel] [timbre | wide frequency response, clean highs, deep lows, transparent mix, light analog warmth] [sound | modern studio stereo, polished balance, airy clarity, ~142 bpm] [fx | plate reverb horns, short digital delay guitar, subtle stereo enhancer, gentle tape glue] [atmosphere | uplifting island energy, joyful street vibe, contemporary ska brightness]

basic early 2000s liquid funk which is a type of drum and bass created by likes of LTJ Bukem, spicy snare, heavy funky bass with tight tangy kicks, atomospheric slightly warm positive vibes consisting of minimalistic 2-3 chords, 1-2 breaks to create a bit of rest from rhythm, before or after needs a bit of build-up, apart from rhythm, the melody should not contain too much instrument, floating feel needed, DJ friendly with at least 15 seconds of drum only part at the beginning and the end, throughtout the tune slightly funky and very minimal feel, mechanical tangy bass line but not too busy

Strong powerful and driving tribal house Rhythm: snares, Cabasa, conga, bongo, etc, kicks of short decay, Exotic African percussion instruments, Hi hats and cymbals, Melody: as it is a tribal house tune, melody should be very minimal, repetitive and occasional, South America or African or aboriginal instruments preferred Structure: rhythm only intro and outro, Unexpected 2 breaks and 2 buildups, Atmosphere: powerful, energetic, impatient, driving, relentless, positive, confident, intelligent, anthropological, funky, warehouse groove, underground feel, Pounding, jumpy

[style | classic 90s piano house × acid house energy × dubby groove x drone] [idiom | loop hypnosis, impactful riffs, communal uplift, DJ-friendly structure] [ensemble | 909kick&hats, sub bass groove, bright percussive piano chords(strong, resonant), 303 acid line(loop-based, squelchy), organ stabs(bg), vocal haze] [performance | DJ looping, filter sweeps, delay throws] [timbre | punchy deep kick, rolling sub, impactful resonant piano with percussive attack, squelchy 303, crisp hats, lush pads, hi-fi clarity] [form | extended club mix, evolving layers, no early cut] [rhythm | steady4/4@125, sync claps, rolling hats, pumping groove] [grid | quantized swing, subtle micro-variation] [fx | #1 echo, #18 sidechain, #25 sub throb, #38tidal verb, #66tape echo, #131 dub delay, #134 HPF, #135 LPF] [atmosphere | hypnotic, uplifting, immersive, bright, communal, contemporary, sparkling, intoxicating, solid, fierce, brand-new, innovative, explosive, entancing, ecstatic]

[style | aggressive progressive techhouse × underground chic-groove × smoky dub × old school techno] [idiom | fast pace, jumping, non-melodic, repetitive beauty, instrumental] [BPM | 128]

[style | aggressive progressive techhouse × underground chic-groove × smoky dub × old school techno] [idiom | fast pace, jumping, non-melodic, repetitive beauty, instrumental] [BPM | 128], ‑arpeggio, ‑tremolo, ‑portamento, ‑glide, ‑ornament, ‑trill, ‑grace notes, ‑gated pad, ‑gated synth, ‑vibrato, ‑harmonic swell, ‑cinematic swell, ‑melodic lead, ‑epic trance, ‑uplifting trance, ‑melodic trance, ‑progressive trance, ‑psy trance, ‑goa trance, ‑big room, ‑edm, ‑supersaw, ‑bright saw lead, ‑supersaw lead, ‑epic lead, ‑anthem lead, ‑future bass synth, ‑trance pad, ‑bell arpeggio synth, ‑preset synth, ‑generic edm lead, ‑synth pluck, ‑long decay pluck, ‑digital bell, ‑fm bell, ‑brass, ‑synth brass, ‑brass stab, ‑brass hit, ‑orchestral hit, ‑impact brass, ‑epic hit, ‑cinematic hit, ‑horn section, ‑trombone, ‑baritone sax, ‑tenor sax, ‑alto sax, ‑sax riff, ‑jazz sax, ‑funk sax, ‑brass sax, ‑sax section

[style | aggressive progressive techhouse × underground chic-groove × smoky dub × old school techno] [idiom | fast pace, jumping, non-melodic, repetitive beauty, instrumental] [BPM | 128], ‑arpeggio, ‑tremolo, ‑portamento, ‑glide, ‑ornament, ‑trill, ‑grace notes, ‑gated pad, ‑gated synth, ‑vibrato, ‑harmonic swell, ‑cinematic swell, ‑melodic lead, ‑epic trance, ‑uplifting trance, ‑melodic trance, ‑progressive trance, ‑psy trance, ‑goa trance, ‑big room, ‑edm, ‑supersaw, ‑bright saw lead, ‑supersaw lead, ‑epic lead, ‑anthem lead, ‑future bass synth, ‑trance pad, ‑bell arpeggio synth, ‑preset synth, ‑generic edm lead, ‑synth pluck, ‑long decay pluck, ‑digital bell, ‑fm bell, ‑brass, ‑synth brass, ‑brass stab, ‑brass hit, ‑orchestral hit, ‑impact brass, ‑epic hit, ‑cinematic hit, ‑horn section, ‑trombone, ‑baritone sax, ‑tenor sax, ‑alto sax, ‑sax riff, ‑jazz sax, ‑funk sax, ‑brass sax, ‑sax section

[style | Neurofunk drum & bass × aggressive cyber groove] [idiom | hard reese bass modulations, sharp breakbeats, relentless drive, glitch stabs] [ensemble | 2-step DnB drums with heavy kick & metallic snare, distorted modulated basslines, glitch fx, dark pads, riser stabs] [performance | bass filter mod sweeps, glitch fills, rapid drop hits, tight layering, DJ cut techniques] [timbre | harsh metallic snare, crisp hi-hats, growling distorted bass, heavy sub, sharp stabs] [sound | aggressive, powerful, futuristic, heavy low end, sharp transient impact] [form | short tense intro, huge bass drop, rolling aggressive groove, glitchy mid-break, second heavier drop, outro with stabs, 5–6min] [rhythm | 170bpm, 2-step drum groove, syncopated hats, relentless bass roll] [grid | tight quantized, micro glitch edits, machine precision] [fx | distortion, phaser, filter mod, glitch hits, risers, reverse fx, reverb blasts][atmosphere | intense, hostile, cybernetic, destructive, relentless club energy]

[persona | Re:M Tokyo] [Index | SPI 5, 4 / SPII 5, 8 / Minimal Level 4, 5/10 / PurityMode:on] [style | 1993 NYC soulful house × garage classic × Mood II Swing production vibe] [idiom | emotion through groove and patience, movement as intimacy, urban soul with subtle heat] [ensemble | rhythm: 909 kick + soft clap + conga percussion loop; bass: warm round sub, syncopated garage groove; keys: rhodes electric piano + soft organ layer, light chorus effect; pad: airy background texture with slow shimmer; vocal: female soulful lead (Loni Clark style), expressive but smooth; fx: short plate reverb, stereo delay throws, natural club ambience] [performance | 4/4 steady groove ~127 bpm, verse-driven build, vocal lift, deep rhythmic outro] [timbre | warm analog tone, rich low-mids, smooth highs, deep stereo body] [sound | deep, soulful, late-night NYC vibe, restrained euphoria, timeless analog warmth, bright joy]

Recorded in London, 1992, in the language of early-90s acid house, A single chord loops forever, an organ riff breathing through smoke and chrome, Bell tones shimmer like reflections, not melody but motion, Below, the 303 hums — fluid, restless, perfectly restrained, Nothing changes, yet everything shifts: filters open, layers rise, density replaces harmony, The floor vibrates under pressure, hypnotic and alive, Breakbeats flicker and fall back into four-four — tension becomes rhythm, Avoid percussive mallet or bell leads; keep high tones textural only, No guitar-like timbre; keep acid texture pure and synthetic, If melodic tone appears, keep it filtered and heavily FX-processed — delay, reverb, tape, Emphasis on evolving rhythm section; breakbeat layer may emerge naturally, Beauty hides between repetition and restraint, The machines remember desire better than words

[style | futuristic dub techno × eclectic deep bright machine pulse × junping dubtronica × chic stylish drone] [idiom | fast non-linear pulses, fragmented rhythmic motifs, loop-driven minimalism] [ensemble | kick: ultra-tight 4/4 punch, fast mechanical drive; snare: crisp micro-snap, metallic but restrained; hats: rapid sequenced ticks, sharp transient motion; bass: percussive low-pulse, zero sustain, rhythmic only; lead: transparent fragmented blips, broken motif shards, non-melodic pulses; synth: cold vector tones, micro-grain motion, anti-melodic textures; perc: metallic scatter, ceramic clicks, irregular micro-hits (eclectic accents); fx: fast digital bursts, short spectral flashes, robotic swells] [tone | cold, sharp, precise, zero warmth, no sustained tones] [performance | immediate fast drive → evolving micro-pulse layers → relentless mechanical flow] [mood | futuristic, kinetic, eclectic, high-speed minimalism]

[style | 90s piano house×soulful club][idiom | riff-based, loop hypnosis, organ lead dominant, piano support, vocal shouts, evolving intensity][ensemble | 909 drums punchy, sub bass rolling, organ chords fierce stab+sustain soaring, distorted edge, piano stabs bright support, airy pad bg, vocal shouts short, perc accents cowbell/rim, bg fx meow subtle][timbre | organ upfront fierce+analog-rich, overdrive edge, soaring sustain, piano perc support, kick punch, sub deep, pads spacious, vox energetic, hi-fi polished fresh][rhythm | 4/4@124, claps sync, hats roll, driving groove][fx | tape echo organ+piano, overdrive organ, dub dly shouts, resonant filter sweeps, gated verb hits, st widen, HPF, LPF][form | club mix≥6min, organ fall break→vocal shouts, piano+drums rebuild, explosive climax][atmosphere | euphoric, uplifting, soulful, fresh, explosive, intense, driving, ecstatic, overwhelming, elegant, gorgious][intention | organ lead peak, piano support only, build explosive climax with FX+arr, overwhelm dancefloor]

[style | acid techno × spoken word dub hybrid × cinematic rhythm] [idiom | modern Japanese storytelling about family secrets, tension between calm voice and heavy rhythm] [ensemble | dominant 303 acid bassline, strong 909 kick, sharp open hats, dub delay fx, filtered pad, analog drones] [performance | male Japanese narration with timing synced to beat, calm tone but rhythmically aware phrasing] [timbre | deep gritty acid resonance, dry compressed drums, long dub reverb, analog warmth, spatial depth] [sound | hypnotic tension, club weight, cinematic darkness, rhythmic pulse under spoken voice] [rhythm | steady 4/4 at 130 bpm, pronounced kick and acid drive, spoken flow syncs with groove] [vocal | female speech, restrained emotion, clear articulation, breathing pauses emphasized]

[style | Liquid Funk × deep drum’n’bass × ambient soul][idiom | rolling liquid flow, soulful minimalism, atmospheric depth, hypnotic groove][ensemble | breakbeat drums, deep sub, Rhodes chords, string pads, hazy vocal chops, subtle guitar, granular atmos][performance | DJ looping, filter rides, delay throws, evolving automation, resampled textures][timbre | tight snares, warm subs, silky Rhodes, shimmering pads, airy vocals, crisp liquid hats][sound | club impact, heavy low-end, clear breaks, wide stereo, immersive depth, polished warmth, transient punch][form | extended mix, rolling intro, gradual build, vocal breakdown, euphoric drop, drawn-out outro, 5–7min][rhythm | rolling 2-step breaks with ghost-note shuffle, steady liquid flow ~174bpm][grid | swung quantization, micro-humanized layers, subtle polyrhythms][fx | lush reverb, dub delay, granular smear, sidechain pump, HPF/LPF sweeps, shimmer, tape wobble, glue][atmosphere | melancholic uplift, soulful, reflective yet driving, ]

[persona | Re:M Tokyo] [Index | SPI 5, 4 / SPII 5, 8 / Minimal Level 4, 5/10 / PurityMode:on] [style | 1993 NYC soulful house × garage classic × Mood II Swing production vibe] [idiom | emotion through groove and patience, movement as intimacy, urban soul with subtle heat] [ensemble | rhythm: 909 kick + soft clap + conga percussion loop; bass: warm round sub, syncopated garage groove; keys: rhodes electric piano + soft organ layer, light chorus effect; pad: airy background texture with slow shimmer; vocal: female soulful lead (Loni Clark style), expressive but smooth; fx: short plate reverb, stereo delay throws, natural club ambience] [performance | 4/4 steady groove ~127 bpm, verse-driven build, vocal lift, deep rhythmic outro] [timbre | warm analog tone, rich low-mids, smooth highs, deep stereo body] [sound | deep, soulful, late-night NYC vibe, restrained euphoria, timeless analog warmth, bright overjoy yet sombre]

[persona | Re:M Tokyo] [Index | SPI 5, 4 / SPII 5, 8 / Minimal Level 4, 5/10 / PurityMode:on] [style | 1993 NYC soulful house × garage classic × Mood II Swing production vibe] [idiom | emotion through groove and patience, movement as intimacy, urban soul with subtle heat] [ensemble | rhythm: 909 kick + soft clap + conga percussion loop; bass: warm round sub, syncopated garage groove; keys: rhodes electric piano + soft organ layer, light chorus effect; pad: airy background texture with slow shimmer; vocal: female soulful lead (Loni Clark style), expressive but smooth; fx: short plate reverb, stereo delay throws, natural club ambience] [performance | 4/4 steady groove ~127 bpm, verse-driven build, vocal lift, deep rhythmic outro] [timbre | warm analog tone, rich low-mids, smooth highs, deep stereo body] [sound | deep, soulful, late-night NYC vibe, restrained euphoria, timeless analog warmth, bright overjoy yet sombre]

[style | Detroit techno × gospel house × musique concrète] [idiom | soulful minimalism, gospel uplift, hypnotic repetition] [ensemble | 909 kick & hats, sub bass, piano & organ stabs, string pads, gospel vocal haze] [performance | DJ looping, console-as-instrument, filter sweeps, delay throws] [timbre | warm kick, resonant sub, lush piano/organ, choir traces, shimmering pads] [form | groove intro, gospel breakdown, euphoric return] [rhythm | steady 4/4, syncopated claps, rolling hats, pumping groove] [grid | quantized swing + subtle polymeter] [fx | short echoes, pitch-mod reverb, sidechain pump, sub throb, tape echo, lush chorus, dub delay throws, HPF, LPF, limiter glue] [atmosphere | uplifting, communal, gospel-soulful, astral]

[style | Detroit techno × gospel house × musique concrète] [idiom | abstract emotion, soulful minimalism, hypnotic fragments; no arp; no tremolo] [ensemble | 909 kick/hats (warm, steady); sub bass pulse; piano: dry short stabs (non-melodic); organ: percussive dots; strings: soft haze pad; vocal haze: ghost fragments; percs: irregular minimal] [melody | fragmentary motifs; non-linear; no runs; no arp] [performance | drum intro→abstract piano→haze pad; DJ loop feel] [timbre | warm lows, dusty mids, shadowy pads] [form | intro→abstract break→minimal lift] [rhythm | 4/4; loose swing; ghost hits] [fx | granular smear, tape echo, mod verb] [atmosphere | astral, mysterious, uplifting-abstract]

[Re:M Persona | SSI:4, 8 | FLI:+0, 8 | PDI:3, 8 | SPI:6, 5 | SPII:5, 5 | SWR:58% | SSP:0, 85 | EGC:0, 70 | BPM:174] [style | liquid drum and bass × ambient breakbeat × atmospheric electronic] [idiom | emotional, airy, flowing, no harsh edges] [ensemble | drums: soft 2step break with brushed snare; bass: warm sub-glide; pad: wide ambient wash; very subtle soft piano stab: gentle chords; synth: airy lead; fx: reverb swell + filtered noise breath] [performance | evolving 8-bar phrasing, ambient intro to flowing rhythm, no heavy drops] [timbre | smooth highs, deep sub, transparent mid, lush stereo field] [sound | liquid mixdown, reverb ambience, organic motion, no distortion]

Strong powerful and driving tribal house Rhythm: snares, Cabasa, conga, bongo, etc, kicks of short decay, Exotic African percussion instruments, Hi hats and cymbals, Melody: as it is a tribal house tune, melody should be very minimal, repetitive and occasional, South America or African or aboriginal instruments preferred Structure: rhythm only intro and outro, Unexpected 2 breaks and 2 buildups, Atmosphere: powerful, energetic, impatient, driving, relentless, positive, confident, intelligent, anthropological, funky, warehouse groove, underground feel, Pounding, jumpy

[style | Detroit techno × gospel house × musique concrète] [idiom | soulful minimalism, gospel uplift, hypnotic repetition] [ensemble | 909 kick & hats, sub bass, piano & organ stabs, string pads, gospel vocal haze] [performance | DJ looping, console-as-instrument, filter sweeps, delay throws] [timbre | warm kick, resonant sub, lush piano/organ, choir traces, shimmering pads] [form | groove intro, gospel breakdown, euphoric return] [rhythm | steady 4/4, syncopated claps, rolling hats, pumping groove] [grid | quantized swing + subtle polymeter] [fx | short echoes, pitch-mod reverb, sidechain pump, sub throb, tape echo, lush chorus, dub delay throws, HPF, LPF, limiter glue] [atmosphere | uplifting, communal, gospel-soulful, astral]

Hardgroove avant-garde techno house kicks off with crisp, angular percussion and sharp synth stabs over a deep, pulsating sub-bass, Chopped sample micro-melodies flicker through dynamic filters and evolving delays, Drops unleash acidic synth leads, keeping the groove intense and hypnotic

[style | acid techno × spoken word dub hybrid × cinematic rhythm] [idiom | modern Japanese storytelling about family secrets, tension between calm voice and heavy rhythm] [ensemble | dominant 303 acid bassline, strong 909 kick, sharp open hats, dub delay fx, filtered pad, analog drones] [performance | male Japanese narration with timing synced to beat, calm tone but rhythmically aware phrasing] [timbre | deep gritty acid resonance, dry compressed drums, long dub reverb, analog warmth, spatial depth] [sound | hypnotic tension, club weight, cinematic darkness, rhythmic pulse under spoken voice] [rhythm | steady 4/4 at 130 bpm, pronounced kick and acid drive, spoken flow syncs with groove] [vocal | male Japanese speech, restrained emotion, clear articulation, breathing pauses emphasized]

[style | Neurofunk drum & bass × aggressive cyber groove] [idiom | hard reese bass modulations, sharp breakbeats, relentless drive, glitch stabs] [ensemble | 2-step DnB drums with heavy kick & metallic snare, distorted modulated basslines, glitch fx, dark pads, riser stabs] [performance | bass filter mod sweeps, glitch fills, rapid drop hits, tight layering, DJ cut techniques] [timbre | harsh metallic snare, crisp hi-hats, growling distorted bass, heavy sub, sharp stabs] [sound | aggressive, powerful, futuristic, heavy low end, sharp transient impact] [form | short tense intro, huge bass drop, rolling aggressive groove, glitchy mid-break, second heavier drop, outro with stabs, 5–6min] [rhythm | 170bpm, 2-step drum groove, syncopated hats, relentless bass roll] [grid | tight quantized, micro glitch edits, machine precision] [fx | distortion, phaser, filter mod, glitch hits, risers, reverse fx, reverb blasts][atmosphere | intense, hostile, cybernetic, destructive, relentless club energy]

Strong powerful and driving funky tribal house Rhythm: snares, Cabasa, conga, bongo, etc, kicks of short decay, Exotic African percussion instruments, Hi hats and cymbals, Melody: as it is a tribal house tune, melody should be very minimal, repetitive and occasional, South America or African or aboriginal instruments preferred Structure: rhythm only intro and outro, Surprising 2 breaks and 2 buildups, Atmosphere: powerful, energetic, impatient, driving, relentless, positive, confident, intelligent, anthropological, funky, warehouse groove, underground feel, Pounding, jumpy

[style | industrial techno × experimental techno × Detroit minimal] [idiom | abstract, hypnotic, non-melodic; no arpeggio; no lead; no tonal pattern] [ensemble | kick: deep punchy 4/4; hats: tight 16th; snare/clap: dry minimal; bass: sub-mid pulse (non-melodic, no pitch movement); bleep: percussive noise clicks (no pitch, no melody); acid: noise-based micro-hit (short, no tonal motion); percs: irregular metallic clicks; pad: shadowy texture (no chords); noise: filtered textures] [melody | none; non-melodic gestures only; no scale; no runs; no pitch pattern] [performance | drum intro→noise clicks→bleep texture→minimal lift] [timbre | warm lows, gritty mids, sharp highs; no synth leads] [form | intro→texture groove→break→return] [rhythm | steady 4/4; micro-swing; ghost hits] [fx | granular smear, tape echo, mod verb, HPF/LPF] [atmosphere | mysterious, futuristic, tense, fresh]

[style | dub techno × 80s afro-cuban × 2000s underground deep progressive house] [idiom | clean and sharp percussive drive, DJ-friendly rhythmic intro and outro, repetitive hypnotic beauty, hi-fi club clarity, pacey spicy beats with tight transient cut ] [mood | cosmic hypnosis, floating yet grounded atmosphere, deep-tonal minor color, low-lit submerged energy, dancefloor focused but inward ] [phrase-feel | non-melodic flow with deep harmonic gravity, restrained emotional pull ] [length | 4 minutes or more, extended club mix]

[style | futuristic dub techno × eclectic deep bright machine pulse × junping dubtronica × chic stylish drone] [idiom | fast non-linear pulses, fragmented rhythmic motifs, loop-driven minimalism] [ensemble | kick: ultra-tight 4/4 punch, fast mechanical drive; snare: crisp micro-snap, metallic but restrained; hats: rapid sequenced ticks, sharp transient motion; bass: percussive low-pulse, zero sustain, rhythmic only; lead: transparent fragmented blips, broken motif shards, non-melodic pulses; synth: cold vector tones, micro-grain motion, anti-melodic textures; perc: metallic scatter, ceramic clicks, irregular micro-hits (eclectic accents); fx: fast digital bursts, short spectral flashes, robotic swells] [tone | cold, sharp, precise, zero warmth, no sustained tones] [performance | immediate fast drive → evolving micro-pulse layers → relentless mechanical flow] [mood | futuristic, kinetic, eclectic, high-speed minimalism] [length | 4 mins or more, extended club mix]