3:16
2:56
2:52
Minimal contemporary piano vocal piece, 68 BPM, intimate felt piano always foreground, repeating Einaudi-style piano motif throughout entire composition, delicate left-hand pulse, subtle harmonic evolution, occasional soft cello swells, vast silence between phrases, female vocal used as another instrument rather than a lead performer, sparse lyrics, long sustained notes, breath and space preserved, no groove emphasis, no soul phrasing, no R&B inflections, no pop chorus, no verse/chorus contrast, emotional weight carried by repetition and harmony, contemplative atmosphere, modern classical minimalism, fragile human presence, quiet beauty, concise ending, unresolved stillness
2:56
What Was Enough
Studio
modern classical minimalism, contemporary piano ballad, soul (soft/neo-soul influence)
2:50
2:57
3:22
4:03
2:42
Before Sunrise
Studio
modern classical minimalism, contemporary piano, minimalist vocal chamber music
2:47
3:18
3:07
3:04
3:28
Nothing Left To Prove
Studio
modern classical minimalism, contemporary piano ballad, ambient/meditative instrumental-vocal
3:19
La Voix Qui Revient
Studio
modern classical minimalism, contemporary classical, minimalist piano
3:22
3:39
At The Piano
v5.5
Minimal contemporary piano vocal piece, 68–72 BPM, intimate felt piano always foreground, repeating piano motif introduced in the first bars and continuing throughout the entire composition, subtle left-hand pulse, gentle harmonic evolution, occasional soft cello and string swells, female Black soul lead vocal used with extreme restraint, rich contralto range, warm chest voice, intimate close-mic delivery, long sustained notes, hook phrase already present from the very first verse, chorus only a slight emotional continuation of the verse melody, no new melodic section, no dramatic build, no percussion focus, large amounts of space and silence, modern classical minimalism, Einaudi-inspired emotional simplicity, reflective atmosphere, concise ending, unresolved stillness
2:42
Minimal contemporary piano vocal piece, 68–72 BPM, intimate felt piano always foreground, repeating piano motif introduced in the first bars and continuing throughout the entire composition, subtle left-hand pulse, gentle harmonic evolution, occasional soft cello and string swells, female Black soul lead vocal used with extreme restraint, rich contralto range, warm chest voice, intimate close-mic delivery, long sustained notes, hook phrase already present from the very first verse, chorus only a slight emotional continuation of the verse melody, no new melodic section, no dramatic build, no percussion focus, large amounts of space and silence, modern classical minimalism, Einaudi-inspired emotional simplicity, reflective atmosphere, concise ending, unresolved stillness
2:47
The Empty Street
v5.5
Minimal contemporary piano vocal piece, 68–72 BPM, intimate felt piano always foreground, repeating piano motif introduced in the first bars and continuing throughout the entire composition, subtle left-hand pulse, gentle harmonic evolution, occasional soft cello and string swells, female Black soul lead vocal used with extreme restraint, rich contralto range, warm chest voice, intimate close-mic delivery, long sustained notes, hook phrase already present from the very first verse, chorus only a slight emotional continuation of the verse melody, no new melodic section, no dramatic build, no percussion focus, large amounts of space and silence, modern classical minimalism, Einaudi-inspired emotional simplicity, reflective atmosphere, concise ending, unresolved stillness
2:38
The Last Train
v5.5
Minimal contemporary piano vocal piece, 68–72 BPM, intimate felt piano always foreground, repeating piano motif introduced in the first bars and continuing throughout the entire composition, subtle left-hand pulse, gentle harmonic evolution, occasional soft cello and string swells, female Black soul lead vocal used with extreme restraint, rich contralto range, warm chest voice, intimate close-mic delivery, long sustained notes, hook phrase already present from the very first verse, chorus only a slight emotional continuation of the verse melody, no new melodic section, no dramatic build, no percussion focus, large amounts of space and silence, modern classical minimalism, Einaudi-inspired emotional simplicity, reflective atmosphere, concise ending, unresolved stillness
2:36
One More Evening
v5.5
Minimal contemporary piano vocal piece, 68–72 BPM, intimate felt piano always foreground, repeating piano motif introduced in the first bars and continuing throughout the entire composition, subtle left-hand pulse, gentle harmonic evolution, occasional soft cello and string swells, female Black soul lead vocal used with extreme restraint, rich contralto range, warm chest voice, intimate close-mic delivery, long sustained notes, hook phrase already present from the very first verse, chorus only a slight emotional continuation of the verse melody, no new melodic section, no dramatic build, no percussion focus, large amounts of space and silence, modern classical minimalism, Einaudi-inspired emotional simplicity, reflective atmosphere, concise ending, unresolved stillness
2:58
After The Hurry
v5.5
Minimal contemporary piano vocal piece, 68–72 BPM, intimate felt piano always foreground, repeating piano motif introduced in the first bars and continuing throughout the entire composition, subtle left-hand pulse, gentle harmonic evolution, occasional soft cello and string swells, female Black soul lead vocal used with extreme restraint, rich contralto range, warm chest voice, intimate close-mic delivery, long sustained notes, hook phrase already present from the very first verse, chorus only a slight emotional continuation of the verse melody, no new melodic section, no dramatic build, no percussion focus, large amounts of space and silence, modern classical minimalism, Einaudi-inspired emotional simplicity, reflective atmosphere, concise ending, unresolved stillness
3:07
Minimal contemporary piano vocal piece, 68 BPM, intimate felt piano always foreground, repeating Einaudi-style piano motif throughout entire composition, delicate left-hand pulse, subtle harmonic evolution, occasional soft cello swells, vast silence between phrases, female vocal used as another instrument rather than a lead performer, sparse lyrics, long sustained notes, breath and space preserved, no groove emphasis, no soul phrasing, no R&B inflections, no pop chorus, no verse/chorus contrast, emotional weight carried by repetition and harmony, contemplative atmosphere, modern classical minimalism, fragile human presence, quiet beauty, concise ending, unresolved stillness
3:03
Minimal contemporary piano vocal piece, 68 BPM, intimate felt piano always foreground, repeating Einaudi-style piano motif throughout entire composition, delicate left-hand pulse, subtle harmonic evolution, occasional soft cello swells, vast silence between phrases, female vocal used as another instrument rather than a lead performer, sparse lyrics, long sustained notes, breath and space preserved, no groove emphasis, no soul phrasing, no R&B inflections, no pop chorus, no verse/chorus contrast, emotional weight carried by repetition and harmony, contemplative atmosphere, modern classical minimalism, fragile human presence, quiet beauty, concise ending, unresolved stillness
2:27
Before We Knew
v5.5
Minimal contemporary piano vocal piece, 68 BPM, intimate felt piano always foreground, repeating Einaudi-style piano motif throughout entire composition, delicate left-hand pulse, subtle harmonic evolution, occasional soft cello swells, vast silence between phrases, female vocal used as another instrument rather than a lead performer, sparse lyrics, long sustained notes, breath and space preserved, no groove emphasis, no soul phrasing, no R&B inflections, no pop chorus, no verse/chorus contrast, emotional weight carried by repetition and harmony, contemplative atmosphere, modern classical minimalism, fragile human presence, quiet beauty, concise ending, unresolved stillness
3:16
Minimal contemporary piano vocal piece, 68 BPM, intimate felt piano always foreground, repeating Einaudi-style piano motif throughout entire composition, delicate left-hand pulse, subtle harmonic evolution, occasional soft cello swells, vast silence between phrases, female vocal used as another instrument rather than a lead performer, sparse lyrics, long sustained notes, breath and space preserved, no groove emphasis, no soul phrasing, no R&B inflections, no pop chorus, no verse/chorus contrast, emotional weight carried by repetition and harmony, contemplative atmosphere, modern classical minimalism, fragile human presence, quiet beauty, concise ending, unresolved stillness
2:38
Minimal contemporary piano vocal piece, 68 BPM, intimate felt piano always foreground, repeating Einaudi-style piano motif throughout entire composition, delicate left-hand pulse, subtle harmonic evolution, occasional soft cello swells, vast silence between phrases, female vocal used as another instrument rather than a lead performer, sparse lyrics, long sustained notes, breath and space preserved, no groove emphasis, no soul phrasing, no R&B inflections, no pop chorus, no verse/chorus contrast, emotional weight carried by repetition and harmony, contemplative atmosphere, modern classical minimalism, fragile human presence, quiet beauty, concise ending, unresolved stillness
2:59
Minimal contemporary piano vocal piece, 68 BPM, intimate felt piano always foreground, repeating Einaudi-style piano motif throughout entire composition, delicate left-hand pulse, subtle harmonic evolution, occasional soft cello swells, vast silence between phrases, female vocal used as another instrument rather than a lead performer, sparse lyrics, long sustained notes, breath and space preserved, no groove emphasis, no soul phrasing, no R&B inflections, no pop chorus, no verse/chorus contrast, emotional weight carried by repetition and harmony, contemplative atmosphere, modern classical minimalism, fragile human presence, quiet beauty, concise ending, unresolved stillness
2:49
Still Here
v5.5
Minimal contemporary piano vocal piece, 68 BPM, intimate felt piano always foreground, repeating Einaudi-style piano motif throughout entire composition, delicate left-hand pulse, subtle harmonic evolution, occasional soft cello swells, vast silence between phrases, female vocal used as another instrument rather than a lead performer, sparse lyrics, long sustained notes, breath and space preserved, no groove emphasis, no soul phrasing, no R&B inflections, no pop chorus, no verse/chorus contrast, emotional weight carried by repetition and harmony, contemplative atmosphere, modern classical minimalism, fragile human presence, quiet beauty, concise ending, unresolved stillness
3:07
Still Here
v5.5
Minimal contemporary piano vocal piece, 68 BPM, intimate felt piano always foreground, repeating Einaudi-style piano motif throughout entire composition, delicate left-hand pulse, subtle harmonic evolution, occasional soft cello swells, vast silence between phrases, female vocal used as another instrument rather than a lead performer, sparse lyrics, long sustained notes, breath and space preserved, no groove emphasis, no soul phrasing, no R&B inflections, no pop chorus, no verse/chorus contrast, emotional weight carried by repetition and harmony, contemplative atmosphere, modern classical minimalism, fragile human presence, quiet beauty, concise ending, unresolved stillness
2:59
Minimalist contemporary piano and cello, 66 BPM, repeating piano motif, soft felt piano, intimate close-mic recording, sparse cello entering only on emotional phrases, large use of silence and sustain, male low baritone vocal, restrained and conversational, no chorus lift, no climax, no drums, no percussion, no cinematic build, quiet acceptance, reflective and timeless, ‑Soul belting, ‑blues shouter vocals, ‑crooner vocals, ‑R&B runs, ‑pop phrasing, ‑EDM, ‑dancehall, ‑trap hats, ‑drill, ‑phonk, ‑reggaeton, ‑hyperpop, ‑glossy pop production, ‑heavy autotune, ‑wet reverb, ‑cavernous ambience, ‑dramatic key changes, ‑festival anthem chorus, ‑modern pop build-up, ‑cinematic ending, ‑aggressive protest-song energy