4:04
Nu metal with stomping syncopated riffs, half-time drums, and tense low-end chugs; verse rides a tight spoken-sung snarl, pre-chorus opens with stacked clean harmonies and rising toms, chorus hits with gang shouts on the hook and a wide open melody, bridge drops to bare kick, bass, and a trembling prayer before the last chorus slams back with doubled screams and delay throws on the name, Gritty, punchy mix with sharp guitars, deep sub, and arena-size vocal lift, nu metal
4:10
Holy, Holy, Holy
v4.5-all
Nu metal with drop-tuned seven-string guitars, palm-muted chugs, scratched turntables, and a punishing live kit layered with industrial clanks, conveyor-rattle samples, and gated toms, Verse rides tight half-time riff stabs with screamed lead vocal; pre-chorus widens into gang shouts and rising turntable scratches; chorus hits with shouted unison lines and sub-heavy accents, Breakdown drops into dissonant synth drones, metallic reverb tails, and call-and-response screams, Close-mic aggressive vocal, stacked gang vocals on the hook, bright-sour mix with brutal low-end weight, low, industrial metal, nu metal
3:54
Visceral
v4.5-all
Nu metal with pounding half-time grooves, drop-tuned riffs, and Orthodox chant intro woven into the verses; verse stays tense and sparse with low chugs and tom-heavy drums, pre-chorus opens into stacked choir shouts, chorus slams with gang vocals and a chanting refrain, Lead vocal is gritty and close-mic, with doubled shouts, prayer-like echoes, and abrupt delay throws on the title word, Bells, reversed cymbal swells, and choral drones bridge the sections, Dark, wide, and crushing mix with cathedral-sized reverb on the chant, nu metal
3:34
4:10
5:06
4:57
4:05
5:09
4:49
industrial metal, nu metal, violin, sad, remorseful, fast
4:03
4:32
Oh Eden!
v5.5
industrial metal with some catholic chants in the background, fast paced, nu metal, intense, melodic, violin
4:37