3:20

Bathroom Friends
v4.5-all
Intimate indie-folk ballad built around fingerpicked acoustic guitar and soft male vocals, Close-mic’d, almost whispery tone in the verses; choruses bloom with light harmonies and gentle room reverb, Subtle upright bass and brushed percussion enter halfway, lifting the emotion while keeping the feel tender and conversational, poetic
3:50

Sad Seeds
v4.5-all
Minimalist chamber pop with harpsichord leading, soft strings and distant choir swells, Starts fragile and spacious, then grows denser and brighter with each pass of the motif, Gentle pulse instead of heavy rhythm; vocal is intimate and close-mic’d, building to subtle stacked harmonies on the final chorus, abstract, harpsichord
4:19

Lag Screen
v4.5-all
Slow-burning alt-pop with a dark, rubbery bass and muted drums; hushed male vocals right in the ear, stacked whispers on the chorus, Verses hang on sparse keys and distant pads, chorus adds detuned synth swells and a gritty sub drop, Subtle glitch FX and low drones build a mellow menace that never quite explodes, mellow
3:34

On My Break
v4.5-all
pop, Shimmering psychedelic pop, mid-tempo groove, Warped surf guitars, rubbery bass, and hazy synth pads swirling in the sides, Verses lean dry and intimate; chorus blooms wide with stacked group vocals and bright tambourine, Subtle tape-flutter, flanged background swells, and a woozy, kaleidoscope bridge, Male or female vocals, slightly saturated, riding the front of the mix, blues
2:23

Time Palm
v4.5-all
funk, Laid-back trippy G-funk: swung West Coast drums, sticky sine leads, woozy talkbox hook, rubbery sub, and hazy Rhodes chords, Male vocals, relaxed but smiling, Verses ride in a conversational pocket, chorus opens wider with stacked harmonies and doubled lead, Subtle tape echo on key phrases, shimmering pad swells on turnarounds for that spaced-out, slow-rolling feel
2:54

Stone Steps
v4.5-all
Lively Celtic folk tune with fiddle-led melody, tin whistle answering phrases, and warm acoustic guitar, Bodhrán drives a mid-tempo dance pulse; low drone from a soft accordion underpins the verses, Energy rises into a shout-along chorus with stacked male/female vocals, then pulls back for a lilting bridge before one last big refrain, celtic
2:18

Leave Me On
v4.5-all
Moody Brazilian phonk groove with swung, filtered drums and gritty bass, male vocals in a laid-back melodic flow, Verses stay intimate and conversational over hazy chopped samples; chorus widens with airy synth chords and stacked harmonies, Subtle tape wobble and reversed textures creep in around the hook, giving a woozy late-night feel as the topline glides between rap-sing and falsetto ad-libs
3:35

Train Left
v4.5-all
rock, Angular experimental J-rock; jagged drums and fuzzy bass locking a nervous groove, spiky octave guitars and glitchy ambient noise, Male vocals swing between deadpan mutters and explosive shouts; chorus blooms with dissonant stacked harmonies and a soaring, bittersweet top line, Bridge fractures into half-time chaos, then slams back into a tight, triumphant final hook, j-rock, experimental
