2:59

Begin with crystal singing bowls ringing out harsh, dissonant intervals against a low, tactile sub-bass that trembles beneath perception, Layers of processed glacial field recordings swell and crack throughout, Granularly-synthesized fractured glass fragments accent with piercing, decaying trails, while a spectral, bioluminescent-harp simulation weaves microtonal, unsettling arpeggios, The core is wrapped in a dense, pitched-down and distorted vocal drone—multiple alien-icy female voices merging—establishing an eerie, spectral resonance, Sound textures shift subtly with elongated consonantal articulations, generating evolving geometries of light and resonance
4:47

Begin with crystal singing bowls ringing out harsh, dissonant intervals against a low, tactile sub-bass that trembles beneath perception, Layers of processed glacial field recordings swell and crack throughout, Granularly-synthesized fractured glass fragments accent with piercing, decaying trails, while a spectral, bioluminescent-harp simulation weaves microtonal, unsettling arpeggios, The core is wrapped in a dense, pitched-down and distorted vocal drone—multiple alien-icy female voices merging—establishing an eerie, spectral resonance, Sound textures shift subtly with elongated consonantal articulations, generating evolving geometries of light and resonance
3:17

Avant-garde structure with an intro of clashing crystal bowls and seismic sub-bass, layered in icy, processed noise, Verses pulse with granular glass and microtonal harp arpeggios, while spectral female vocal drones interlace and evolve, The chorus detonates with a dense vocal collective and maximal intensity, evoking cosmic collapse through vast crescendos, sudden dynamic shifts, and tectonic, terror-infused sound design, Chor’s vocals remain icy, majestically layered and distorted for an ancient, impassive presence
5:34

This avant-garde piece opens with clashing crystal bowls, seismic sub-bass, and icy processed textures, Verses weave pulsing granular glass, microtonal harp arpeggios, evolving spectral vocal drones, bio-mechanical pulses, and void synths, The chorus surges with a phasing female choir, maximal eerie crescendos, tectonic sound layers, and the impassive lead drifting above cosmic waves, Processed field recordings—distant whispers, scraping metal, geological rumbles—add a constant undertow, Throughout, a dissonant string pad sustains unresolved, slow-evolving harmonies, sustaining unease and tension

