the members’ music

Bright, radio-ready Eurodance track with a smooth, modern pop feel, built on bouncy synths, a tight four-on-the-floor beat, and a polished 128–132 BPM groove, Blend in subtle Eastern-European emotional colors through expressive, ornamented piano phrases played with a refined, classically trained touch — clear, precise attack, lyrical rubato, delicate voicing, and softly shimmering upper-register runs, No folk instruments or theatrical clichés; the piano adds gentle tension and nighttime drama while keeping the pop structure intact, Male and female vocals deliver a heartfelt duet about love, connection, and the magic of the night, with natural, poetic, mature lyrics, Aim for polished, radio-friendly production with memorable melodies, modern synth textures, and expressive piano accents that deepen the emotional atmosphere without overwhelming the Eurodance core

Monumental orchestral instrumental with massive trailer percussion: Huge taiko and gran casa strikes, deep war drums, sharp orchestral snare, thunderous tom ensembles, Strings: wide, layered, dramatic legato with aggressive spiccato riffs, Brass: heroic French horns, bold trombones, triumphant trumpet fanfares, Choir-like pads for depth and sacred atmosphere, Structure: quiet tense intro → rising pulse → explosive percussive climax → sweeping orchestral finale, Mood: epic, cinematic, apocalyptic, majestic, ultra-wide stereo, powerful dynamics, No vocals, Purely instrumental

Gamelan Techno instrumental, Steinway grand piano leading with crystal-clear touch, bright but soft top-end, fast broken-chords and emotional phrasing, Layered Balinese gamelan ensemble with soft shimmering metallic overtones, gentle detune, interlocking 3–2–3 rhythms, Deep warm minimal techno kick (clear low-end), tight hi-hats, airy spacious reverb, Piano occupies the mid–high register with luminous arpeggios; gamelan fills the midrange with soft metallic shimmer, Balanced mix: no harsh peaks, smooth stereo field, warm low-end, silky highs, Build → tense swell → techno drop → airy piano outro, No vocals, Pure instrumental

**Title: “Iron Marks (Singeli Hybrid)” Ultra-massive hard-rock fused with hyper-fast singeli inside a colossal steel factory, Base tempo ~100 BPM with frantic singeli loops, metallic jitters, and runaway-machine rhythms, Drop-B guitars with rugged wide-vibrato screams, violent pinch-harmonics, and iron-shredding distortion, Crushing, repetitive riffs slam like industrial press hammers, Singeli percussion races beneath the weight — sharp clicks, clattering metal, rapid-fire patterns, Solo bursts spark like welding arcs, unstable feedback howling through the steel dome, Atmosphere: gritty, overwhelming, forged-by-life heaviness pushed forward by chaotic speed, Male vocal: deep, rugged, smoky, subtle rasp, Controlled power, close-miked, steady and grounded, Stoic, hardened emotion with an inner fire cutting through the singeli-driven chaos, **

Ultra-heavy emotional hard rock with a massive winter atmosphere, Crushing low-tuned rhythm guitars forming an impenetrable wall of sound, saturated distortion with a huge, wide stereo field, swirling atmospheric layers, ethereal choirs blending into the guitars, and a towering, cinematic soundscape, Lead guitar plays in an expressive, dramatic style — wide, crying vibrato, soaring melodic arcs, screaming high-register bends, and emotional phrasing that feels both angelic and violent, A huge, powerful tone with shimmering harmonics and orchestral-level sustain filling the entire horizon, Drums hit with overwhelming force: monolithic kick, explosive snare, cymbal storms crashing endlessly, Deep, mature male vocal — smoky, lonely, restrained — a man walking alone through a silent Christmas night, but the guitars scream the emotions he tries to hide, Epic, tragic, melodic, and overwhelmingly emotional, A tearful, violent winter hard rock anthem

A solo piano piece in a classical crossover style, featuring a melancholic and reflective mood, The instrumentation consists solely of a grand piano, The piece is primarily in a minor key, likely C minor or a related key, with a slow tempo, The melody is lyrical and expressive, characterized by arpeggiated figures and sustained chords in the left hand, providing a rich harmonic foundation, The right hand carries the main melodic line, often with a singing quality, utilizing a wide dynamic range from soft, delicate passages to more resonant, full-bodied phrases, There are no vocals, The song structure appears to be through-composed, with evolving melodic and harmonic ideas rather than strict verse-chorus repetition, Production elements include a natural, spacious reverb, suggesting a concert hall acoustic, and a clear, balanced mix that highlights the piano's natural timbre

Bright uplifting Axé / Afro-Latin pop, Female solo vocal with clear, emotional, modern tone, Massive but balanced drum performance inspired by a legendary progressive drummer (no names), Powerful tom grooves, expressive fills, creative polyrhythms that support the rhythm without overwhelming it, Surdo, timbal, shaker, warm acoustic guitar, groovy bass, Theme: a woman rising from deep loss and shining again in the sunlight, Catchy uplifting chorus, bright hooks, clean modern mix, warm low-end, wide stereo

Ultra-violent hard rock song with a short 20-second intro, Intro: fast, immediate impact — crushing low-tuned chugs, TR-909 punchy kick, sharp snare, and snarling distorted guitar, No extended buildup, Drop into Verse at 0:20, Main sound: brutal southern-metal guitar inspired by a legendary wild virtuoso (name omitted): screaming pinch harmonics, chaotic divebombs, razor-cut palm-muted chugs, unhinged wide vibrato, and savage whammy-bar abuse, Zero flashy soloing — pure destructive rhythm violence, Drums: authentic TR-909 kit with heavy punchy kick, metallic snare, aggressive hats, raw analog grit, tightly locked to the guitar, Vocals: gravelly, smoky male rock voice, worn-out and emotional, singing like a man who can’t quit the bottle or his bad friend, Mood: late-night bar atmosphere, cracked neon signs, whiskey bitterness, two broken men drowning their ghosts together, Dark minor key, destructive energy, swaggering adult attitude, Tempo ~150 BPM

Fantasy neoclassical piano solo inspired by Sevdalinka and Black Sea melodies, played on a bright, singing Steinway tone, Long sorrowful melodic lines with subtle Balkan ornaments, delicate rubato phrasing, half-step descending motifs, and wistful Black Sea modal colors (7/8 and 9/8 phrasing implied but expressed only through piano touch), No other instruments, Pure solo piano storytelling, magical and nostalgic, like a mythic Balkan tale whispered through keys, Midori-style emotional clarity, crystalline high register, soft pedal shimmering, and a gentle fantasy aura

The piece is an instrumental composition featuring a classical guitar as the primary melodic instrument, The guitar plays a fingerpicked melody with a gentle, melancholic tone, The tempo is slow, creating a reflective and calm atmosphere, The harmony is primarily diatonic, with a clear sense of a minor key, likely E minor, established through the melodic phrasing and chord voicings, The guitar's performance includes subtle dynamic shifts, emphasizing certain melodic phrases, There are no other instruments present, allowing the guitar's timbre and performance nuances to be fully appreciated, The production is clean, with a natural acoustic sound, suggesting minimal processing and a focus on the instrument's inherent qualities, The piece has a simple, unadorned structure, focusing on a continuous melodic development without distinct sections like verses or choruses

A solo piano piece in a classical crossover style, featuring a melancholic and reflective mood, The tempo is slow, approximately 60 beats per minute, with a consistent, gentle rhythm, The piece is primarily in a minor key, likely C minor, with occasional modulations to related major keys for emotional contrast, The melody is lyrical and flowing, characterized by arpeggiated figures and sustained chords in the left hand, supporting a singing melody in the right hand, The dynamics range from piano to mezzo-forte, with gradual crescendos and decrescendos to emphasize emotional shifts, The production features a clean, natural piano sound with a moderate amount of reverb, creating a spacious and intimate atmosphere, There are no vocals or other instruments present, The structure is through-composed, evolving organically without strict adherence to traditional verse-chorus forms, but with recurring melodic motifs that provide coherence

A lively and intricate instrumental piece, primarily featuring a piano as the lead melodic instrument, The piano plays a fast-paced, virtuosic melody with frequent arpeggios and runs, showcasing a classical influence, The accompaniment includes a pizzicato string section providing a rhythmic and harmonic foundation, along with a subtle, sustained string pad adding depth, The percussion consists of light, crisp drums, primarily snare and hi-hat, maintaining a steady, upbeat tempo, The overall texture is bright and energetic, with clear separation between the melodic and harmonic elements, The piece maintains a consistent tempo throughout, creating a sense of continuous motion, The harmony is largely diatonic, with occasional chromatic embellishments that add color without disrupting the overall major key feel, The production is clean, with a balanced mix that allows all instruments to be heard distinctly, There are no vocal elements present

A colossal, ultra-heavy blackgaze track with a cosmic, interstellar atmosphere, NO INTRO, Vocals start immediately at 0 seconds, Overwhelming WALL OF GUITARS, black-hole density saturation, galaxy-thickened distortion layers, and nebula-like delay trails, Massive, emotional male vocals reminiscent of a certain ambient-metal visionary (unnamed): thunderous yet angelic tone, powerful sustained high notes, multi-octave layers, gigantic cinematic reverb bloom, No growls, no screams, no metalcore vocals, Rhythm: ultra-groovy bass pulses with only minimal kick+snare, ABSOLUTE DRUM BAN: no toms, no cymbals, no blast beats, no double-kick, Cosmic atmosphere, deep-space resonance, supernova shimmer, and event-horizon compression force, Short structure, around 3 minutes total

“Vivaldi – Winter I (Cosmic Orchestral Rebirth)” Massive celestial orchestra, grand and shimmering, classical core intact, Solo classical violin in the spotlight, fiery and virtuosic, weaving through original Winter motifs, One ultra-aggressive metal lead guitar only — wide, screaming, heavy low sustain, dueling the violin, No metal drums, no metal bass, no metal rhythm elements, Huge strings, brass, and choirs expanding a cosmic winter cathedral, Cold Christmas atmosphere, swirling blizzard reverb, epic rising tension, explosive orchestral drama

Create a massive and fantastical Christmas orchestral piece with realistic, cinematic orchestra sound, Use natural orchestral hall reverb, wide stereo image, and human expressive phrasing, Start with a dreamy intro (soft piano, harp, shimmering glockenspiel, airy pads), Grow into a MASSIVE emotional section with rich legato strings, warm horns, lyrical flutes, and natural dynamic swells (realistic bowing and brass breath), Build a powerful fantastical climax: full strings with human-like 16th-note motion, wide horns and trumpets, angelic choir pads filling the hall, and gentle timpani supporting the depth, Return to a quiet snowy ending with harp and bells fading into the hall ambience, No vocals, Realistic cinematic orchestra, massive, magical, emotional, and truly orchestral

A lively and intricate instrumental piece, primarily featuring accordion and pizzicato strings, The tempo is upbeat and consistent, creating a playful and energetic atmosphere, The accordion carries the main melody with a bright, clear tone, often employing rapid runs and arpeggios, The pizzicato strings provide a rhythmic and harmonic foundation, adding a percussive quality to the accompaniment, There are no discernible chord progressions in a traditional sense, but rather a continuous melodic and harmonic interplay between the instruments, The song structure is fluid, with variations on the main melodic themes, The production is clean, with a clear separation of instruments, highlighting the distinct textures of the accordion and strings, There are no vocals or vocal effects present

Style: Axé × Rockabilly × Rap / Super Happy Party Song Ultra joyful and energetic party track blending Brazilian Axé rhythm with bouncy Rockabilly swing and playful Rap vocals, Bright 4/4 dance beat with strong claps, festive percussion, and nonstop happy momentum, Rockabilly elements: – Slap upright bass with a strong bounce – Twangy, cheerful electric guitar riffs – Retro 1950s rock’n’roll groove Axé elements: – Carnival-style percussion – Warm, sunny, celebratory vibe – Dancefloor-friendly structure Vocals: – Fun and catchy sung chorus – Light, rhythmic rap verses with positive, playful attitude – Call-and-response feeling, easy to sing along Mood: Extremely happy, colorful, explosive party energy Feels like dancing under the sun at a festival No darkness, no aggression — pure fun and joy

Ultra-precise symphonic orchestra with refined European concert-hall sound, Pure intonation, perfectly unified strings, and clear, translucent pianissimo, Soft, pale, dreamlike atmosphere expressing quiet despair and unresolved longing, Deep three-dimensional spatial depth with layered orchestral positioning and natural hall resonance, Emotionally restrained, cold yet human, balanced and transparent, Acoustic orchestra only, No vocals, Avoid cinematic or epic style

Style: Ska × Funk × Metal / Trumpet-Lead Hybrid Song A powerful ska–funk–metal fusion set in a frozen, brutal world where sound equals survival, Tempo 135–145 BPM, aggressive and groovy, Trumpet: The trumpet is the absolute lead instrument, extremely loud and always in the foreground, Fast runs, sharp staccato, growls, bends, brassy screams, Trumpet leads all melodies, hooks, and solos, acting as a guiding signal, Guitar: Virtuosic shred-style guitar in a secondary role, Call-and-response with the trumpet, flashy but never dominant, Drums: Highly technical progressive-metal-style drums with complex fills, polyrhythms, and explosive accents, Rhythm: Funky bass, ska upstrokes, heavy metal low-end riffs, Mood: Icy winds, steel skies, extreme cold, Heroic, aggressive, unstoppable, Vocals: Hybrid vocals — each English line is immediately echoed by the same meaning in Japanese, Short, rhythmic Japanese phrases, Vocals must never overpower the trumpet

Style: Neoclassical instrumental duet in the style of midori Instrumentation: Only Spanish classical guitar and acoustic piano, No other instruments, no percussion, no strings, no pads, Music direction: Warm, lyrical neoclassical music focused on melody and natural phrasing, The piano and Spanish guitar gently converse, sometimes leading, sometimes supporting, Express the quiet joy and warmth of spending peaceful time with close companions, Performance constraints: Human-playable techniques only, No extreme speed, no impossible leaps, no artificial virtuosity, Natural dynamics, breathing tempo, expressive rubato, Mood: Tender, intimate, and emotionally warm, Soft sunlight, calm smiles, shared moments, gentle happiness, Not dramatic, not epic, not cinematic, Sound: Pure acoustic sound, close and intimate, Clear piano tone and warm nylon-string guitar, Avoid synthetic or electronic elements, No vocals

Style: Dark Cabaret × Singeli × Techno × Trance / Instrumental Tempo: 140–145 BPM Drums: Classic Roland TR-909 only (909 kick, snare/clap, closed & open hats), Steady 4-on-the-floor 909 kick, fast 16th closed-hat drive with Singeli-like density, open hats on offbeats, No 808, no acoustic drums, no breakbeats, The 909 kick is loud and clearly identifiable, Piano: Midori-style grand piano lead, dominant and aggressive, Fast arpeggios, octave attacks, chromatic runs, sharp pauses, explosive re-entries, Dark-cabaret theatrical tension; piano may fight the groove but is never buried, Electronics: Hypnotic techno/trance bass and builds, sidechained to the 909 kick, Synths stay supportive, Mood / Constraints: Dark, decadent, nocturnal, controlled madness, Instrumental only, No vocals, no guitars, no orchestral strings or brass, no jazz swing

This is a high-energy Japanese metalcore track with a driving tempo of 200 BPM in the key of E minor, The song features a male vocalist employing a mix of clean singing, aggressive screams, and spoken word sections, The instrumentation includes heavily distorted electric guitars playing fast, palm-muted riffs and melodic leads, a powerful bass guitar providing a thick low end, and a dynamic drum kit with blast beats, double bass drumming, and intricate fills, The song structure is characterized by alternating between intense, fast-paced sections and slightly more melodic, yet still aggressive, parts, Production elements include a tight, punchy mix with prominent drums and guitars, and a clear, forward vocal presence, The guitar solos are technical and melodic, showcasing shredding techniques, The overall feel is one of controlled chaos and intense emotional expression

A high-energy J-pop track with a driving tempo of 140 BPM in the key of C minor, The instrumentation features a prominent synth bass providing a strong rhythmic foundation, layered with bright, arpeggiated synthesizers that carry the main melody and harmonies, A standard drum kit provides a consistent beat with a strong kick and snare, complemented by occasional cymbal crashes, The song incorporates a call-and-response vocal structure, with a lead female vocalist singing in Japanese, often accompanied by harmonized backing vocals, The production is clean and polished, with a clear mix that emphasizes the synth melodies and vocals, The song structure follows a typical verse-chorus format, with a bridge and an instrumental break that features a synth solo, The overall mood is uplifting and energetic, characteristic of anime opening themes

Epic instrumental duel between Big Band Jazz and Symphonic Orchestra, NOT collaboration — confrontation, Trumpet = main soloist of the Big Band, bold, emotional, improvisational, swing rhythm, Flute = orchestral trickster and narrator, floating, seductive, unsettling, provoking both sides, Structure: Orchestra opens with dark fate theme, Big Band attacks with swing and trumpet lead, Call-and-response battle: trumpet vs orchestral brass, Final clash, then collapse — Big Band fades, Orchestra dissolves, Solo flute remains, unresolved, Mood: dramatic, theatrical, confrontational Genre: Jazz / Symphonic / Epic Battle No vocals

A solo piano piece in a classical style, featuring a clear, bright tone, The tempo is moderate, with a consistent rhythmic pulse, The melody is lyrical and expressive, primarily in the upper register of the piano, The harmony is consonant, utilizing diatonic chords with occasional chromatic embellishments, The piece exhibits a clear A-B-A structure, with the B section introducing a slightly more complex melodic and harmonic development before returning to the initial theme, Dynamics vary subtly, emphasizing melodic contours, The overall production is clean, with a natural piano sound and no discernible effects

The piece is a slow tempo ballad in a minor key, featuring a female vocalist with a clear, emotive tone, The instrumentation primarily consists of a piano providing a melancholic chord progression, complemented by a string section that adds depth and swells to emphasize emotional moments, A subtle bass guitar provides a foundational low end, Percussion is minimal, primarily consisting of soft, sustained cymbal rolls and occasional light snare hits, contributing to the ethereal atmosphere, The vocal melody is expressive, with sustained notes and a gentle vibrato, Production elements include a spacious reverb on the vocals and strings, creating a sense of grandeur and introspection, The song structure follows a verse-chorus pattern, with instrumental breaks that allow the string section to take prominence, The overall mood is somber yet hopeful

Genre: Gothic Orchestral, Dark Classical, Sacred Mood: solemn, unforgiving, ritualistic Tempo: 70–90 BPM Key: minor, modal (Phrygian / Dorian) A world-class gothic orchestra with sacred darkness, Low strings and contrabass form an immovable foundation, Violas and cellos move in slow, restrained lines, Bassoon and oboe express denied grief, French horns and trombones sound like distant judgment, Timpani and deep percussion pulse like a ceremonial heartbeat, Pipe organ or dark choir pad appears only at the climax, Harmony avoids resolution, using dissonance and tritone tension, Emotion is restrained and denied; tension accumulates without release, No EDM, no rock, no modern rhythm, Sacred darkness — never horror, Structure (3 minutes): Intro (0:00–0:40) Development (0:40–2:00) Climax (2:00–2:30) Unresolved coda (2:30–3:00)

Genre: Traditional Lullaby, Fantasy, Gentle Classical An extremely slow, gentle lullaby that safely guides a child into sleep, The glockenspiel is clearly in the foreground, leading with a very simple, delicate, star-like melody, The piano plays in a warm, midori-style touch, using soft, sustained chords only as gentle support, The harp adds very slow, minimal arpeggios, like the quiet rocking of a mother’s arms, Very slow tempo (around 45–55 BPM), Narrow, easy vocal range suitable for an untrained mother’s voice, Highly repetitive melody with no variation or tension, No sudden changes, no accents, no stimulation, The overall sound is calm, warm, and secure, with the glockenspiel always dominant, Mood: warm, maternal, deeply calming, safe Atmosphere: deep night, quiet breathing, mother’s warmth

A very gentle classical orchestra for children and parents, focused on emotional safety and calm, Tempo: very slow Dynamics: extremely soft Mood: warm, tender, pastel, reassuring Instrumentation: Glockenspiel as the main voice (soft mallets, slow phrases) Harp with light arpeggios Piano used sparingly, warm and lullaby-like Muted strings sustaining transparent chords Optional very soft celesta No brass, no strong percussion, no drama Style: European educational classical orchestra Natural hall reverb, intimate and non-cinematic No climax, no tension, no surprises Emotion: Like a parent gently humming a child to sleep

Genre: Global Dance Axé + K-POP + Acid An extremely bright, happy global dance track with strong Axé groove, K-POP catchiness, and playful acid energy, Colorful, bouncy, and smiling — never dark, Tempo 138–142 BPM, joyful major key, Strong 4/4 dance groove with punchy kick, Axé percussion, claps and shakers, warm, bouncy bass, Acid elements: playful acid basslines and squelchy synths, bright filter sweeps and rhythmic motion, fun, bubbly, and danceable — not aggressive, K-POP influence: super catchy melody, clean polished production, simple repeating hooks, dance-focused structure, Immediate vocal start from the first beat, No intro, instant catchy hook, Clear smiling cute-but-cool vocal, Simple happy English lyrics, chants like “Hey!” “Yeah!”, Lyrics about dancing, sunshine, freedom, enjoying life right now, Pure global summer party energy

rock, modern aggressive hard rock / metal, male vocals Instant vocal entry — no intro, Hyper-tight palm-muted technical guitars locked to a crushing sub-bass that hits like bomb drops on every downbeat, Verses drive in a tense half-time stomp with snarled, low-register vocals and zero space wasted, Chorus detonates into a bold, wide-open, ultra-catchy melody with octave guitars, massive gang shouts, and arena-scale lift, Mid-section erupts into a syncopated breakdown followed immediately by a wild, unhinged guitar solo — frantic shredding, dive bombs, bends, chaos, no restraint, Final chorus returns bigger and more anthemic, pushing straight to the finish, Total length ~3 minutes, Relentless energy, no filler, no intro, no outro fade

NO DRUMS, NO PERCUSSION, ZERO PERCUSSIVE ELEMENTS, Genre: Pure Symphonic Orchestral with Solo Guitar (No Percussion) Prompt: Auld Lang Syne (Hotaru no Hikari), a faithful symphonic evolution to vast, galactic scale, Original melody and dignity clearly preserved, Warm sustained strings lead, Dark, architectural brass supports harmony, Wordless choir adds static, solemn space, A single extreme metal guitar appears only as a free, unmetered cadenza — expressive, feral, non-rhythmic, never constant, never dominant, No tempo, No beat, No groove, No momentum, Expansion through sustained harmony and long tones only, Pure orchestra plus solo guitar only, No electronics, No rhythm guitars

Ultra-evil hard rock with shamelessly vulgar lead guitar domination, Filthy overdriven guitar tone, sloppy bends, rude vibrato, abusive whammy dives, ugly slides, choking pinch harmonics, Grotesque, disrespectful lead guitar always in front, Fuse Skweee-style squishy, rubbery synth bass and bouncy off-beat funk groove, Add Singeli-like speed pressure underneath for urgency and tension, Male lead vocal: Gritty, middle-aged male voice, low to mid range, slightly raspy, Weathered, confident, dry humor, hard-earned grit, No screaming, no growls — spoken-sung phrasing with attitude and control, Minimal intro, vocals start almost immediately, Tight structure, fast development, finishes around 3 minutes, Dark New Year celebration — survival, scars, defiant pride, Raw, rude, energetic, zero elegance

Axé + Ska + Trap + Bubblegum Pop fusion, Extremely bright, cute, glittering happiness anthem, Fast, bouncy Axé groove with joyful Afro-Brazilian percussion, Playful off-beat ska guitars, smiling and light, Bubblegum pop sparkle: ultra-catchy melodies, candy-colored synths, glossy chimes, Modern trap polish: friendly deep 808, crisp rolling hi-hats, clean punchy kick, Fun, shiny brass hooks (trumpet, trombone, sax), short and lovable, Cute, confident, bubbly pop lead vocal, Big, glittery chorus made for jumping and instant joy, Light, playful verses with nonstop motion, Brief candy-drop breakdown then full return, Tempo 105–115 BPM, Mix: ultra-clean, glossy, wide sparkle, tight low end, Mood: pure joy, self-love, celebration, unstoppable positivity

Acoustic jazz-pop song in a minor key, featuring a male vocalist with a smooth, melancholic delivery, The instrumentation includes acoustic guitar, upright bass, and drums, with a prominent saxophone melody, The song has a moderate tempo and a relaxed, introspective feel, The chord progression is sophisticated, utilizing jazz harmonies, The vocal melody is clear and expressive, with a slight vibrato, The production is clean, with a natural reverb on the vocals and instruments, creating an intimate atmosphere, The song structure follows a typical verse-chorus format with an instrumental break, The saxophone solo is melodic and improvisational, showcasing a warm tone, The drums provide a subtle, swinging rhythm, while the upright bass lays down a solid, walking bass line, The acoustic guitar offers rhythmic strumming and occasional arpeggiated figures

Extremely refined high-class orchestral instrumental, ethereal, delicate, and exquisitely beautiful atmosphere, ultra-transparent string ensemble with soft legato and light bowing, woodwinds moving gently like breath and morning air, harp and celesta as faint shimmering particles of light, French horn reduced to a distant, velvety glow, pure major tonality with fragile classical harmony, very soft dynamics, no force, no weight, minimal orchestration, generous silence between phrases, graceful flow, never dramatic, never bold, a quiet fairy garden in a royal palace at early morning, timeless elegance, noble restraint, fragile innocence, museum-level orchestral refinement, high fidelity concert hall sound, no piano, no keyboard, no vocals

Ultra-modern neo-disco dance track, 120 BPM, playful and stylish male-female vocal duet with clear contrast, call-and-response vocal interaction with flirty, confident energy, tight four-on-the-floor groove with Brazilian Axé rhythmic influence, sharp rhythmic pocket, punchy drums, elastic funk bass, sleek modern synths and bright pop-disco harmony, groove-first, highly danceable, body-driven momentum, vocals focused on rhythm, timing, and chemistry rather than emotion, catchy chant-ready chorus designed for instant recall, controlled high-energy drop driven by rhythm, polished mainstream production for clubs and global FM radio, timeless pop-disco feel with modern edge, no retro clichés, no novelty comedy tone, no EDM festival drops

Genre: Super Strawberry Slop, KAWAII Pop Metal Tempo: Fast (170–180 BPM) Mood: Ultra-positive, colorful, overwhelming, unapologetically cheerful Instruments: Heavy but bright distorted guitars Fast pop-metal drums with big fills Sparkling synths and candy-like arpeggios Group-style cheerful female vocals Shout chants and call-and-response hooks Guitar Style: Iconic minimal single-note riff guitar, Strong midrange, sharp distortion, simple but hypnotic motifs, Rhythmic, confident, bold — every note intentional, No flashy solos, riffs act as the main voice, Vocal Style: Smiling, energetic, exaggeratedly positive group vocals, Clear melodies, chant-heavy chorus, joyful shouting, Style Notes: Extreme contrast between cute vocals and confident metal riffs, Lyrics are sincere, simple, and aggressively uplifting, Designed as Super Strawberry Slop — sweet, loud, and knowingly excessive, Not serious, not ironic, just overwhelming positivity