Mým kolegům

Style: fusion of drums-and-bass and Neue Deutsche Härte, BPM 80, 4/4, Arrangement: Intro1 start solo heavy sub-kick, gradually add full kit (snare metallic, tight hats), parallel-compressed drums; uneasy syncopated bass guitar with gritty amp + clean DI blend; industrial detuned synth pads and metallic percussive arps, Intro2 & Outro: female psychedelic choir, wide stereo, reverberant, Vocals: all verses spoken in Czech by a single extremely deep, raspy, monotone male (close mic, mild saturation, subtle compression, HPF ~120Hz), HOAK: male shout (dry/center) then choir psychedelic, adoring responses, Overall: heavy, punchy, slightly saturated/industrial tone, maintain clarity of Czech spoken words and call‑and‑response dynamics

Contemporary folk, crazy, Male voice, czech language, Modest instrumentation with instruments: ukulele, xylophone, clarinet, violin, sousaphone, banjo and tambourine to add rhythm, The tempo: BPM 95, with catchy melodic motifs and a simple chorus, The vocals should be playful, with a friendly and open expression, Use proper, clearly articulated Czech

Czech song, Rock, hard rock, rhythmic guitar riffs

Medieval folk, Czech song in the style of medieval wandering folk artists, Instruments: lutes, fiddles, hurdy - gurdy, whistles, bagpipes, wooden percussion, drums, tambourine, Atmosphere - lively, rhythmic, but at the same time with a touch of subtle melancholy, Vocally, use alternating female solo (soft, narrative singing with a sense of narration), male solo (deeper, resonant voice, strong and expressive) and small group entrances (multi-part chorus, tuned with simple harmonization, reminiscent of medieval choral singing), The vocals should sound authentic, raw and at the same time with feeling to underline the story and emotions of the text, Use proper, clearly articulated Czech, Total length 3:00–3:30