3:53

真夏の夜のEscape
v4.5-all
jazz, vibraphone leads, contemporary, powerful and funky brass, odd signature, hook-driven, latin jazz rhythm, bpm140, dangerous and urgent mood, ad-lib vibraphone solo part
3:47

Dandy Steps
v4.5-all
instrumental, no voice, jazz, vibraphone leads, contemporary, powerful and funky brass, odd signature, hook-driven, latin jazz rhythm, bpm130, dangerous and urgent mood, ad-lib vibraphone solo part
4:15

Summer Sensation
v4.5-all
jazz, vibraphone leads, contemporary, powerful and funky brass, odd signature, hook-driven, latin jazz rhythm, bpm140, dangerous and urgent mood, ad-lib vibraphone solo part
4:59

Friday Detectives
v4.5-all
Jazz-rock with odd-meter tension at 120 bpm, tight drums locking a lurching groove under distorted guitar, virtuoso piano figures, and sharp brass punches; verse rides sparse drums and guitar stabs, pre-hit opens with piano runs and snare pushes, main section surges with brass hits and shifting accents, then a breakdown strips to bass and brushed cymbals before the final blast, Dry close-mic front edge, wide brass bloom, gritty overdriven mix with smoky room air and sudden ear-candy crashes, rock, jazz
4:01

Autumn in the big city
v4.5-all
jazz, vibraphone leads, contemporary, powerful and funky brass, odd signature, hook-driven, latin jazz rhythm, bpm140, dangerous and urgent mood, ad-lib vibraphone solo part
3:17

The charm of bass
v4.5-all
jazz, vibraphone leads, contemporary, powerful and funky brass, odd signature, hook-driven, latin jazz rhythm, bpm140, dangerous and urgent mood, ad-lib vibraphone solo part
6:19

Mambo Steel
v4.5-all
Jazz-rock with Afro-Cuban rhythm at 122 BPM, aggressive guitar riffing and syncopated drum kit accents locked to clave; verse rides lean bass, rhythm guitar, and brushed toms, pre-chorus strips to congas and brass stabs, chorus hits with bold horn unisons and a fierce riff answer, Drum ad-libs flare in breaks, trumpet slides lead transitions, Bright, punchy, slightly gritty mix with wide brass and a dangerous swagger, jazz, rock
4:21

派手に行こうぜ
v4.5-all
Smoky jazz-rock at 128 BPM, odd-meter breakbeat groove and a snarling, syncopated bassline, Dominant brass stabs and sliding horn lines wrap around a distorted guitar riff; verses feel sly and close-mic’d, chorus opens wider with stacked harmonies and swagger, Occasional half-time drops and short, semi-improvised horn/guitar fills keep the structure fluid and dangerous, breakbeat, jazz, bassline
3:59

水曜日のlatin heat
v4.5-all
jazz, vibraphone leads, contemporary, powerful and funky brass, odd signature, hook-driven, latin jazz rhythm, dangerous and urgent mood, ad-lib vibraphone solo part
3:58

水曜日のビブラフォン
v4.5-all
jazz, vibraphone leads, contemporary, powerful and funky brass, odd signature, hook-driven, latin jazz rhythm, dangerous and urgent mood, ad-lib vibraphone solo part
3:10

Junk Mambo
v4.5-all
Jazz-rock with Afro-Cuban rhythm at 122 BPM, aggressive guitar riffing and syncopated drum kit accents locked to clave; verse rides lean bass, rhythm guitar, and brushed toms, pre-chorus strips to congas and brass stabs, chorus hits with bold horn unisons and a fierce riff answer, Drum ad-libs flare in breaks, trumpet slides lead transitions, Bright, punchy, slightly gritty mix with wide brass and a dangerous swagger, jazz, rock
5:29

Black Smoke Turn
v4.5-all
Jazz-rock with odd-meter tension at 120 bpm, tight drums locking a lurching groove under distorted guitar, virtuoso piano figures, and sharp brass punches; verse rides sparse drums and guitar stabs, pre-hit opens with piano runs and snare pushes, main section surges with brass hits and shifting accents, then a breakdown strips to bass and brushed cymbals before the final blast, Dry close-mic front edge, wide brass bloom, gritty overdriven mix with smoky room air and sudden ear-candy crashes, rock, jazz
4:49

Smoky Section
v4.5-all
Smoky jazz-rock at 110 BPM, odd-meter breakbeat groove and a snarling, syncopated bassline, Dominant brass stabs and sliding horn lines wrap around a distorted guitar riff; verses feel sly and close-mic’d, chorus opens wider with stacked harmonies and swagger, Occasional half-time drops and short, semi-improvised horn/guitar fills keep the structure fluid and dangerous, breakbeat, jazz, bassline
3:32

消えるのは奴らだ
v4.5-all
Smoky jazz-rock at 128 BPM, odd-meter breakbeat groove and a snarling, syncopated bassline, Dominant brass stabs and sliding horn lines wrap around a distorted guitar riff; verses feel sly and close-mic’d, chorus opens wider with stacked harmonies and swagger, Occasional half-time drops and short, semi-improvised horn/guitar fills keep the structure fluid and dangerous, breakbeat, jazz, bassline
4:11

Guys on the edge
v4.5-all
rock, Smoky jazz-rock at 130 BPM with male tenor vocals, odd-meter breakbeat groove and a snarling, syncopated bassline, Dominant brass stabs and sliding horn lines wrap around a distorted guitar riff; verses feel sly and close-mic’d, chorus opens wider with stacked harmonies and swagger, Occasional half-time drops and short, semi-improvised horn/guitar fills keep the structure fluid and dangerous, breakbeat, Latin jazz, bassline
6:06

Smoky Tomorrow
v4.5-all
rock, Smoky jazz-rock at 128 BPM with male tenor vocals, odd-meter breakbeat groove and a snarling, syncopated bassline, Dominant brass stabs and sliding horn lines wrap around a distorted guitar riff; verses feel sly and close-mic’d, chorus opens wider with stacked harmonies and swagger, Occasional half-time drops and short, semi-improvised horn/guitar fills keep the structure fluid and dangerous, breakbeat, jazz, bassline
2:53

Try to find me
v4.5-all
rock, Smoky jazz-rock at 128 BPM with male vocals, odd-meter breakbeat groove and a snarling, syncopated bassline, Dominant brass stabs and sliding horn lines wrap around a distorted guitar riff; verses feel sly and close-mic’d, chorus opens wider with stacked harmonies and swagger, Occasional half-time drops and short, semi-improvised horn/guitar fills keep the structure fluid and dangerous, breakbeat, jazz, bassline
3:34

Smoky Breakbeat Riff Machine
v4.5-all
Smoky rock-pop fusion built on punchy breakbeat drums at 120 BPM with an angular, odd-meter groove, Thick, overdriven guitar plays an aggressive, hooky main riff with gritty sustain and tight palm-muting, Warm, melodic bass locks to the kick and outlines shifting meters with fluid runs, The drum sound is crisp and stylish, featuring snappy snares, bright hats, and occasional tom fills that emphasize the improvised structure, Layered ambient guitars and subtle analog synth pads add a hazy, late-night atmosphere while lead guitar lines weave melodious, semi-improvised phrases over the riff-driven foundation, The arrangement flows in evolving sections rather than strict verse-chorus form, emphasizing dynamic builds, breakdowns, and expressive, free-form transitions
6:39

Smoky Breakbeat Riff Machine2
v4.5-all
Smoky rock-pop fusion built on punchy breakbeat drums at 120 BPM with an angular, odd-meter groove, Thick, overdriven guitar plays an aggressive, hooky main riff with gritty sustain and tight palm-muting, Warm, melodic bass locks to the kick and outlines shifting meters with fluid runs, The drum sound is crisp and stylish, featuring snappy snares, bright hats, and occasional tom fills that emphasize the improvised structure, Layered ambient guitars and subtle analog synth pads add a hazy, late-night atmosphere while lead guitar lines weave melodious, semi-improvised phrases over the riff-driven foundation, The arrangement flows in evolving sections rather than strict verse-chorus form, emphasizing dynamic builds, breakdowns, and expressive, free-form transitions
3:14

Good in a Borsalino
v4.5-all
jazz, vibraphone leads, contemporary, powerful and funky brass, odd signature, hook-driven, latin jazz rhythm, bpm130, dangerous and urgent mood, ad-lib vibraphone solo part
3:24

後朝(きぬぎぬ)
v4.5-all
pop/jazz, Smoky modern jazz in 5/4 at 120 BPM, glossy synth, haunting melody like a ribbon of silk over clustered synth pad voicings and a sly walking bass, Brushed drums lean into the odd meter, muted trumpet trades phrases with the singer, Choruses bloom into cinematic string swells, then fall back into an intimate trio for a sly, late-night fade, romantic, stylish
3:21

Silky Shadow
v4.5-all
pop/jazz, Smoky modern jazz in 5/4 at 120 BPM, glossy synth, haunting melody like a ribbon of silk over clustered synth pad voicings and a sly walking bass, Brushed drums lean into the odd meter, muted trumpet trades phrases with the singer, Choruses bloom into cinematic string swells, then fall back into an intimate trio for a sly, late-night fade, romantic, stylish
5:47

Trumpet Junction
v4.5-all
modern jazz, trumpet leads, BPM140, urban, sharp, piano-driven, improvised structure, ad-lib trumpet solo part, dangerous and urgent mood
3:10

Trumpet Carpet
v4.5-all
modern jazz, trumpet leads, BPM140, urban, sharp, piano-driven, improvised structure, ad-lib trumpet solo part, dangerous and urgent mood
4:50

Afrobeat Swing
v4.5-all
African beat, percussion leads, Indigenous taste, African jazz rhythm, exciting, passionate, BPM140
4:39

Mellow Wind (Afrobeat)
v4.5-all
African beat, percussion leads, Indigenous taste, African jazz rhythm, exciting, passionate, BPM140
4:56

Through The Window
v4.5-all
jazz, vibraphone leads, contemporary, powerful and funky brass, odd signature, hook-driven, latin jazz rhythm, bpm140, dangerous and urgent mood, ad-lib vibraphone solo part
3:56

Just Passing By
v4.5-all
jazz, vibraphone leads, contemporary, powerful and funky brass, odd signature, hook-driven, latin jazz rhythm, bpm140, dangerous and urgent mood, ad-lib vibraphone solo part
3:32

フラクタル渋谷系Jazz
v4.5-all
Shibyuya-kei j-pop, jazz, vibraphone leads, bpm120, lovely and lightly, hook-driven, odd meter, ad-lib vibraphone solo part, improvised structure, pop
4:05

ひらゆら -VibraphoneJazz-
v4.5-all
Shibuya-kei j-pop, jazz, no voice, vibraphone leads, bpm120, lovely, lightly, odd meter, hook-driven, ad-lib vibraphone solo part, improvised structure, jazz
3:53

Summer Breeze
v4.5-all
Dance, 1990's Japanese dance pop, latin jazz rhythm, latin synth brass, latin synth percussion, complex harmony, bpm130, komuro-style, hook-driven, miror key, dangerous mood
3:32

Summer Queen
v4.5-all
Dance, 1990's Japanese dance pop, latin jazz rhythm, latin synth brass, latin synth percussion, complex harmony, bpm130, komuro-style, hook-driven, miror key, dangerous mood
4:43

Strolling with you
v4.5-all
instrumental, no voice, jazz, vibraphone leads, contemporary, powerful and funky brass, odd signature, hook-driven, bpm130, dangerous and urgent mood, ad-lib vibraphone solo part






