5:34

Already Paid For
v4.5-all
Warm contemporary worship ballad; piano-led with gentle acoustic guitar and subtle pads, male lead vocals with mixed-voice choir answering in harmonies, Verses stay intimate and close-mic, then chorus blooms with full choir, tom swells, and a lifting bass, Bridge strips back to near a cappella before a final, powerful chorus reprise with high harmonies and a lingering reverb tail
4:37

Stand In The Gap
v4.5-all
rock, Warm southern gospel-rock ballad; male vocals over gentle piano and strummed acoustic with soft organ pad, Verses stay intimate and storytelling, light rimshot groove and brushed snare; chorus swells with choir-style harmonies, tambourine, and a singing slide guitar answering vocal lines, Bridge lifts with key change and bigger drums, then strips back to piano and voice for the final chorus, leaving space for a heartfelt, congregational singalong, healing, world, gospel, ballad, restoring, light
4:39

Muddy Paws
v4.5-all
Gospel with a steady clap-driven groove and warm organ swell; verse walks light with acoustic guitar, hand percussion, and close lead vocal, pre-chorus opens with stacked harmonies and rising keys, chorus lifts into full choir, tambourine, and call-and-response, Add dog-bark ad-libs, organ fills, a soft handclap break before the last chorus, and a bright, intimate mix with room glow, uplifting, gospel
3:20

Hold On
v4.5-all
Zydeco gospel-blues at 98 BPM with a springy two-step groove, second-line sway, and bouncy call-and-response momentum, Verse rides sparse guitar, low tuba pulse, and clipped drums; pre-chorus opens with organ swells and claps; chorus hits with accordion lead, brass stabs, and gang vocal answers, Lead vocal stays close-mic and gritty, with shouted doubles, handclap accents, tape-warm mix, and punchy low-end, gospel blues, zydeco, accordion, bounce
2:37

Sunday on the Bayou
v4.5-all
zydeco bounce, gospel blues, 98 BPM, rubboard shuffle, second-line snare, tuba bass ostinato, accordion riffs, porch guitar stabs, handclap gang vocals, brass punchlines, church organ swells, analog tape saturation, dry kick drum, call and response, bittersweet resolve Gospel, zydeco, gospel blues, soft, accordion, gospel, bounce
3:44

Break Bread
v4.5-all
funk, zydeco groove, gospel blues, accordion lead, clawhammer guitar, fiddle double-stops, strings stabs, handclap accents, drumline lift, tribal toms, xylophone fills, call-and-response chorus, mid-tempo 96 BPM, bittersweet nostalgia, communal singalong about hunger in the streets, zydeco, accordion, gospel blues
3:49

He is Love
v4.5-all
rock, alternative rock, funk, southern gospel, high energy, big band sound, alternative rock, praise, funk, southern gospel
4:53

One We Follow
v4.5-all
Worship anthem with uplifting contemporary pop-gospel foundation, steady mid-tempo pulse, handclaps and piano-led verses; pre-chorus opens with rising pads and stacked harmonies; chorus lifts with full drums, gospel choir doubles, and simple chantable phrasing, Add filtered swells into the first chorus, a stripped bridge with close-mic lead and soft organ, then a final chorus with ad-libbed responses, airy delay throws, and a wide, bright mix, worship
