Experiments 🧪

A complex and theatrical fusion of glitch-hop, dubstep, and baroque opera, The piece begins with harpsichord arpeggios, dramatic string sections, and a powerful operatic soprano singing in Italian or Latin, Slowly, glitchy textures and warped percussive layers begin to intrude, twisting the classical structure into digital chaos, The first drop blends distorted 808s with staccato violins and LFO-driven bass, Midsection includes vocal stabs, reversed orchestral hits, and glitch-breaks over a sustained choral background, Builds into a massive dubstep climax with layered operatic vocals, granular synthesis, and shattered string motifs, Ends on a dissonant chord and a decaying echo of a solo soprano voice, Tempo ~90-100 BPM, Sound design must blend baroque ornamentation and melody with glitchy, broken, modern rhythmic complexity, [Use harpsichord riffs, staccato violins, operatic soprano vocals, digital glitch artifacts, tempo shifts, and orchestral breakdowns, ]

happycore x glitchcore x dark bass house, tune to key, tight timing, playful chops, Bright supersaw chords, bouncy rolling bass, classic rave stabs and cute 8-bit plucks, Vibe: fun, uplifting, club-ready, Mix: gentle saturation on mid-bass, pads high-passed, crisp transients, no harsh distortion, loud but dynamic master

DnB blending neuro bass design with Flamenco rhythm & timbre, Tempo: 170–175 BPM, E Phrygian dominant

Arctic Bass House x Cyberpunk x Melodic Techno at 125 BPM, Club-focused four-on-the-floor with a punchy kick, tight clean sub and gritty mid-bass riffs, plus percussive switch-ups inspired by French-tek energy (kept musical), Atmosphere is cold and cinematic: icy pads, glassy FM plucks, granular wind noise, distant metallic resonances and bowed-metal swells, Minimal harmonic hook built from detuned saw chords and a filtered arp; keep harmony sparse, Build-ups use rising noise, staircase snare rolls and filter sweeps; drops hit with a heavy bass riff, sharp stabs and sidechain movement, Mid-break opens to drones and ticking textures, then re-enters with a new bass variation, Wide, clean mix with strong dynamics, crisp transients, no mud and no harsh distortion

Drum & Bass x Acidcore x Hardtrance fusion, 165 - 175 BPM, intense, hypnotic, aggressive but melodic, heavy DnB basslines, various melodic 303 acidlines with resonant modulation, hardtrance kicks with slight distortion, fast punchy percussions, breakcore rolls, dark atmospheric pads, energetic acid arpeggios, ominous intro with acid buildup, explosive drops, euphoric breakdowns, post-apocalyptic rave energy, high sound pressure, crisp mix, club-ready

eurodance, trance, bass house, acid techno, EDM, dub, happycore, dark bass house, jumpstyle

A complex, theatrical fusion of glitch-hop, dubstep, and baroque menuett, inspired by Louis XIV’s Versailles promenade, Begin in 3/4 with a strict French baroque minuet: bright harpsichord arpeggios, ornamented violins/violas, light oboe/flute answers, clear stress on beat one, Gradually, glitch textures and warped percussive layers intrude, twisting the classical structure into digital chaos, Drop A: distorted 808s, LFO-driven mid-bass, staccato strings quoting the minuet motif, sliced vocal stabs, granular shatters, Midsection: sustained choir pad, reversed orchestral hits, glitch-breaks over clock-like ticks and distant “water” ambience; soprano returns with fragmented phrases, Final climax: massive dubstep, granular swarms, shattered string figures; triumphant then tense, Mix: wide scoring-stage depth + modern punch; harpsichord clear, strings defined, sub tight (no mud), tasteful saturation, no harsh clipping, dynamic master

Cinematic midtempo bass ballad at 110 BPM, Warm piano + soft pad intro, close-mic French male vocal, Add deep clean sub pulses, halftime kick/snare with gentle sidechain, subtle foley/percussion, airy guitars, Lift choruses with wide pads, low strings swells, and light wordless choir; no flashy leads, Bridge: drop back to piano + distant textures, then big, hopeful final chorus with tasteful toms and cymbal swells, Keep voice upfront, intimate to anthemic, Wide stereo, natural dynamics, no clipping, clean low end, no harsh distortion