3:01

You Don’t Stop
v5.5
Male vocals, indie boom bap, punk-rap male shouted vocals, ragged rap cadence, distorted bassline, chopped guitar stabs, analog drum machine, broken snare hits, sub bass hits, lo-fi tape saturation, slapback delay, radio static, hostile swagger, bitter defiance, 92 BPM, half-time groove
3:15

Can't Go
v5.5
Male vocals, indie boom bap, punk-rap, male shouted vocals, ragged rap cadence, distorted bassline, chopped guitar stabs, analog drum machine, broken snare hits, sub bass hits, lo-fi tape saturation, slapback delay, radio static, hostile swagger, bitter defiance, 92 BPM, half-time groove
3:36

Male vocals, indie boom bap, punk-rap, male shouted vocals, ragged rap cadence, distorted bassline, chopped guitar stabs, analog drum machine, broken snare hits, sub bass hits, lo-fi tape saturation, slapback delay, radio static, hostile swagger, bitter defiance, 92 BPM, half-time groove
3:27

Male vocals, indie boom bap, punk-rap, male shouted vocals, ragged rap cadence, distorted bassline, chopped guitar stabs, analog drum machine, broken snare hits, sub bass hits, lo-fi tape saturation, slapback delay, radio static, hostile swagger, bitter defiance, 92 BPM, half-time groove
2:59

Inconceivable
v5.5
Male vocals, indie boom bap, punk-rap, male shouted vocals, ragged rap cadence, distorted bassline, chopped guitar stabs, analog drum machine, broken snare hits, sub bass hits, lo-fi tape saturation, slapback delay, radio static, hostile swagger, bitter defiance, 92 BPM, half-time groove
3:25

Male vocals, indie boom bap, punk-rap male shouted vocals, ragged rap cadence, distorted bassline, chopped guitar stabs, analog drum machine, broken snare hits, sub bass hits, lo-fi tape saturation, slapback delay, radio static, hostile swagger, bitter defiance, 92 BPM, half-time groove
3:22

Scarlet Red
v5.5
Male vocals, indie boom bap, punk-rap male shouted vocals, ragged rap cadence, distorted bassline, chopped guitar stabs, analog drum machine, broken snare hits, sub bass hits, lo-fi tape saturation, slapback delay, radio static, hostile swagger, bitter defiance, 92 BPM, half-time groove
3:39

Male vocals, indie boom bap, punk-rap male shouted vocals, ragged rap cadence, distorted bassline, chopped guitar stabs, analog drum machine, broken snare hits, sub bass hits, lo-fi tape saturation, slapback delay, radio static, hostile swagger, bitter defiance, 92 BPM, half-time groove
3:16

Male vocals, indie boom bap, punk-rap male shouted vocals, ragged rap cadence, distorted bassline, chopped guitar stabs, analog drum machine, broken snare hits, sub bass hits, lo-fi tape saturation, slapback delay, radio static, hostile swagger, bitter defiance, 92 BPM, half-time groove
3:20

Male vocals, indie boom bap, punk-rap male shouted vocals, ragged rap cadence, distorted bassline, chopped guitar stabs, analog drum machine, broken snare hits, sub bass hits, lo-fi tape saturation, slapback delay, radio static, hostile swagger, bitter defiance, 92 BPM, half-time groove
2:51

Male vocals, indie boom bap, punk-rap male shouted vocals, ragged rap cadence, distorted bassline, chopped guitar stabs, analog drum machine, broken snare hits, sub bass hits, lo-fi tape saturation, slapback delay, radio static, hostile swagger, bitter defiance, 92 BPM, half-time groove
3:15

Consequences
v5.5
Male vocals, indie boom bap, punk-rap male shouted vocals, ragged rap cadence, distorted bassline, chopped guitar stabs, analog drum machine, broken snare hits, sub bass hits, lo-fi tape saturation, slapback delay, radio static, hostile swagger, bitter defiance, 92 BPM, half-time groove
2:58

Splitting Atoms
v5.5
Male vocals, indie boom bap, punk-rap male shouted vocals, ragged rap cadence, distorted bassline, chopped guitar stabs, analog drum machine, broken snare hits, sub bass hits, lo-fi tape saturation, slapback delay, radio static, hostile swagger, bitter defiance, 92 BPM, half-time groove
3:48

Male vocals, indie boom bap, punk-rap male shouted vocals, ragged rap cadence, distorted bassline, chopped guitar stabs, analog drum machine, broken snare hits, sub bass hits, lo-fi tape saturation, slapback delay, radio static, hostile swagger, bitter defiance, 92 BPM, half-time groove
