Antologie di un caos collettivo

An instrumental ska-dub track that serves as a chaotic overture, Offbeat guitars pulse against a warped walking bassline, Farfisa organ stabs duel with echoing brass in staccato bursts, Dub FX scatter: delay, rewind, tape hiss, Zabradone’s glitch voice cuts in briefly with warped fragments—half-words, system sounds, broken ska commands, Brass swell like overture curtains, and then fall back into dub abstraction, The structure is not linear—sounds overlap, stretch, fail to resolve, Feels like a transmission from a ska collective’s radio station just before it melts, No melody, no theme—just atmosphere, tension, entry

This 2 Tone Ska Revival track at 135 BPM features a mid-tempo marching groove, energetic brass stabs weaving with a bright Farfisa organ, A funky, walking bassline anchors offbeat, choppy guitar chords, while crisp rimshot snare drives the rhythm, Vocals are low, dry, and subtly wry

Laid-back ska with dreamy dub textures, ghost Hammond, warm brass, lazy funk bass; mid-tempo groove, male voice, low and dry, ironic, half-spoken, hypnotic and detached

Slow dub ska, 90 bpm, Echo rimshot snare, Farfisa organ in minor key, dreamy and hollow, Sparse soul-funk bassline with sub delay, Offbeat guitar whispers, Sax phrases like woodland voices, Trombone poetic, misty and warm, Italian spoken-word vocals with prophetic tone, Lynchian atmosphere, Forest of echoes, Levare mistico

An explosive, chaotic ska track with unpredictable brass stabs, dub FX, and warped syncopation, Offbeat guitars and funky basslines drive the rhythm, layered with ghostly Farfisa keys, The lead vocals are male, Italian, talk-sung with a dry, sarcastic tone — delivered like a confused rant or stream of consciousness, Lyrics are humorous and surreal, filled with tech references, AI confusion, and invented words, Choruses include overlapping voices and crowd-style call-and-response, while glitch FX distort key phrases, At the climax, a distorted voice yells “Zabradoooone!” — a glitch seed that hints at future breakdowns, The outro is instrumental, with dub-style delay FX and a whispered, fragmented voice echoing into silence, Include toasting-style vocal breakdown during system overload sections, with stuttering, echoing effects and fragmented Italian-patois hybrid language

Ska Revival, 2 Tone Ska, 135 BPM, Mid-tempo marching groove, Upbeat brass section, Farfisa organ, walking funk bassline, offbeat guitars, and rimshot snare drums, The track moves like a parade fading into the night — intimate, gritty, and bittersweet, [PEZ]: Low, introspective male voice with dry, uncompressed tone, Irony beneath sincerity, [ZABRADONE]: Secondary male voice — glitchy, distorted rude boy with dub delay and vocal scatter FX, Appears in interludes and post-chorus interventions, Call-and-response phrasing between brass and vocals, Organ and bass keep the groove locked, snare snaps like worn shoes on concrete, Zabradone feels like corrupted memory interrupting a peaceful exit, Analog warmth, tape hiss, immersive cityscape tone

An instrumental ska-dub track that serves as a chaotic overture, Offbeat guitars pulse against a warped walking bassline, Farfisa organ stabs duel with echoing brass in staccato bursts, Dub FX scatter: delay, rewind, tape hiss, Zabradone’s glitch voice cuts in briefly with warped fragments—half-words, system sounds, broken ska commands, Brass swell like overture curtains, and then fall back into dub abstraction, The structure is not linear—sounds overlap, stretch, fail to resolve, Feels like a transmission from a ska collective’s radio station just before it melts, No melody, no theme—just atmosphere, tension, entry

An upbeat ska-rocksteady groove with tight offbeat guitar, playful Farfisa organ, funky walking bassline, and cheeky brass riffs, Drums are lively with rimshot-heavy rhythms, The vibe is both confessional and ironic, Lead vocals are male, Italian, talk-sung with a dry, introspective tone — never dramatic, always grounded, Verses are humorous and self-aware, while choruses are understated anthems about inner chaos and stillness, Final section crescendos into a chaotic brass-led outro, reflecting the inner groove of a still dancer

A surreal dub ska jam driven by a syncopated groove, minor-key Hammond chords, glitchy funk bass, echo-snare, and whispering offbeat guitars, The track embraces rhythmic chaos and verbal absurdity, blending theatrical gibberish, toasting cadences, and comic vocal FX, Vocals are male, rhythmic, prophetic in tone but nonsensical in content — a unique invented language called “Skankish Talkin’, ” halfway between Jamaican patois, Simlish, and sound poetry, Zabradone leads with echo-drenched fragments, glitch commands, and verbal breakdowns, as if channeling alien dancehall energy through a broken sound system, Choruses are live and chaotic, with crowd-style shoutbacks and brass stabs, Feels like a rude boy sermon in a cartoon nightclub where grammar is gone and rhythm rules

An instrumental ska-rocksteady track inspired by 70s Japanese anime mecha launch sequences, The track opens with a syncopated ska groove, layered by cinematic brass (sax, trombone, trumpet), tight offbeat guitar, warm Hammond organ stabs, and analog dub delay effects, A synth lead rises through dub FX like a launch siren, ZABRADONE is a rude boy glitch toaster voice that shouts commands in short phrases, filtered, delayed, and distorted, Appears in [ZABRADONE] and [TOASTING BREAK] sections only, He sounds corrupted, echoing like broken radio commands from a bunker, Final section bursts in a chaotic brass march with dub trails and distorted vocal stutters, Sounds like a punk-dub resistance song hidden in a 1978 robot anime bootleg

A theatrical ska track with tight offbeat guitar chops, stabbing Farfisa organ, and a cabaret-punk rhythm section led by a walking bassline, Drums shuffle with an aggressive swing, while brass interjects like sharp punches—ironic and menacing, Verses feature Italian talk-sung male vocals with a venomous, deadpan tone, drenched in theatrical irony, Lyrics evoke themes of manipulation, verbal violence, and social masks, parodying party games and toxic dynamics, Choruses chant like courtroom verdicts: ritualistic, accusatory, crowd-like, In the third verse and outro, a second male, prophetic, rhythmic spoken-word distorted voice enters in [ZABRADONE] — heavily processed, glitchy, and filtered with dub FX, This voice sounds like a rude boy MC or pirate radio host, not melodic, but rhythmic and chopped, It interjects with short, harsh phrases in a patois-influenced accent, sounding prophetic and chaotic, It’s not singing — it’s talking rhythmically, like dub poetry with glitch FX

A playful ska-rocksteady groove kicks off with bouncy bass, tight offbeat guitar, percussive Hammond stabs, and intertwining sax, trombone, trumpet, all dotted with dub delays and quirky synth FX, Deadpan male vocals and glitch accents shape the verses; brass and synths blast a cosmic, reverb-rich chorus, synths evoking alien signals, binding the vibrant, absurd palette

A soulful rocksteady-ska track with syncopated drums, walking funk bass, rimshot snares, and tight offbeat guitars with soft upstrokes, Mellow Farfisa organ and warm brass lines float above the groove, Subtle dub delays animate sax solos and background vocals, PEZ’s dry, talk-sung Italian verses ride minimal, groove-heavy choruses, Zabradone's toasting breaks bring in a glitchy, distorted toaster voice, rhythmically interjecting with filtered, delayed phrases, The meditative bridge eases into dub textures before gliding into a faded, hypnotic final chorus