VHS HELL

[Genre: Slasherwave, Cyber-Industrial, Retro-Horror Metal] [Subgenre: Darksynth, Synthwave, Electro] [Key: D Minor (Dorian)] [BPM: 140 (Relentless) - 165 (Chase) - 70 (Breather)] [Mastering: Crushing density, severe digital saturation, visceral punch, mid-range grit, transparent limiting] [Influence: John Carpenter OSTs, 80s Slasher Films, Degraded VHS tapes, Urban Decay, Unstoppable Evil] [Mood: Relentless, Adrenaline, Terrifying] A high-octane hunt through a neon-drenched metropolis, Combines relentless, driving synth arps with heavy, chugging guitars and pounding industrial drums, Builds constant tension and dread, punctuated by piercing leads and jarring horror SFX, Unstoppable, visceral, cinematic horror, Performed by N/0/LL

A retro-horror dancefloor monstrosity crawling with VHS hiss, predator groove, and 80s pulp terror, Analog synth stacks hiss like breath through metal grates, slap bass plays like a tail whip in a humid disco hell, and percussion snaps mimic jaws in chase, Each section mimics a new elevator floor in a haunted complex: glamorous, grotesque, and deeply cursed, Spatial effects build claustrophobia while glitched vocal FX turn announcements into ghost moans, Tape hiss is not background — it’s a character, Camp and fear intertwine in lurid sincerity, Claustrophobic, funky, and lethal, Performed by N/0/LL

A high-energy rock anthem with a driving beat and prominent guitar riffs, The song features a male vocalist with a powerful, slightly raspy voice, delivering a call-and-response style vocal performance, The instrumentation includes electric guitar, bass guitar, drums, and a keyboard providing atmospheric pads and occasional melodic fills, The tempo is upbeat, creating a sense of urgency and excitement, The production is clean and punchy, with a strong emphasis on the drums and lead guitar, The song structure follows a typical verse-chorus format, with an instrumental break featuring a guitar solo, The key is major, contributing to the uplifting and anthemic feel, The guitar solo is melodic and technically proficient, showcasing a blend of sustained notes and rapid-fire licks, The bass provides a solid rhythmic and harmonic foundation, while the drums maintain a consistent, driving rhythm with occasional fills

Retro Industrial Horrorwave × Darksynth × Tape Noise Ambient in F# Minor at 96 BPM with ±5 BPM flutter, spiking to 104 BPM at climax, Kick layers sub sine (42 Hz), body (190 Hz), and transient peak (8 kHz), with 210 ms decay and 30% OTT wet, Bass is detuned FM Reese with LPF 1, 1→600 Hz and saturation/distortion ramping 30→80% wet, Drones use F#0 sine, –15 dB RMS, sidechained at –2, 5 dB over 150 ms, Growling Synth Leads are low-register error saw motifs with 85 ms glide, ±30° spread, 28% delay FB, and LPF @ 2, 5 kHz, Gate variance 80–180 ms, Bitcrushed arps rotate 12→8→6-bit with jitter and pitch mod, Climax solo: HPF 150 Hz, 70% distortion, IR 2, 8 s, vibrato 6 Hz ±12c, gated slides ±15c, Textures include pink hiss (LPF 5–6, 5 kHz), granular smear, reverse swells, Percussion: metallic snares, swung 1/16 hats, random clang FX, Stereo shaped by Haas offsets, dual IR crossfades, and collapse bridges, Performed by N/0/LL

Gothic horror metal instrumental with analog horror textures and slow-ritual pacing, Features distorted guitar phrases run through analog pedals, theremin glides layered with Mellotron and Prophet-5 harmonic pads, and bowed metal FX through spring reverb, ARP 2600 and EMS Synthi A provide low-frequency pulses and pitch-modulated arpeggios, Farfisa organ hits accent key transitions with theatrical stabs, Percussion is heavier, with gated toms, chains, reversed cymbals, and bass drops, Theremin adds classic horror texture in upper octaves with pitch wheel modulation, Reverb tails narrow as the track progresses toward a dense, saturated climax, Performed by N/0/LL