1:14
2:11
3:04
Untitled Melody 2
v4.5+
female Slavic choir, female Bulgarian choir, a cappella, chant, discordant harmonies, religious chant, church setting, traditiona instruments
2:37
3:16
3:39
Tuareg Flamenco, Guitar duet, Misery Choir chant, male cantor, 7/8 tempo
2:27
3:01
2:11
2:37
2:54
3:17
yodel, chant, scat, Inuit throat singing, Tuva overtones, Irish mouth music, Traditional instruments, unplugged, up beat
3:21
indie duet, aggressive attacking cello, accompanying piano, 7/8 up tempo
1:37
drum kit, tabla, taiko, bongo, talking drum, kettle drums, 5/4 140 bpm
2:11
yodel, chant, scat, Inuit throat singing, Tuva overtones, Irish mouth music, Traditional instruments, unplugged, up beat
2:08
Fugue in Dorian mode, call and responce, pipe organ, church
2:06
2:01
urban jungle, tribal, percussion, rhythmic call and response, 5/4
3:22
Salas, Flute, Electric Guitar, Clarinet
5:44
Rock'nRoll blues 1960s, electric guitar, Jimy Hendrix vibes, Guitar with heavy Wah Wah solo, male voice
3:19
2:55
Traditional Zaouli dance, african drums, strong rapid drum beats, 7/8 uptempo
3:54
2:08
tuba, ukulele, tub-bass, kazoo, jug band, traditional, 5/4 up tempo
3:18
2:59
a celtic tune in the style of Turlough O'Carolan, celtic harp
5:44
experimental, electronic, ethreal harmonies, long attack and release, generous reverb, delay, and echo, an altermating two note drone, alternate between 5/4 and 6/8 upbeat, fusion world music
1:29
microtonal, oriental influence, traditional instruments, 14/8 time, F minor
3:14
hoe-down, jug-band, tribal world fusion, cinematic world fusion, call and response chants, group chorus, yodel chant, mouth percussion, hand drums, frame drums, djembe grooves, clap breaks, stomp rhythm, fiddle drones, acoustic banjo rolls, rustic accordion, pentatonic flute, dry close vocals, live room capture, crowd singalong, tempo lift, festival energy