3:17

Modern Pop, Pop R&B, 85 Bpm, Baritone Male Vocals, Hook In 5 Seconds, Warm Analog Synths, Dreamy Pads, Muted Guitar Accents, Smooth Sub Bass Lead, Punchy Modern Drums, Reverby Claps, Sparse Vocal Chops, Bass Melody Hook, Pre-Chorus Bass Lift, Wide Chorus Stacks, Intimate Rhythmic Verses, California Night Drive, Nostalgic Sleekness
3:32

Tequila
v5.5
tropical house, modern pop, 124 BPM, syncopated conga loops, sidechained sub bass, muted guitar skanks, steel-drum synth plucks, airy marimba keys, glossy top-end, vocal chop hooks, four-on-the-floor kick, offbeat clap snaps, call and response breaks, radio ready mix, 2010s festival sheen, flirtatious bounce, summer-night release
4:18

Party Time
v5.5
Ultra-quiet hard rave at 215 BPM: ghosted four-on-the-floor kick, filtered distortion ghosts, muted offbeat bass stabs, and tiny gated synth flecks, Whispered male vocal chops, faint hoover pads, distant siren FX, soft clap ticks, and heavy sidechain create a sparse eurodance/hard trance crossover with smooth compression, low-end restraint, and hushed top end, Female Voice in background
8:48

let‘s party - progressive party
v4.5-all
Progressive House, Melodic Techno, Hypnotic/Ritual Techno
3:26

Psychedelic Rock, Alternative Rock, The Song Starts At Normal Speed But The Tension Builds Up, The Male Vocals Are Airy And Soft But Get More Aggressive The Further Into The Song, The Vintage 60S-Inspired Production Is Raw With An Unpolished Feeling, The Guitar Plays A Nice And Steady Melody, The Bass Guitar Is Very Well Heard, The Style Is Laid-Back Garage-Style Groove
