Playlist cover art

Crimson Collar

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6 songs
3:06Song Image
and pounding drums, male vocals with manic energy and dramatic delivery, dark circus metal, metal, eerie organ, haunting and theatrical with distorted guitars
3:49Song Image
Run.
v5.5
and pounding drums, manic energy and dramatic delivery, dark metal, haunting and theatrical with distorted guitars Fast, dark metal with metalcore influences, sexually charged and predatory, Downtuned distorted guitars, filthy bass, pounding double-kick drums, percussion, reminiscent of a racing heartbeat, Verses are rhythmic and aggressive with a cocky, raspy male vocal; pre-chorus steadily builds tension before an explosive shouted/sung chorus, The breakdown suddenly drops into crushing half-time guitars and enormous bass hits, with spoken/whispered vocals on “RUN” and “Cute, ” Final chorus is bigger and more chaotic, followed by an abrupt instrumental drop into an intimate, theatrical raspy whisper for the outro, Overall feeling: a high-speed predator/prey chase that's dangerous, seductive, manic, and fun
4:53Song Image
alternative rock, metal, ballad
5:28Song Image
and pounding drums, male vocals with manic energy and dramatic delivery, haunting and theatrical with distorted guitars, heavier, obsessive, and ritualistic, with the verses restrained and threatening before the chorus opens up
4:02Song Image
and pounding drums, male vocals with manic energy and dramatic delivery, distorted guitars, Dark industrial alternative metal, seductive and aggressive, low-tuned distorted guitars, massive dirty bass, heavy syncopated drums, sinister groove, raspy half-sung half-spoken verses, explosive aggressive chorus, occasional growls and screams, sexually charged and menacing atmosphere, slow heavy breakdown with whispered vocals and sub-bass, raw modern production
4:11Song Image
Dark, theatrical modern metal with down-tuned guitar riffs, thick bass, explosive live drums, and seductive, manic energy, Groove-heavy and stomping with sudden stops, sharp transitions, guitar squeals, feedback, and dramatic pauses, Male vocals are theatrical and unpredictable: deep raspy crooning, taunting spoken lines, breathy whispers, snarls, manic laughter, melodic belts, and explosive screams, Verses feel cocky, playful, and provocative, with instability gradually creeping in, Pre-choruses intensify into huge, catchy metal choruses, with “DRIVES ME MAD!” erupting into an unhinged scream, The bridge turns intimate and unsettling with sparse instrumentation and whispered vocals before exploding into a crushing, chaotic breakdown, Overall: seductive, obsessive, playful, volatile, heavy, and slightly deranged, with the vocalist progressing from controlled swagger to complete manic abandon