Framing Roger[FinalCut]
A broadcast disguised as an album. A warning from 1 radio outlaw, truth pusher, and glitch-souled bard delivers a critique of govt betrayal & algorithmic copacetic what the fuck are we allowing here?
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13 songs
4:53
global bass, houston screwed and chopped rap with global bass, eerie samples, sub 20Hz bass synth swells, baritone southern west Houston hip hop vocals with pitch modulation and 6 semitone vocal drops, breakcore drumkit, deep dub-pitched vocal chops, bass modulated like Looney Tunes on DMT; slapstick cartoon FX, distorted VHS warble, retro arcade synths, 432hz retuned to bring spinal soul alignment
3:35
II. Confession
v4.5+
<global bass> <houston screwed and chopped rap with global bass> <eerie sci fi noir samples> <sub 20Hz bass synth swells> [moombahton rhythms] <baritone southern west Houston hip hop vocals with pitch modulation and 6 semitone vocal drops> [ragga vocal chops] [trap-infused drum patterns] [island percussion] [EDM build-ups and drops] <breakcore drumkit> <deep dub-pitched vocal chops> <bass modulated like Looney Tunes on DMT> <slapstick cartoon FX> <distorted VHS warble> <retro arcade synths> <432hz retuned to bring spinal soul alignment>
<dusty boom bap drums> <16mm projector textures> <detuned upright piano> <whispered rhymes> <stylized wordplay> <analog hiss> <deep sub pulses>
3:11
Male-led Alt-R&B / Erotic Soul, deep bass pads, slow rolling 808s, breathy falsetto over spoken seduction, moody synth swells, cinematic stereo spread, 432hz tuned for intimate club feel
6:52
IV. Pinot Grecio
v4.5+
[[Big Beat] [Experimental electronica] [Alternative rock instrumentation] [gritty overdriven electric guitar riffs] [raw garage rock tone] [crunchy rhythm guitar layers] [blues-inflected lead guitar licks] [dynamic tama drum kit with tight snare rimshot hits] [punchy kick drum presence] [open hi-hat accents] [occasional crash cymbal emphasis] [steady bass guitar groove locking with drums] [warm analog bass swells] [lo-fi overtones in mix] [slight tape saturation] [live room reverb on drums] [midrange-focused guitar EQ] [fuzzhop-textured guitar sustain] [energetic erratic strumming patterns] [layered rhythm and lead interplay] [minimalistic bridge section] [gradual intensity build] [raw unpolished mix aesthetic] [male lead vocal with gravelly timbre] [southern-accented phrasing] [emotive vocal delivery with subtle rasp] [midrange-forward vocal EQ] [light natural reverb on vocals] [urgent lyrical pacing] [call-and-response feel between vocal and guitar] [driving groove supporting melodic
5:15
[[Big Beat] [Experimental electronica] [Alternative rock instrumentation] [gritty overdriven electric guitar riffs] [raw garage rock tone] [crunchy rhythm guitar layers] [blues-inflected lead guitar licks] [dynamic tama drum kit with tight snare rimshot hits] [punchy kick drum presence] [open hi-hat accents] [occasional crash cymbal emphasis] [steady bass guitar groove locking with drums] [warm analog bass swells] [lo-fi overtones in mix] [slight tape saturation] [live room reverb on drums] [midrange-focused guitar EQ] [fuzzhop-textured guitar sustain] [energetic erratic strumming patterns] [layered rhythm and lead interplay] [minimalistic bridge section] [gradual intensity build] [raw unpolished mix aesthetic] [male lead vocal with gravelly timbre] [southern-accented phrasing] [emotive vocal delivery with subtle rasp] [midrange-forward vocal EQ] [light natural reverb on vocals] [urgent lyrical pacing] [call-and-response feel between vocal and guitar] [driving groove supporting melodic
3:25
VI. L on a Snail
v4.5+
global bass, houston screwed and chopped rap with global bass, eerie samples, sub 20Hz bass synth swells, baritone southern west Houston hip hop vocals with pitch modulation and 6 semitone vocal drops, breakcore drumkit, deep dub-pitched vocal chops, bass modulated like Looney Tunes on DMT; slapstick cartoon FX, distorted VHS warble, retro arcade synths, 432hz retuned to bring spinal soul alignment
4:51
VII. Let It Be
v4.5+
[Big Beat / Electronica / Dance-Rock — bombastic breakbeats over acid-bass swell grooves with rock-inflected psychedelia]
[Sparse to sampled vocal shouts or distorted soundbites, chopped and looped for rhythmic punctuation]
[Energetic (~110–130 BPM), driving 4/4 kicks and syncopated funk breaks]
[Minor-based riffs or modal loops, gritty resonance from analog synths and differing tuning sources]
[Vintage breakbeat hiss, swirling tape echoes, lo-fi sample bleed, and rave FX]
[Chunky or melodic synth stabs with occasional fuzzed riffs, live guitar and psychedelic textures]
[Party aggression, sabotage vibes, rebellious energy—often using minimal lyrical hooks augmented by massive drops]
[Layered breakbeats, rimshots, ghosted snares, punctuated with tribal or looped percussion]
[Simple rave piano lines or guitar loops, recurring motifs, vocal samples as lead hooks]
[Explosive, euphoric, anxious, psychedelic, rebellious]
[Heavy modular synths, analog sampling, abrupt edits, feedback washes
3:19
VIII. SMOKE POP DOOM
v4.5+
Indie alt-rap, lo-fi experimental hip-hop, glitchy synth loops and dusty vinyl samples, deadpan vocal delivery with satirical edge, non-linear phrasing, analog compression, 432hz tuned for off-kilter head-nod
3:18
[[Big Beat] [Experimental electronica] [Alternative rock instrumentation] [gritty overdriven electric guitar riffs] [raw garage rock tone] [crunchy rhythm guitar layers] [blues-inflected lead guitar licks] [dynamic tama drum kit with tight snare rimshot hits] [punchy kick drum presence] [open hi-hat accents] [occasional crash cymbal emphasis] [steady bass guitar groove locking with drums] [warm analog bass swells] [lo-fi overtones in mix] [slight tape saturation] [live room reverb on drums] [midrange-focused guitar EQ] [fuzzhop-textured guitar sustain] [energetic erratic strumming patterns] [layered rhythm and lead interplay] [minimalistic bridge section] [gradual intensity build] [raw unpolished mix aesthetic] [male lead vocal with gravelly timbre] [southern-accented phrasing] [emotive vocal delivery with subtle rasp] [midrange-forward vocal EQ] [light natural reverb on vocals] [urgent lyrical pacing] [call-and-response feel between vocal and guitar] [driving groove supporting melodic
4:51
sultry sexy Dark global bass, swisha influenced houston screwed and chopped rap with global bass, eerie cartoon samples, fat analog sub 40Hz bass synth swells, baritone southern west Houston hip hop vocals with deep pitch modulation and 6 semitone vocal drops, acid‑style synth stabs, looped phrasing for club hypnosis, breakcore drumkit mixed with tama reverbed drumkit, deep dub-pitched vocal chops, bass modulated like Looney Tunes/merry melodies on DMT; creative slapstick cartoon FX, distorted VHS warble wobble, super retro arcade synths, sexy whisper energy, 432hz retuned to bring spinal soul alignment, ‑us vocal inflection, ‑los angeles mix, ‑nashville production, ‑hollywood tone, ‑west coast mastering, ‑american english diction, ‑nasally vowels, ‑american rock phrasing, ‑southern twang, ‑country tone, ‑blues inflection, ‑yankee drawl, ‑american radio compression, ‑american indie vocal, ‑california accent, ‑mainstream us pop polish, ‑midwestern intonation, ‑overbright eq, ‑american snare tone, ‑clap-heavy mix, ‑usa mastering curve, ‑american studio tone, ‑american-style autotune, ‑american session vocalist, ‑pop-punk
5:24
4:07
4:56
global bass, houston screwed and chopped rap with global bass, eerie samples, sub 20Hz bass synth swells, baritone southern west Houston hip hop vocals with pitch modulation and 6 semitone vocal drops, breakcore drumkit, deep dub-pitched vocal chops, bass modulated like Looney Tunes on DMT; slapstick cartoon FX, distorted VHS warble, retro arcade synths, 432hz retuned to bring spinal soul alignment