OOO Computer

Minimal anxious electro-pop, hypnotic spoken-word indie dance, sarcastic and stylish, Male voice, half-spoken half-sung, slightly tired, ironic, passive-aggressive charm

Wendy Carlos style Moog synthesizer, late-60s early-70s analog electronic, switched-on Bach, danceable, singable, baroque counterpoint played on monophonic synth leads, portamento ribbon glides, Tight repetitive bassline, minimalist drum machine, cheap vintage synths, cold plucks, subtle distorted textures, cold precise arpeggios, vintage modular bleeps, Robotic vocoder choir, eerie and majestic, mechanical grandeur, A Clockwork Orange soundtrack feel, clinical, hypnotic, dystopian

Hyperpop indie dance, 140 BPM, distorted 808 bass, glittery pitched synths, euphoric maximalist drop, breakbeat fills, Sweet pitched-up vocal, autotune sheen, ironic-sincere hook, club energy, sweaty neon rave, blown-out kick, Glossy chaos, festival catharsis