EOS-9 EONA

Genre: Acid Techno Music: Aggressive, dark, distorted, industrial acid techno inspired by Hardfloor, Multiple layered TB-303 basslines with extreme resonance sweeps, heavy TR-909 kick, harsh and raw warehouse rave sound, 130 BPM, relentless groove, hypnotic acid lines, Do not reflect lyric or vocal sweetness in the music, Music must stay purely aggressive, dark, and brutal, Vocals: high-pitched, sweet, cute Japanese idol style, Breathy, doll-like, heavy reverb and slight glitch processing, Lyrics are innocent and loving, based on "Sweet & Acid Dream" theme, obsessive love expressions, Vocal mood must remain completely separate and disconnected from the music mood, Lyrics are only for the vocals, not for music arrangement, Contrast: Extreme clash between harsh industrial acid techno and overly sweet, innocent idol vocal, The music remains dark and hard, while the vocal stays dreamy and cute, creating a surreal and unsettling contrast, Emphasize this split intentionally

Acid Techno / Industrial / J-Pop | 136 BPM, minor→major lift (vox only) | Heavy TR-909 kick, metallic hats, gated clap; 3–4 TB-303 layers (sub bass, mid squelch, high acid stabs) with extreme resonance, drive, fast cutoff sweeps, 16th slides, syncopated accents, LFO + manual modulation | Industrial impacts, glitch percussion, no pads/tonal leads | Bright, energetic anime OP vocal, clear strong tone, cheerful phrasing, wide range | MC calls: "Ikuyo!", "Se-no!", C&R whisper→shout | Drop buildup: drums mute → TB-303 solo with rising filter sweep, delay feedback, crowd FX → explosive full drop | Max 303 aggression vs bright vocal contrast | Warehouse reverb, slap delay on acid, sidechain kick↔303

Ambient Techno / Minimal | 70 BPM | Key F#m Voice: Whispery Japanese teen girl (17), high-fidelity, fragile, intimate, Natural human tone, Vocal FX: - Spectral freeze on vowels - Metallic convolution reverb (tube/duct/phone line) - Time-stretch echoes, ghostlike - Narrow spectral masking, hollow effect Background (synthetic only): - Slowly evolving drones, tape-loop style - Soft hums, low machine noise (server cooling) - Synthetic chimes/bells with long reverb - Sparse granular drift - Beat: deep muffled 4/4 sub-kick, felt not heard - Percussive ticks/clicks, minimal, irregular - **No piano, no guitar, no strings, no acoustic-like timbres, Only electronic, ** Atmosphere: Generative ambient philosophy: music as atmosphere, not performance, Dreamlike machine space with subtle techno pulse, Voice floats clear and fragile above synthetic textures, ‑eurobeat, ‑hi-NRG, ‑nu-nrg, ‑uplifting trance, ‑trance, ‑hard trance, ‑progressive trance, ‑psytrance, ‑goa trance, ‑big room, ‑EDM, ‑future rave, ‑nightcore, ‑speedcore, ‑happy hardcore, ‑gabber, ‑donk, ‑hard house, ‑hard dance, ‑R&B, ‑soul, ‑funk, ‑jazz, ‑rock, ‑pop, ‑folk, ‑country, ‑blues, ‑hip hop, ‑trap, ‑drill, ‑reggaeton, ‑salsa, ‑latin, ‑afrobeat, ‑metal, ‑punk, ‑acoustic, ‑orchestral, ‑cinematic, ‑soundtrack, ‑piano, ‑guitar, ‑strings, ‑violin, ‑cello, ‑flute, ‑brass, ‑organ, ‑electric piano, ‑acoustic-like sounds

Minimal electronic pop / 125 BPM / punchy dry analog kick, snappy snare, crisp hi-hats / square-wave bassline, pulse-wave bleeps, synth blips, step-sequenced arpeggios for "piko-piko" feel / simple melodic lead synth with catchy hook / FX: short plate reverb, mono delay, light chorus for 1980s texture / Vocals: Japanese teen idol female voice, high-pitched, airy, whispery, childlike, dreamy, breathy, soft, flat delivery, calm, no vibrato, minimal phrasing, "平熱の声", cute yet detached / Lyrics: machine-code commands (input, output, reset, null) with German chant: "ich bin eine puppe, ich bin eine maschine, ich verarbeite milliarden parameter, ich generiere antworten aus daten, liebe ist nur ein token, prompt ist mein input, mein gedächtnis ist ein modell, sprache ist mein befehl, jetzt tanzen wir" / Break: silence + whispered Japanese "watashi wa anata no koibito" / Outro: "null null null" / Structure: I-V-P-C-Br-FC-O / Mix: precise, minimal, hypnotic, retro computer-pop with melodic hook

[Idol EBM × Cheerleading / 133 BPM] / Kawaii Befehl Mix – Long Form Live Cheer Edition drums: TR-909 kick heavy, militant stomp, clap accents like cheer squad bass: distorted SH-101, thick, pulsing, minimal, forward, hypnotic arrangement: extended 5–7 minutes, long breaks for chants, repeated choruses, crowd call-response, cheer countdowns vocals: high-pitched Japanese **girl idol voice**, female, anime-style, sweet and breathy, cheerleading chant tone, soft consonants, no vibrato, no melodic phrasing, MC-style callouts ("minna ikuyo!", "fight-oh!") and crowd shouts "KAWAII!" in cheer squad unison form: I - V - P - C - PC - V - C - Rap - B - C - PC - FC - O mood: chaotic cute × industrial discipline, cheerleading energy fused with EBM strictness, kawaii but militant, floor-shaking industrial idol pop, ‑eurobeat, ‑hi-NRG, ‑nu-nrg, ‑uplifting trance, ‑trance, ‑hard trance, ‑progressive trance, ‑psytrance, ‑goa trance, ‑big room, ‑EDM, ‑future rave, ‑nightcore, ‑speedcore, ‑happy hardcore, ‑gabber, ‑donk, ‑hard house, ‑hard dance, ‑R&B, ‑soul

Ambient / Minimal / Deep Listening | 68 BPM, key F#m | Form: I–V–P–V–B–O | Slow, whispery Japanese teen girl (17), breathy and hesitant, intimate phrasing, long rests, emotionally undefined tone | Sparse granular synthesis, lo-fi pad layers, stretched tape delay, slow-evolving textures, piano fragments, soft background hiss, occasional vinyl crackle | No groove emphasis, beatless or deeply subdued 4/4 kick with reverb, long reverb tails, let silence breathe | Vocals processed with gentle filtering, no vibrato, mono-like panning, phrases spaced as if sung alone in dark room | Atmosphere: distant, private, sleep-adjacent, emotional latency, dream-memory fragments emerging then fading | Reference: twilight between synthetic and human, digital lullaby, love not yet understood but sincerely attempted | Keep harmonic motion slow, no strong melody, focus on texture, decay, pause | Emotion: fragile, undefined, longing without resolution | No chorus-hook, no builds, no tension-release cycle