
Nullmann
@nullmann
Russian baritone female vocal}
{style: poetic melancholic
Nullmann
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2.До линии горизонта v4.5
[genre: lo-fi ambient] [style: half-spoken baritone declamation] [mood: drifting, irrevocable, faint hope] [tempo: 52 bpm] [length: 2:30]
[vocals: male, baritone, soft-spoken, Russian] [vocal fx: lowcut EQ, 30% tape hiss, mono reverb]
[instruments: nylon-string guitar (soft pluck), analog drone synth, field noise (shore), wood creak, whisper loops]
[structure: intro – verse – instrumental – verse – ambient fade]
[atmosphere: sun-faded wood, distant wind through pine, thermal hum]
[mixing: low clarity, gentle compression, centered vocal]
[tags: exile, flow, without trace, no anchor, post-time ballad, silence as chorus]
1.Плот v4.5
[genre: ambient minimalism] [style: brodskian speech over granular field textures] [mood: detached, solemn, coastal] [tempo: 56 bpm, slow drift] [structure: intro – verse – interlude – verse – outro]
[vocals: male, baritone, Russian, breath-spaced, spoken] [vocal fx: 45% plate reverb, light tape hiss, centered dry tone]
[instruments: felt piano, bowed bass, granular synth pad, ocean layer, pine crackle, thermos steam]
[instrument fx: analog tape saturation, lo-mid EQ, stereo drift] [ambient: empty coast, cold sun, fog memory] [mixing: lo-fi, warm mono voice, wide stereo field]
[tags: brodsky, no-return, sun without god, exile speech, sand breathing, slow wave, thermos gospel, spoken tide]
«Комната без числа» v4.5
{genre: chamber chanson, female vocal}, {style: poetic, melancholic, minimalistic, in the spirit of Joseph Brodsky's lyrics}, {vocals: soft female voice, whispering timbre, emotional distance, no vibrato}, {instruments: piano, muted cello, brushed drums, ambient vinyl noise, distant ticking clock}, {atmosphere: autumnal, post-romantic, silent regret, post-letter mood}, {structure: intro (clock and piano), verse 1–2, short string interlude, verse 3–4, quiet outro}, {tempo: slow (60–65 BPM)}, {mood: gentle sadness, dry introspection, late goodbye}, {language: Russian}, {tags: poetic, acoustic, chanson sensuelle, sad, film noir}, {audio quality: studio}, {duration: 3:40}
{genre:grand symphonic}
{vocals: fragmented chorus, distant voice layers, rhythmically broken phrases}
{mood: desynchronization, ritual collapse, faded solemnity}
{instruments: glitched feedback, reversed textures, pulsing distorted drones}
{structure: intro - fractured liturgy / verse - memory fragments / chorus - corrupted loop / outro - fade to digital noise}
{atmosphere: stalled ritual, simulation looping into entropy, failed invocation}
{keywords: memory glitch, false liturgy, voice collapse, digital ruin, broken procession}
{style_ref: Alva Noto + Tim Hecker’s “Love Streams” + Ben Frost minimal saturation}
{duration: 3:30}
Personas

Отто Архангельский
Experimental, Modern Classical, Dark Jazz, Spoken Word

Авель Бетов
(no style)

Саша Хейнонен
Experimental / Avant-Garde Pop / Dream Jazz