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Werner Hildebrandt
@nomadicquarternotes578
146 Likes
1.1K Plays
4
Followers
6
Following
Songs
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14
5
2
3:43
v4
Polish Skies (ZX-6)
Power-folk metal: Blast-beat verses
,
gang-chanted choruses
,
Fiddle-mimicking guitar leads
,
hurdy-gurdy synths
,
Solo: Polish folk motifs via harmonized neoclassical shred
Werner Hildebrandt
9
3
2:36
v4
10 to 9 Lockdown
Punk rock
Werner Hildebrandt
5
3
3:47
v4
Blackthorn at Alexandria
Epic rock ballad: Bagpipes wail over electric guitar riffs
,
pounding drums mirror marching columns
,
Build from somber verses to thunderous choruses
,
Bridge features haunting choir harmonies
Werner Hildebrandt
1
2
3:25
v4
Ghosts in the Hemlock
Modern folk-rock: Pulsing tribal drums
,
distorted claymore-riff guitars
,
Gaelic war chants vs
,
Indigenous flute motifs
,
Frenetic fiddle breaks
,
bagpipe drones
,
Chorus—anthemic gang vocals
Werner Hildebrandt
2
2
3:39
v4
Abercromby’s Last March
Grim
,
driving rhythm: fife & electric guitar duel
,
bagpipes wail like widows
,
Verses: gravelly vocals
,
muffled war drums
,
Choruses explode—choir shouts “Abercromby!” Outro: lone fiddle fades
Werner Hildebrandt
2
2
3:47
v4
Red Hackles in the Blue Line (Tobruk, 1941)
Gritty alt-rock with Arabic guitar scales
,
Bass mimics artillery; snare cracks like MG fire
,
Chorus: wailing electric oud
,
sludge riffs
,
Vocals: sandpaper-raw
,
sardonic
,
Bridge: eerie theremin
Werner Hildebrandt
3
2
2:51
v4
Mudmouth’s Psalm (Passchendaele, 1917)
Modern alternative rock
,
raw male vocal
Werner Hildebrandt
18
2
3:09
We're heading home from Gallipoli
Rock ballad with folk and electronic samples
,
Male vocal
Werner Hildebrandt
8
2
2:34
v4
Tȟatȟáŋka Wíyaka" (The Buffalo’s Wings)
Pulsing tribal drums layered with gritty electric riffs
,
Traditional flute melodies weave through heavy bass drops
,
Vocals switch between Lakota chanting and English verses
Werner Hildebrandt
3
2
1
2:58
v4
Sphinx of the Black Watch
Epic blend: Bagpipes duel with Middle Eastern oud
,
Chorus—thunderous male choir
,
war drums
,
Verses: eerie strings
,
desert wind samples
,
Bridge: ceremonial darbuka rhythms
,
Outro: fading echoes
Werner Hildebrandt
100
2
2:41
Gallipoli
Rock ballad with folk and electronic elements
Werner Hildebrandt
2
2
3:59
v4
Sisters of the Night
Modern gothic metal
Werner Hildebrandt
5
2
3:33
v4
Shield-Wall’s Lament (Hastings, 1066)"
Style: Celtic folk battle anthem
,
male & female vocals
,
bodhrán
,
fiddle
,
tin whistle
,
dark ambient choirs Mood: Grief and defiance
,
mythic tension
,
elegiac triumph
Werner Hildebrandt
18
2
3:23
I died in the Veldt
Metal ballad with folk and electronic samples
,
Male vocal
Werner Hildebrandt
8
2
4:39
v4
Sisters of the Night
Dark
,
heavy guitar riffs
,
atmospheric keyboards
,
deep bass and powerful drums
,
A gothic metal choir
,
with female vocals creating an ethereal atmosphere and male growling conveying despair
Werner Hildebrandt
56
2
2:29
ANZAC brothers
Modern metal ballad with electronic elements
,
Male vocal
Werner Hildebrandt
2
2
3:58
v4
The Crimson Thread (1824–1902)
Stomping bodhrán rhythm
,
brooding electric pipes
,
Chorus: anthemic octave guitars
,
roaring mess-hall harmonies
,
Bridge: mournful cello
,
distorted spoken word
,
Outro: acapella Gaelic lament fading into
Werner Hildebrandt
14
2
4:00
Crimson Veldt
Metal with folk and electronic samples
,
Male vocal
Werner Hildebrandt
40
2
3:58
Fields of Agincourt
Metal ballad with folk and electronic samples
,
male vocal
Werner Hildebrandt
3
2
3:10
v4
Claymore's Cry at Salamanca
Gritty alt-rock riffage w/ mandolin flourishes
,
stomping percussion
,
Bagpipes erupt in chorus
,
Fiddle solo mirrors battle chaos
,
Gang vocals chants
,
Outro: drunken tavern roar + fading march
Werner Hildebrandt
00:00 /
