About
The Liner Notes Organically a session player. Designer and data analyst by sheer overdubbing. E-commerce, marketplaces, online sales — always viewed from behind the glass of the mixing desk. It's a UX win-win lens, keeping the end user in the studio, even when the room is completely empty. My mind? I don't care anymore. You really don't want to know. My music taste? That’s the rhythm track that taught me to do this — to push harder, to play louder. Improve the gated snare. Improve the prompt. I tried learning the Fairlight CMI. Made it partway. Then this came along. And somehow it all loops back to the exact same heavy drum fill: finding the coolest possible way to cut a record that lasts. Websites. Systems. 3D. Full codebases. UX. Concepting right at the heart of the mix. Somewhere between the desk operator and the frontman. Between a sequenced drum machine and pure obsession. But underneath all the reverb and the synths — making them proud, against all odds, is the only thing that really matters. Journey to the pop hero or the clown. Take a look at me now. Who will say.