bounce, syncopation, parlando-rubato, dissonance, noise, microtonal, aleatoric, free time, subito

sound design, matt bellamy vocal style, raymond hearne drums, orchestral background, plucked electronic contrabass, doublebass, long drawn out notes that go from low to falsetto and back again. duet, dual vocalists, call and response melodic phrases, technicality, heavy prog phrases, alternate picking, prog metal, 8 string guitar, locrian scale, arabian scale, experimental, math, polyrhythmic. Polyrhythmic electronic rnb merges with experimental UK bassoul and post-dubstep textures, weaving intricate piano and keyboard and saxophone layers atop deep syncopated beats. Soulful chord voicings and airy synths interplay.

energetic, bouncy, dual string guitars, matt bellamy vocal style, long drawn out notes that go from low to falsetto and back again. duet, dual vocalists, call and response melodic phrases, technicality, heavy prog phrases, prog metal, 8 string guitar, locrian scale, arabian scale, experimental, math, polyrhythmic. Polyrhythmic electronic rnb merges with experimental UK bassoul and post-dubstep textures, weaving intricate piano and keyboard layers atop deep syncopated beats. Soulful chord voicings and airy synths interplay, alternate-picking. arabian scale. locrian scale. long instrumental breaks.

uk house remix, tape recorder, shibuya house, shibuya house, distorted, dark

Compose a piece of music in the hybrid genre 'Tranck, ' a 55/45 fusion of Trance and Funk, The Trance foundation must feature a relentless four-on-the-floor kick drum, vast, shimmering atmospheric pads, and a soaring, euphoric synth lead melody, This structure must be infused with core Funk elements: a complex, highly melodic, and syncopated bassline that acts as a lead instrument; and a clean guitar playing tight, rhythmic 'chanks' with a subtle wah effect, locking in with crisp hi-hats, The final piece should evoke the feeling of a soul band performing on a spaceship—a sound that is both celestially expansive and physically irresistible, It should make the listener feel an equal urge to raise their hands to the cosmos and get down to the terrestrial groove

matt bellamy vocal style, long drawn out notes that go from low to falsetto and back again. duet, dual vocalists, call and response melodic phrases, technicality, heavy prog phrases, prog metal, 8 string guitar, locrian scale, arabian scale, experimental, math, polyrhythmic. Polyrhythmic electronic rnb merges with experimental UK bassoul and post-dubstep textures, weaving intricate piano and keyboard layers atop deep syncopated beats. Soulful chord voicings and airy synths interplay, while a warm, expressive saxophone improvises over ambient sections.

macintosh plus, chopped vocals, ads, 1950s radio voice, vaporwave, parlando-rubato, dissonance, noise, microtonal, aleatoric, free time, subito

chopped vocals, progressive nu-metal, math, narrate, orate, a cappella, one man skit, laugh, 8 string guitar, laughing, maniacal laughter, villain laugh, glitch

1990 Donnie Darko, 1991 antiTrap, 1992 plugg, 1990 throaty pull, 1991 pitch-shifted, 1992 lush, 1990 post-ambient, 1991 Pitchfork, 1992 Tiny Desk, 1990 Stereophonic, 1991 composer, 1992 billboard PC vocaloid error soloist, extreme inhuman pitch, Harsh Windows Vocaloid] ayayayayayayaayayayayayayayayayyaayayayayayayayayaaaaaaaaayyyyyy.exe_errrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr