
Brfooted
@brfooted
acoustic guitar upright bass lead reverent voice
Music and all outdoors lover, https://music.youtube.com/channel/UCP
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Willie J
Genre: Classic 1970s–1980s singer-songwriter piano ballad
Mood: Reflective, sincere, understated — emotional but never dramatic
Instruments: Grand piano (lead), upright bass. Arrangement should be intimate and timeless.
Vocal Style: Solo male mid to high tenor voice, urban tone. Clear, expressive slightly nasal full voice with conversational phrasing. The singer should sound like a storyteller at the piano — honest, melodic, and real. Brash New York Attitude
Sound Quality: Studio-quality mix with warm, analog character. Slight room reverb on piano and vocal. No pop compression or excessive effects. Natural vocal dynamics preferred.
Other Notes: Emphasize a New York-style piano ballad feel.

William Jewel
Genre: Classic 1970s–1980s singer-songwriter piano ballad
Mood: Reflective, sincere, understated — emotional but never dramatic
Instruments: Grand piano (lead), upright bass. Arrangement should be intimate and timeless.
Vocal Style: Solo male mid to high tenor voice, urban tone. Clear, expressive slightly nasal full voice with conversational phrasing. The singer should sound like a storyteller at the piano — honest, melodic, and real.
Sound Quality: Studio-quality mix with warm, analog character. Slight room reverb on piano and vocal. No pop compression or excessive effects. Natural vocal dynamics preferred.
Other Notes: Emphasize a New York-style piano ballad feel.

Another Day
Uplifting contemporary gospel song with a warm, expressive male vocal in mid-to low tenor range. Features acoustic guitar (fingerpicked in verses, strummed in chorus), upright piano with gospel-style fills, soft drums (brush kit or light snare), light steel guitar accents, tambourine, Hammond B3 organ for warmth, and light handclaps. Joyful, thankful tone listing blessings with heartfelt, faith-filled lyrics. Midtempo (85–90 BPM), in key of G or A. Includes gospel-style background harmonies in chorus and bridge. Dynamic bridge and a powerful final chorus followed by a soft acoustic outro. Mix should keep vocals clear and upfront, warm EQ, gentle reverb for a church-like feel. Balanced and spiritually uplifting, blending country warmth with gospel joy.

Jason Ford
Live Southern soul-rock gospel ballad, raw but tender vocals, minimal vibrato, acoustic + bluesy electric guitar, emotional desperation, straight, somber, hi-tone delivery, unplugged crowd chanting,

Andrew Smooth
Gritty soul-pop, raw piano and reverb-heavy guitars, raspy male voice with emotional cracks, minimal production, late-night vibe

Darcy D
mellow, chill, bass, female voice, happy, guitar, Keys

Perry Stevens
80’s, new wave, punchy, gated reverb drums, synth pop, soft rock, catchy melody, cinematic, lush vocals, yacht rock, Slow tempo 76 BPM

Eugene (Gene) Ragon
Male vocal, deep rich warm and raspy, throaty soulful tone, emotional phrasing, contemporary Christian pop style, dynamic delivery, full harmonies in chorus, expressive vibrato, breathy but powerful

Michael Frank Harry
Romantic jazz-pop ballad with smooth baritone vocals. No falsetto—keep it warm, rich, and resonant. Deep chest voice delivery, low pitched. The melody should stay in the lower reg