Featured Songs
1981 funk rock Alternative, Rock, Female Vocal, Fast, Punk Rock Metal, Bluesy, 80's Brazilian Alternative Rock, rap, aggressive, bass-driven, groove, heavy bass, slapping bass, strum bass, scratches, rock band, angsty, rhythmic bass, vocal fry, [manguebeat], aggressive rhythmic rap-rock-funk, heavy metal guitar, epic guitar virtuoso solo, amazing guitar riffs, human beatbox, super deep raspy vocals, vocal fry, brazilian accent
2.9K
339
28
![Image for Cold and Coming Down [SSC7, Brazil]](https://cdn2.suno.ai/image_large_video_upload_9d33274a-f6af-40eb-8632-54411fa9c366_snapshot_0s.jpeg)
Raw, emotional folk-punk; acoustic post-hardcore, Deep male vocal: chest-heavy, strong natural rasp, airy, worn, husky, organic, with irregular breaking vibrato, Delivery: raw, confessional, pain-worn, world-weary, Production: live, organic, clear room tone, minimal processing, no auto-tune, warm subtle reverb, Instrumentation: Prominent percussive acoustic guitar, raw folk violin (not distorted), dynamic analog drums (building from rolls to tom fills), Rain SFX, Dynamics: Starts intimate, builds to powerful full-band emotional peaks with desperate, raw cries/belting, Recedes to fragile whispers, Mix: Analog, raw, emotional, Vocals forward, tape saturation, low-cut reverb, Loudness: -11 LUFS
4.6K
669
104
Acoustic rock to heavy metal, the vocals are delivered by a male vocalist with a raw, aggressive tone, Intro begins with fingerpicked acoustic guitar (mono mic, lo-fi hiss, slow steady rhythm), Interlude 1 increases tension, featuring spoken vocals in distant FX and percussive acoustic guitar, First chorus introduces full distorted guitars in drop C, punchy tom-driven drums, Vocals remain clean and forceful, layered with dry whispers—no harsh or fry, After chorus: instrumental solo with dual guitars—melodic minor phrasing, tremolo runs, chaotic slides, ambient feedback bursts, Drums shift from tribal to collapsing half-time, Verse 2 returns to slightly detuned acoustic, Interlude 2 uses dry spoken word (Brazilian Portuguese) over ambient drone, Final chorus adds raspy vocal emphasis, Ends on powerful instrumental, dual guitars, Production elements include heavy distortion on guitars, a tight drum sound, and a clear, forward vocal mix, overall feel is energetic and intense
2.4K
386
32
Modular 60s-inspired pop track with a structured fusion of eras, Male vocal with playful tone and vintage phrasing, [Intro] begins fully retro: surf guitar riff, tambourine, handclaps, mono drums, doo-wop backing vocals, [Verse 1] starts retro but introduces analog synth pad and groovy bass, [Pre-Chorus] builds with stereo claps, tape flutter FX, and melodic transitions, [Chorus] shifts into full modern synth-pop mode with bright Juno-style synths, stereo vocals, and modern drum layering, [Verse 2] returns to 60s aesthetic with classic rhythm section, filtered lo-fi touch, and live sax, [Bridge] fuses both eras with psychedelic textures, tape warble, arpeggiated synths, and wide vocal harmony, [Final Chorus] brings all elements together in a vibrant blend of retro and modern, Mixing balances vintage warmth with modern punch, Target -11 LUFS, Fun, dynamic, and sweetly nostalgic with a conceptual twist
7.9K
624
39
Raw, emotional folk-punk rock with deep male vocal: chest-heavy, naturally raspy, husky and worn, with breathy phrasing, vocal fry and irregular vibrato, Acoustic guitar is dry and percussive, Raw folk violin adds tension through tremolo and melodic lines, Breathing is mic’d close as part of the texture, Mix is analog, minimal, live-feel, with warm saturation and no auto-tune, The intro sets a fragile tone with ghost vocalizations and subtle picking, The first verse is tight and confessional, Pre-chorus builds inner tension through harmonic layering, Chorus bursts with tom-driven rhythm and a vocal belt that cracks with truth, Post-verse hook introduces a vulnerable moment of self-doubt, Bridge is instrumental and breath-focused, opening emotional space, Interlude brings a distant spoken realization that shifts perspective, Pre-final hook is soft and surrendering, Final chorus releases both pain and acceptance before fading into fragile stillness
4.8K
487
33
Songs
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Sea Sharks top in SSC7, A conscious rap fusion track with retro funk, anchored by a deep groove: analog drums, syncopated claps, organic slap bass slides, layered wah guitars, lo-fi Rhodes, and vintage synths, Spoken word intersperses a lazy, broken vocal flow, Hooks burst with falsetto chant harmonies, distorted organ stabs, and raw, breathy male vocals, Ambient layers: underwater SFX, tape hiss, vinyl crackle, reversed swells, Verses pivot from minimal to full funk ensemble; bridge strips down to tremolo synths and poetry, The final chorus erupts with gospel choir, horns, and rhythmic delays before a cinematic outro with lush reverb and reversed chords, Vocals dry, upfront, no auto-tune, loudness at -11 LUFS, [guitar riff] [slaping bass funk baseline solo]
Acoustic folk-rock track with raw emotional delivery and high-intensity dynamics, Steel-string acoustic guitars are strummed with force, featuring fingerpicked passages in the verses, Cajun-style percussion includes deep kick drum, rolling snares, foot stomps, wood blocks, and hand drums, Harmonica leads instrumental breaks and fills, Verses are close-mic'd and intimate, with vocals starting breathy and growing into a raspy, shouted performance on the choruses, Bridge uses spoken-style lines over minimal instrumentation, The mix is organic, natural room reverb, and stereo imaging enhances the live feel, Final chorus is explosive, with layered backing vocals and harmonica riffing, No electronic elements, Loudness target: -12 LUFS
Traditional Brazilian Forró with roots in Northeastern folk music; energetic, call and response style duet; featuring accordion (sanfona), triangle (triângulo), and bass drum (zabumba), Rhythm is syncopated and danceable, using a classic baião groove, Instrumental breakdown and hook, add a tempo and beat switch, mixing Brazilian funk elements for a short section, Intro starts with dry zabumba and triangle; soft accordion swells, Male lead vocal with nasal tone and northeastern Brazilian accent, warm and rhythmic phrasing, husky and aged, Includes spoken ad-libs and lively call-and-response, Chorus with energetic delivery and group vocals, Instrumental breaks with accordion solos and zabumba rolls, Outro fades gently with accordion riff and triangle, Studio High Quality Vocals; intense instrumental riffs, catchy traditional melody, individual instrumental solos between verses
Emotional country-soul duet with slow tempo, acoustic fingerpicked guitar, soft slide guitar accents, and subtle gospel organ in choruses, Male vocal: gritty chest tone with expressive rasp, emotional belting, controlled yodel transitions and occasional vocal fry; falsetto lifts used for vulnerability, especially in the pre-chorus, Female vocal: breathy head voice with fast, shimmering vibrato; airy, scooped phrasing with subtle gravel in lower mids, Harmonies are intimate and fluid, blending naturally, Harmonica appears in the bridge and outro with a warm, vintage tone (Shure Green Bullet style), gently saturated, Live room ambiance with analog tape warmth, extended vocal decay, and restrained percussion using brushed textures, The vocal delivery carries the emotional arc—from hushed confessions to cathartic peaks, A heartfelt ballad about long-distance friendship, personal identity, and the quiet power of connection across oceans
Playlists
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Personas
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Yatch female
Yacht rock, female singer
Mike Jah and Pedro
Reggae, hip hop, afoxé, latin vibes, batucada, samba reggae, rap
Dupla sertaneja
Sertanejo
Fairy Arm and Robert W. Stone
classic country duet, duet between a man and a woman, deep male vocals, crispy female vocals, country duet, duet, male and female, country duo,
Fairy Arm
classic country, duet, strong male and female vocalist, clean real vocals, harmonica, southern, western, harmonies, emotional
Can turning rock (southern rock)
southern rock
Kekel lirica
traditional Scottish, Scottish folk song, clear female soprano vocals, Outlander theme song,
Tony da Guarda
mpb , pop rock, batucada, jazz, jamaican
Robertinho MPB
mpb, chill out, batucada, lounge, afoxé, samba reggae, chill lounge, bossa nova