6:36
[BPM = 112]
[Genres - Dubstep, Industrial Metal, Metal Core, 2020 Nu Metal, Progressive Metal, EDM, Grunge House, Jazz, Math Core, Djent]
[Band Influences - Wage War meets Prodigy meets Panic At The Disco meets Helluva Boss]
A barrage of syncopated Drop A# djent riffs erupts at 112 BPM, the 5-string bass grinding in tandem, with hyperactive, mathcore-inspired drums, Industrial synths snarl under searing cello and guttural 808 subs, Intense low/high screams lead, with chaotic saxophone blasts slicing in between breakdowns and anthemic choruses, Chorus sections stack screamed and clean vocals, guitars drenched in distortion; no respite, the sound pummeling forward, Chaotic bridges spotlight frenetic sax licks, every section an evolution of crushing, progressive layers culminating in an unforgiving, explosive finish
4:17
Slow cinematic piano ballad with male vocals • close-miked felt piano and soft pedal noise open in fragile rubato, a single high note repeating like a heartbeat • breathy lead with quiet cracks and intimate head-voice; whispery doubles and ghost-choir “oohs” barely audible at the edges • verses sparse (voice + piano) → pre-chorus adds low cello and glass-harmonic shimmer like distant light → chorus swells gently with warm pads, brushed kick every other bar, then sinks back to hush • harmony hovers in minor with aching suspensions; melodies reach upward but resolve downward to mirror words unheard • production intimate and nocturnal: long plate reverb tucked behind vocal, soft tape hiss, narrow image on verses widening subtly on chorus, slow sidechain swells for breath • ending fades on held piano tails and a single unresolved note • [PIANO BALLAD] [MALE VOCALS] [SAD/ISOLATION] [INTIMATE + CINEMATIC] [FELT PIANO + CELLO] [GHOST CHOIR] [REACHING FOR LIGHT] [BPM 70–78]