4:54

I Ain't Going Far
v4.5+
Emotional night blues with a lyrical, melodic touch, Acoustic and electric guitars with expressive phrasing and melodic lead lines, Deep bass, light but dynamic drums with subtle swing, Smooth harmonica lines echo and respond to the vocal, Male lead vocal: deep, smoky, gravelly, emotionally rich, Vocal delivery should vary with the emotion, while staying consistent in texture, Include melodic embellishments in both guitar and harmonica, Chorus should lift slightly with more melodic intensity, without becoming upbeat, Add occasional soft brass for warmth and phrasing, No backup vocals, Let melody and emotion breathe through each phrase
3:12

Gritty southern blues atmosphere, Slow tempo, Acoustic guitar fingerpicking with raw slides, Occasional electric licks with vintage amp tone, Deep upright bass, Light brushed drums, Harmonica weaving through verses, Barroom reverb, Male lead vocal: deep, smoky, worn, emotionally restrained, Voice should sound tired, as if weighed down by years of silence and regret, No harmony, no backup vocals, Voice should never sing the prompt, Focus on storytelling tone, Verses should feel lonely and reflective, Chorus slightly more intense but still understated, Mood: wandering soul, night highway, emotional distance, No background effects, no cinematic swells, Just the man, the room, and the blues
4:17

Ridin’ And Ridin’
v4.5+
Acoustic Blues, Acoustic guitar, harmonica, bass, electric guitar loops
8:54

Blues rock with grit and attitude, Sharp electric guitar riffs with slight overdrive, Solid bass groove, Drums should punch — steady snare, clear kick, tight hi-hats, Tempo: mid but energetic — should keep momentum, Male lead vocal: raw, expressive, slightly raspy, Voice should ride the groove, with natural phrasing and slight swing, Storytelling style — one single male voice, no harmony, no backup vocals, Clear pauses between lines and verses for dramatic effect, Mood: dusty, real, a bit tough — but with a hint of hope, Should feel like a man who’s been through it and is finally gettin’ a grip, Final outro should resolve with confidence and forward motion
5:09

Upbeat cowboy blues with a comedic swing feel, Acoustic guitar, dobro slide, walking upright bass, light drums with shuffle rhythm, Tempo: mid-fast, Add a harmonica with cheeky licks and occasional country fiddles, Vocals: male, expressive and playful, slightly raspy, storytelling tone, Mood: humorous, rustic, and exaggerated like a cowboy who rode too far and regrets it, Style blend of blues, western swing, and honky-tonk humor, No background vocals, just one lead voice, consistent throughout
5:30

Meetin’ The Big Boss
v4.5+
Mid- to uptempo blues shuffle with a cinematic western atmosphere, Deep bass and tight drum groove driving the rhythm forward, Prominent slide guitar, occasional harmonica fills for tension, Male lead vocal: deep, warm, slightly raspy, storytelling tone, Verses: conversational but with steady energy, Chorus: more intense with heavier bassline and sustained slide guitar notes, Keep total runtime around 3 to 4 minutes, Final verse slows slightly to build suspense before ending with a short 12-bar instrumental break, No harmony vocals, Mood: reflective, slightly anxious, dusty morning in the West
5:01

Chicago shuffle blues, medium-fast tempo around 85–90 BPM, Saloon bar atmosphere, smoky and rowdy, Driving walking bass, swinging shuffle drums with crisp snare, Electric guitar riffs with light overdrive, boogie-woogie piano accents, and wild harmonica fills, Male lead vocal: deep, gritty, half-sung half-spoken, strong blues storytelling tone, Emphasize pauses, silences, and tension in verses, Chorus more powerful, almost shouted with energy, Instrumental breaks should sound like a bar fight jam, with guitar and harmonica dueling, Final outro: spoken voice over fading jam, Raw, live, cinematic energy, like a late-night barroom showdown
4:27

Chicago shuffle blues, medium-fast tempo around 85–90 BPM, Saloon bar atmosphere, smoky and rowdy, Driving walking bass, swinging shuffle drums with crisp snare, Electric guitar riffs with light overdrive, boogie-woogie piano accents, and wild harmonica fills, Male lead vocal: deep, gritty, half-sung half-spoken, strong blues storytelling tone, Emphasize pauses, silences, and tension in verses, Chorus more powerful, almost shouted with energy, Instrumental breaks should sound like a bar fight jam, with guitar and harmonica dueling, Final outro: spoken voice over fading jam, Raw, live, cinematic energy, like a late-night barroom showdown
4:47

Chicago blues shuffle, medium tempo around 80–85 BPM, Driving walking bass and swinging shuffle drums, Electric guitar riffs with light overdrive, rhythmic “chank” chords, occasional slide licks, Harmonica fills answering the vocals, Male lead vocal: gritty, strong, blues club style, half-sung half-spoken, Emphasize groove and bounce, but keep the storytelling clear, Add short instrumental breaks between verses, and a longer guitar-harmonica jam before the outro, Live smoky Chicago bar atmosphere, raw and energetic
