Current Works

(Main genre) Nuevo tango x glitch fusion, (Influences) Glitch Electronica, Trip hop IDM, Experimental, Jazztronica, Dark piano, Minimalist electronic textures, Watery reverb, Decadent, Ethereal, 3/4 time signature

Showa retro psychedelic, Math rock, Decadent baroque pop, Iindustrial core, subtle eroguro nansensu, anti-catharsis

IDM, glitch pop, Glitchy Neuro-Funk Pop, Wonky, Japanese experimental electronic, IDM, 160 BPM, chopped vocal fragments, vocoder harmonies, formant-shifted adlibs, glassy FM synths, granular textures, sub-bass pulses, distorted metallic beats, tape-stop edits, white noise sweeps, stereo panning, abrupt cut, cold clinical mood, nervous energy, hallucinatory rush, The self-loathing and apologies that are suppressing the superficial tremors, alto female voice reminiscent of a shy boy

Art pop, Glitch Rock, Digital Psychedelic Piano IDM, Gothic Pop, Somatic Awakening Monologue, Deconstructed Post Classical, Abstract Nocturnal Pop, Breath Guided IDM, Post-Industrial Pressure, Choped breakcore, Grunge Noise-Ambient Convergence, Ritual [FOXCore with H, E, E, Collapse-Resistant Rhythm Architecture, Synesthetic Psychedelic Color Piano Colorism, Breath-Led Perceptual Drift, digital Psyche, Physical Space Resonance, Deconstructed IDM Pulse, Internal Monologue Architecture] [Texture: Air-pressure bass haze, soft saturation bloom, perceptual silence pockets, percussive color-piano strikes, fractured arpeggio shards, spectral overtones, glitch-dust transients, neural flicker noise] Genre-blending groove as a unstable organism, C–F modal minor with chromatic intrusion, 100 BPM

jazz math rock, japanese koto & shamisen math rock, dry close-mic vocals, crisp acoustic mix, odd-meter grooves

Math rock, Post-punk, Odd time signatures (5/4, 7/8 patterns), Digital Psychedelic Guiter IDM, Breath Guided IDM, Somatic Awakening Monologue, Abstract Nocturnal Pop, Gothic Pop, [FOXCore with H, E, E, Collapse-Resistant Rhythm Architecture, Synesthetic Psychedelic Color Guitar Colorism, Breath-Led Perceptual Drift, digital Psyche, Physical Space Resonance, Deconstructed IDM Pulse, Internal Monologue Architecture] [Texture: Air-pressure bass haze, soft saturation bloom, The rhythm section remains minimal, with dry, punchy drums and a driving bassline locking into the angular groove, perceptual silence pockets, spectral overtones, minimal neural flicker noise] Genre-blending groove as a unstable organism, C–F modal minor with chromatic intrusion

Japanese glitch pop, electro swing, 128 BPM, G minor, 60s swing drums, upright bass plucks, muted brass stabs, gypsy jazz guitar comping, clarinet riffs, detuned synth lead bends, step-sequenced arpeggio, lo-fi digital noise, snap grid autotune, micro swing hi-hats, four on the floor kick, add9 sus2 chords, hypnotic loop groove, dark kawaii bounce, funkot drive

[Concept] Dark Cabaret meets Cyber-glitch, playful cynicism & high-altitude mountain climbing tragedy, Decorative soundFX, 120 BPM, 4/4 time [Genre/Vibe] Lo-fi Dark Bubblegum, Alt Pop, Dark Electronic, Funk-pop, Industrial glitch, Theatrical, sophisticated, but raw and biting [Vocal] Primary: Theatrical Innocent female lead, Transition between playful grit, falsetto, and rapid-fire delivery, Vocal fry and dramatic expressions that respond to the lyrics, Soft yet poisonous, Note: No generic rock shrieks or death growls, Sub: Comically sarcastic robotic vocoder creates multi-layered harmonies over key points in Lyrics [Integrated Soundscape & FX] Active use of Foley and sound design, Arctic Ambience Series, Mountain Climbing Foley [Instrumentation & Rhythm] Minimalist but punchy, Sharp syncopated slap bassline, bounce-heavy gated synths, Driving four-on-the-floor kick drum, Occasional sparkling arpeggios, Clear instrument separation without excessive layering

High-energy J-Pop track blending elements of electronic dance music and funk-pop, The arrangement features a prominent, syncopated slap bassline, bright electric guitar stabs, and a driving four-on-the-floor kick drum pattern, Synthesizer layers include shimmering arpeggios and rhythmic chord pulses, The vocals are performed by a male singer with a clear, energetic tenor range, utilizing rapid-fire rhythmic delivery in the verses and soaring melodic lines in the chorus, The structure follows a standard pop format with a build-up pre-chorus and an explosive, hook-driven chorus, Production is polished with crisp percussion, wide stereo imaging, and subtle vocal effects like reverb and delay, The tempo is approximately 128 BPM in a major key, conveying a vibrant and upbeat mood

High-energy J-Pop and Future Bass fusion featuring a bright, processed female vocal, The track is set in a major key at approximately 165 BPM, characterized by a rapid 4/4 drum pattern with crisp snares and syncopated hi-hats, The instrumentation includes thick, modulated sawtooth synth chords, a bubbly electric bassline, and various digital sound effects like risers and glitches, The arrangement transitions between dense, layered choruses and more rhythmic, staccato verses, Production is polished with heavy compression, side-chaining on the synths to the kick drum, and shimmering reverb on the vocal tracks

post-punk, art rock, descending chromatic bass, dry drum machine, glitchy snare rolls, tape saturation, mono punch, claustrophobic, manic disorder

[Concept] While humans perceive "melody" (structured sound), cats perceive changes, differences, and spatial arrangements of sounds?"silence, " This work expresses the "sound of silence" observed by cats through the "tick-tock of a clock, " depicting the gentle and peaceful trust between a cat and its owner, [Genre / vive] minimalist, ambient, IDM, avan-garde jazz, lowercase music, microsound, Japanese-style minimalist musical expression, Sparse sounds and percussion resonate gently together, ASMR-like clarity, [Vocal] gentle, restrained, gently warm tone

BPM: 150 [style] Eccentric LA Beat Scene, Hyper-Fast Electronic Jazz, virtuosic yet powerfully floating synth bass leads, Louis Cole style Complex Funk Breakbeat, virtuoso marimba solo (main theme), minimalist koto glitches, Tight Dry Snare, Math Rock Grooves, [Vocals] A Japanese lead vocalist sings with erratic tempo changes, The tempo speeds up and slows down, but the emotional expression is understated, The restrained and understated vocals are strangely devoid of emotion, A native-sounding British female vocoder constantly layers the chorus, slightly delayed from the main vocals, Its volume　2/3 of the main vocals, The main vocals and vocoder intertwine, blending mysteriously like a gradient, [Vibe] Futuristic, quirky, bouncy, surreal, imaginative with a sense of exploration [Mood] Adventurous, whimsical, curious, energetic [production] Crystal-clear production, professionally controlled harmonization, 360° Holographic Audio, Extreme LUFS -6

Futuristic Polyrhythmic Techno, Hyper-pop, Marimba-driven IDM, Perfume-style layering, Bjork-inspired organic glitch, Innocent female vocals with shimmering vocoder, Minimalist but heavy analog sub-bass, High-speed xylophone arpeggios, 15-second complex mechanical bridge, 128BPM, Delicate and clear articulation

160 BPM [Genre / vive] Eccentric LA Beat Scene, Hyper-Fast Electronic Jazz, Virtuosic Synth Bass Lead, Louis Cole style Complex Funk Breakbeat, Tight Dry Snare [Vocal] smooth baritone male vocal, playful delivery, Fast Rhythmic Vocals, Patter Singing, Breathless delivery, Sharp Pronunciation, Rubato [Mood] relaxed groove, late night coffee bar atmosphere, no reverb, Call and response with audience chants, hand claps [SoundFX] Coffee shop ambience, cafe background chatter, cups clinking, espresso machine steam, coffee grinder, smooth jazz lounge [Production] 360° Holographic Audio, Extreme LUFS -6

Lo-Fi avant-garde high pitch × bittersweet × Dark shibuya-kei high-speed Industrial Minimal math Glitch chill hop, J-Pop, Japanese Trap Pop, Confident Female Vocals, high-tempo beat, Laid-back Groove, Deep Bass Line, Minor Key, Glossy Production, Anthemic Chorus, [high pitch hiphop rhyme style, Alternative Electro-Pop, Tokyo Urban Groove, Spoken Word J-Pop, Experimental Quirky Electronica] [Neo-Tokyo Club Jazz] [Electro Hip-Hop Fusion] [Lo-bit Urban Chill] [Slow Tempo Conscious Flow] [808 Bass Groove] [Dusty Vinyl FX] [Staggered Hi-Hat Pulse] [Bitcrushed Delay Layer] [Lowpass Tape Loop Feel]

Removes reverberation for a clearer, more dead sound image

A calm, minimalist bossa nova lays a sparse foundation with nuanced nylon-string guitar and subtle jazz-influenced percussion at 130 BPM, Soft, breathy yet grounded female vocals float delicately, The interlude disrupts with syncopated odd-meter guitar runs, adding technical intrigue

Duo of Xylophone and Soft Female Vocals only, Japanese innocent girl vocals, Soft and breathy, NO DRUMS, NO PERCUSSION, Organic and Minimalist, UA "Skirting the Sand" style but softer, Gentle and breathy vocals, Intimate close-mic, Natural wooden tones, Avant-garde Folk, Spatial reverb (shifts from narrow to wide), Pure and innocent, Non-melodic soundscape, Experimental Japanese lyrics

Futuristic Polyrhythmic Techno, Hyper-pop, Marimba-driven IDM, Perfume-style layering, Bjork-inspired organic glitch, Innocent female vocals with shimmering vocoder, Minimalist but heavy analog sub-bass, High-speed xylophone arpeggios, 15-second complex mechanical bridge, 128BPM, Delicate and clear articulation

Post-Youth Electro Alt pop × Neo-Shoegaze Psychedelic Drive × Urban Motorik Math Rock × Distorted Linear Pop × Minimal Emotional Velocity × immersive Trip Delay × Ambient Dub mechanical emotional neutrality, steady propulsion, no explosive climax, wide but emotionally flat mix, forward motion without release, urban melancholy without confession no sweetness, no cuteness, no sentimentality

experimental ambient, art jazz, art math rock, ritual, bittersweet unease, ‑cute, ‑sweet, ‑kawaii, ‑vocal chops, ‑stutter, ‑stutter edit, ‑vocal fragments, ‑cut-up vocals

Japanese Shoegaze, Indie rock, influenced subtle Dream pop and Glitchwave, Minimal structure, Repetitive mantra-like lyrics, tremolo feedback guitar, extreme distortion, dense layered guitars, strong feedback, immersive noise wall but subtle emotioonal

Japanese Shoegaze, Indie rock, influenced subtle Dream pop and Glitchwave, Minimal structure, Repetitive mantra-like lyrics, tremolo feedback guitar, extreme distortion, dense layered guitars, strong feedback, immersive noise wall but subtle emotioonal

[Genre / Vibes: Japanese indie rock × High school rock band, slightly influenced (Post rock × Drill barcarola × ad lib) / Dry unplugged electric guitar, thin metallic string texture, percussive fret noise, Prominent Hammond B3 organ, Swirling Leslie speaker, Noodling, close-mic recording, no amp, lo-fi, Raw and unpolished]

[Genre / Vibes: Japanese indie rock × High school rock band, slightly influenced Post rock, / Dry unplugged electric guitar, thin metallic string texture, percussive fret noise, cheap organ, close-mic recording, no amp, lo-fi, Raw and unpolished]

Minimal Synth, Minimal Wave, Modern Electro, Ethereal Synth-pop, Deep driving pulse, Tight synth bassline (no drone), Detuned analog synths, Icy ethereal pads, High-frequency shimmer, Industrial minimalist, Cold and futuristic, Spacial depth

neo-soul, alternative rock, pocketed funk groove, syncopated kick-snare, heel click percussion, slap bass ghost notes, wah guitar stabs, Rhodes comping, analog clavinet, Hammond swells, tight horn punches, tape saturation, parallel compression, verse build breaks, call-and-response riffs, city camouflage, contained eruption, BPM:124

post-punk, math rock, future garage, whisper falsetto, glassy slow-attack synths, impressionist piano, fretless bass melody, odd-meter drum grid

Acid Gaze, Shoegaze, Dissonance choir

Acid Gaze, Shoegaze, Dissonance choir, ‑(heavy guitar) (heavy percussion) (distort)