2:55

4:44

Overflow
v4.5-all
Expansive electronic pop ballad with cinematic swells; pulsing arps and warm pads in the verses, then a wide, anthemic chorus with stacked male/female vocals, Intimate close-mic tone at first; drums and bass bloom on the hook, Bridge strips back to piano and distant reverb before a final, explosive chorus with call‑and‑response harmonies and a soaring top line, male vocals, heartfelt, electronic, female vocals
2:57

No Wings To Fly
v4.5-all
A steady groove-driven intro with punchy drums and tight bass sets the mood, Layered synths and crisp guitar join in the verse, building energy, The chorus explodes with bold harmonies and additional rhythmic elements, while the bridge introduces lush textures before returning to a powerful, dynamic final chorus
3:07

Good To Be Alive
v4.5-all
female vocals, guitar, country, piano, ballad, good vibes, happy, free
3:38

A gentle introduction with acoustic guitar and subtle atmospheric synths sets a mellow tone, Crisp percussion and warm bass enter for the verses, building layers through electric guitar and piano, The chorus swells with full band instrumentation and lush harmonies, while the bridge introduces a textural element, such as a synth pad or ambient guitar effects, leading into an emotionally resonant outro
2:47

rock, Shiny disco-pop-rock groove with springy bass, Nile-style guitars, and four-on-the-floor drums, Verses stay tight and talky, with subtle synth arps, Chorus explodes with big gang vocals, tambourine, and bright piano stabs, Bridge brings a breakdown with filtered drums and a call-and-response hook; then everything slams back in for a final chorus, Male or female vocals, playful but a little wistful, pop rock, disco
2:00

male vocals, female vocals, guitar, indie pop, groovy, country, wonder, drums, catchy
3:17

Shimmering indie-pop with bright electric guitars, springy bass, and crisp drums; verses stay tight and intimate, choruses bloom with stacked harmonies and a wide, reverb-kissed lead, Light synth bells sparkle on top, with a brief middle-eight drop to vocal and guitar before a final, fuller chorus, Female vocals, airy but confident, sitting upfront in the mix
3:31

jazz, Bouncy indie-pop groove with jangly guitars, springy bass, and brushed drums, Male vocals, close and conversational in the verses; choruses bloom with airy harmonies and glockenspiel sparkles, Light synth pads add a hazy dream sheen as dynamics rise from intimate storytelling to a big, chantable hook, playful, swing, raw, magical
3:17

Otto Looks Down
v4.5
female vocals, guitar, indie, country poem like song, flute, violin, piano, experimental, trance, anime, bass, fairytale, harmonies, amazed, wonder, opera, fun, banjo, band singing together, performing to a crowd
3:03

Bliss
v4.5+
female vocals, pop rock, piano, violin, ballad, cinematic, meaningful, wind chimes at the intro, a warm catchy song you can play out loud in the car, good vibes, upbeat, harmonies, ‑r&b, ‑soul, ‑slow
4:23

The Horse Who Painted Wind
v4.5-all
Gentle acoustic folk with a storybook lilt; fingerpicked guitar, soft glockenspiel taps, and brushed percussion, Verses feel close and intimate, almost whispered at first; chorus blooms wider with warm stacked harmonies and a simple wordless hook underneath, Subtle strings enter in the bridge, then everything drops to guitar and voice for the final chorus, ending on a lingering harmonic
3:44

female vocals, emo, synth, flute, emotional, ballad, harmonies, piano, violin, dramatic
3:39

Blowing Dandelions
v4.5+
A textured intro of warm synth pads and fingerpicked electric guitar sets the mood, Verses layer tight drums and melodic bass with occasional piano accents, The chorus elevates with lush harmonies, dynamic percussion, and gliding lead guitar, A brief bridge drops to minimal textures before the final, energetic chorus concludes the track
3:12

rap, Melancholic synthwave-emo blend with female vocals leading; intro built on hazy pads and a pulsing side-chained bass under clean, reverb-soaked guitar, Verses half-sung half-rapped, intimate and confessional; chorus opens with wider stereo guitars, airy arps, and stacked harmonies, Subtle trap-inflected drums keep it head-nodding, bridge strips back to vocal and guitar before a final, swirling chorus, emo, female vocals, electronic
3:18

Cameo Cream
v4.5+
A bright, dynamic introduction leads with crisp drums and layers of melodic synths, Verses feature syncopated bass and tight guitar riffs, gradually building to lush choruses filled with harmonies, A bold instrumental bridge adds textural depth before a vibrant, energetic finish
2:43

Back To You
v4.5+
A reverb-heavy intro sets a moody atmosphere, layered with pulsing synths and subtle percussion, Tight, syncopated drums anchor each verse, blending with warm bass and textured electric guitars, The chorus swells with harmonized backing vocals and dynamic instrumentation, building momentum before slipping into a stripped bridge featuring electric piano and ethereal pads, The song resolves with all elements converging for a powerful, textured outro
3:04

male vocals, emo, rap, synth, ethereal, emotional, alternative rock
4:05

Raspberry Ice
v4.5+
A moody intro sets the tone with sparse keys and atmospheric textures, Tight drums and pulsing bass create momentum as layered synths and electric guitar build energy, Catchy hooks emerge in the chorus, with dynamic drops and crescendos, The bridge features unique rhythmic shifts and textured effects
3:43

In The Silence
v4.5+
male vocals, emo, rap, synth, dark, drum, electric guitar, deep, violin, bass, haunting, echoes, harmonies, personal, rock, ballad, emotional, ‑r&b, ‑soul, ‑country, ‑punk
3:32

Quarter to Midnight
v4.5+
female vocals, synth, rap, sexy, romantic, catchy, ballad, dance, pop, harmonies, 90s love song, flirty, cheeky, grunge, intimate
