Lilith Inferna, exiled queen

Symphonic extreme gothic metal at 120 BPM in D minor, Very epic, dark and theatrical, Tight downtuned guitars, powerful drums with half-time feel in verses, driving double-kick in pre-chorus and chorus, huge orchestra (strings, brass, choir) and occasional harpsichord/organ, Main vocal: female operatic lead with wide range (cold purring in verses, intense in pre-chorus, soaring and majestic in every [Chorus]), plus occasional harsh backing in [Bridge] and climaxes, Mood: exiled Queen from Hell, barred from returning, now forging a new “artistic” Hell from mortal suffering, Four big choruses with the same main hook “I am Lilith Inferna, the Artist of Spite”, each bigger than the last; final chorus is the most massive with extra choir and ad-libs, Style influence: ~60% symphonic metal, 25% cinematic dark orchestra, 15% gothic/industrial atmosphere

Symphonic extreme gothic metal at 120 BPM in D minor, Very epic, dark and theatrical, Tight downtuned guitars, powerful drums with half-time feel in verses, driving double-kick in pre-chorus and chorus, huge orchestra (strings, brass, choir) and occasional harpsichord/organ, Main vocal: female operatic lead with wide range (cold purring in verses, intense in pre-chorus, soaring and majestic in every [Chorus]), plus occasional harsh backing in [Bridge] and climaxes, Mood: exiled Queen from Hell, barred from returning, now forging a new “artistic” Hell from mortal suffering, Four big choruses with the same main hook “I am Lilith Inferna, the Artist of Spite”, each bigger than the last; final chorus is the most massive with extra choir and ad-libs, Style influence: ~60% symphonic metal, 25% cinematic dark orchestra, 15% gothic/industrial atmosphere

Symphonic extreme gothic metal at 120 BPM in D minor, Very epic, dark and theatrical, Tight downtuned guitars, strong drums (half-time feel in verses, driving double-kick in pre-chorus and chorus), huge orchestra (strings, brass, choir) and touches of harpsichord/organ, Main vocal: powerful female operatic lead with wide range (cold purring in verses, intense in pre-chorus, soaring and majestic in every [Chorus]); allow some harsh backing only in [Bridge], Mood: exiled Queen from Hell, once called Lilith, now known as INFERNA, barred from returning and forging a new “artistic” Hell from mortal suffering, Choruses built around the hook “I am INFERNA, the Artist of Spite, ” each bigger, with the final chorus the most massive, Style influence: ~60% symphonic metal, 25% cinematic dark orchestra, 15% gothic/industrial atmosphere

Symphonic extreme gothic metal at 120 BPM in D minor, Very epic, dark and theatrical, Tight downtuned guitars, strong drums (half-time feel in verses, driving double-kick in pre-chorus and chorus), huge orchestra (strings, brass, choir) and touches of harpsichord/organ, Main vocal: powerful female operatic lead with wide range (cold purring in verses, intense in pre-chorus, soaring and majestic in every [Chorus]); allow some harsh backing only in [Bridge], Mood: exiled Queen from Hell, once called Lilith, now known as INFERNA, barred from returning and forging a new “artistic” Hell from mortal suffering, Choruses built around the hook “I am INFERNA, the Artist of Spite, ” each bigger, with the final chorus the most massive, Style influence: ~60% symphonic metal, 25% cinematic dark orchestra, 15% gothic/industrial atmosphere