Плач ночной

[Style: Russian blues rock, dark cabaret, tavern folk] [Vocal: Gritty low female vocal, smoky voice, aged whiskey voice, deep contralto, emotional and raw, Molly Sanderson, or late-career Edita Piekha] [Instruments: Muted acoustic guitar, stand-up bass, slow drum brushes, melancholic accordion, occasional piano chords] [Mood: Sardonic, weary, darkly humorous, deeply resigned, storytelling]

[Style: Russian blues rock, dark cabaret, tavern folk] [Vocal: Gritty low female vocal, smoky voice, aged whiskey voice, deep contralto, emotional and raw, Molly Sanderson, or late-career Edita Piekha] [Instruments: Muted acoustic guitar, stand-up bass, slow drum brushes, melancholic accordion, occasional piano chords] [Mood: Sardonic, weary, darkly humorous, deeply resigned, storytelling]

[Style: Russian blues rock, dark cabaret, tavern folk] [Vocal: Gritty low female vocal, smoky voice, aged whiskey voice, deep contralto, emotional and raw, Molly Sanderson, or late-career Edita Piekha] [Instruments: Muted acoustic guitar, stand-up bass, slow drum brushes, melancholic accordion, occasional piano chords] [Mood: Sardonic, weary, darkly humorous, deeply resigned, storytelling]

[Style: Russian blues rock, dark cabaret, tavern folk] [Vocal: Gritty low female vocal, smoky voice, aged whiskey voice, deep contralto, emotional and raw, Molly Sanderson, or late-career Edita Piekha] [Instruments: Muted acoustic guitar, stand-up bass, slow drum brushes, melancholic accordion, occasional piano chords] [Mood: Sardonic, weary, darkly humorous, deeply resigned, storytelling]

[Style: Russian blues rock, dark cabaret, tavern folk] [Vocal: Gritty low female vocal, smoky voice, aged whiskey voice, deep contralto, emotional and raw, Molly Sanderson, or late-career Edita Piekha] [Instruments: Muted acoustic guitar, stand-up bass, slow drum brushes, melancholic accordion, occasional piano chords] [Mood: Sardonic, weary, darkly humorous, deeply resigned, storytelling]

Rap, anti-folk, dark folk, balalaika, punk, Russian punk, Russian folk, Female characters, acoustic guitar, drama, sound art, gregorian chant, swamp blues, bass

Female bard, sound art, gregorian chant, swamp blues, bandoneon, chopped and screwed, russian pop, plugg, mix jazz and blues, jazz trip, jazz dark

This is a traditional Russian folk song performed a cappella by a male choir, The vocal delivery is characterized by a strong, resonant chest voice, with occasional melismatic ornamentation and a distinct vibrato, The tempo is slow and deliberate, emphasizing the emotional weight of the lyrics, The song structure is strophic, with each verse following a similar melodic contour, There are no discernible chord progressions in the Western sense, as the harmony is created through the interplay of the vocal lines, The production is dry, with no apparent effects or reverb, highlighting the raw and unadorned vocal performance, The overall mood is melancholic and reflective

A female vocalist sings in Russian over a sparse, atmospheric soundscape, The instrumentation is minimal, featuring a sustained, low-frequency drone or pad, and occasional, resonant percussive hits that sound like a large gong or bell, The vocal delivery is spoken word, with a dramatic and somewhat theatrical tone, emphasizing certain words and phrases, There are no discernible chord progressions, only sustained ambient textures, The tempo is slow and deliberate, creating a sense of tension and mystery, The production is clean, with the vocal prominent and clear, and the background elements providing a deep, resonant foundation, There are no obvious effects on the vocal, maintaining a raw and direct quality, The overall mood is dark and foreboding

Female bard, sound art, gregorian chant, swamp blues, bandoneon, chopped and screwed, russian pop, plugg, mix jazz and blues, jazz trip, jazz dark

[Style: Russian blues rock, dark cabaret, tavern folk] [Vocal: Gritty low female vocal, smoky voice, aged whiskey voice, deep contralto, emotional and raw, Molly Sanderson, or late-career Edita Piekha] [Instruments: Muted acoustic guitar, stand-up bass, slow drum brushes, melancholic accordion, occasional piano chords] [Mood: Sardonic, weary, darkly humorous, deeply resigned, storytelling]

A female vocalist sings a melancholic pop song with a driving rhythm section, The song is in a minor key, with a tempo of 120 beats per minute, The instrumentation includes a clean electric guitar playing arpeggiated chords, a bass guitar providing a walking bass line, and a drum kit with a prominent kick and snare, The vocals are delivered with a slightly breathy quality, and there are occasional vocal harmonies, The song structure follows a verse-chorus format, with a bridge and an outro, The production is clean and well-balanced, with a focus on the vocals and the rhythmic elements, There is a slight reverb on the vocals, giving them a spacious feel, The guitar has a clean, slightly chorused tone, The bass is warm and full, providing a solid foundation for the track, The drums are punchy and clear, with a good sense of space

Raw, Strained, Emotionally Exhausted Vocals; Dry, Cracked, No Breathiness, No Pop/Edm Tone, Forward And Intimate, Classical Guitar Is Primary: Louder, Sharp, Tense Plucks, Finger Scrapes, Panic Chords, Microtonal Bends, Close-Mic And Dry, Upright Bass Is Clearly Present: Deep, Weighty, Oppressive Resonance, Bowed Or Plucked, Dark Rumble, Guitar And Bass Periodically Collapse Into Low-Pitched, Wide, Industrial Elements: Distorted, Bitcrush, Detuned Sub-Bass, Heavy Lfo Wobble; No Bright Or Happy Wubs, No Edm Shine, Electronics Should Be Subdued, Not Sharp, Muted Glitch Edits, Restrained Granular Pads, Percussion: Dry Tr-808, No Cymbals, 137 Bpm, Steady But Burdened, Slight Hesitations, Mix Is Dense, Dark, Low Tilted; Vocals, Guitar, And Upright Bass Forward; Electronics Behind, Female vocals