Heavy rock

metal, harmony, rock, heavy, guitar

A blues rock foundation launches with heavy rock punch—fuzzy, wah-drenched dual electric guitars riff in unison, trading leads atop a warm, rounded bass, Strategic full-band rests build tension, while acoustic guitar colors dynamic prog-rock breaks and transitions, pushing complexity

This track fuses blues rock grooves with heavy, progressive rock twists, Twin guitars trade between wah-driven riffs and saturated fuzz lines, creating rich, textured harmonies, The arrangement layers warm, round bass and drums, building teasing breakdowns and extended, exploratory solos

曲の基本情報リリース: 2019年頃（初期バージョンは2018年デモ） → 2021年アルバム『Neon Rebellion』で再録バージョン収録 → 2024年ライブ盤で最終形, ジャンル: Heavy Blues Rock / Progressive Hard Rock キー/チューニング: Drop C（重厚な低音リフが特徴） 長さ: スタジオ版約5分30秒 / ライブ版7分〜9分（ギターバトル延長で伸びる） テーマ: 「鉄の聖餐式」＝「裏切りと再生の痛み」をモチーフにしたダークで情熱的な歌詞, 叫びは「神に捧げた血が鉄のように固まる」イメージを表現, 曲の構造と特徴（ライブバージョン基準）イントロ〜Aメロ（0:00〜1:00） Darzの重いドラムフィル + Rudyの左パン・ワウ・テレキャスターの泣きリフ 低めのブルースシャウトで「鉄の聖餐を味わえ」という歌詞の始まり 全体にMarshall JVMゲイン10の壁のような歪みサウンド Bメロ〜サビ（1:00〜2:00） Flysherの右パン・ファズ・ストラトが加わり, うねるようなリフ サビでハイトーンで「Iron Eucharist!」と絶叫 → 観客総合唱の定番パート 前半12小節ソロ（2:00〜2:40） 左チャンネル（Rudy）: ワウ・マックス・テレキャスターの感情的なベンドと泣きフレーズ → ブルースロックの魂を込めた「痛みと叫び」のソロ 中盤12小節ソロ（2:40〜3:20） 右チャンネル（Flysher）: ファズ・マックス + Whammyピッチシフトの狂気ソロ → ピッチが上下に激しく揺れ, まるで「鉄が溶けて血になる」ようなサイケデリックでヘヴィな表現 ラスト12小節ギターバトル（3:20〜4:00+延長） RudyとFlysherのツイン超速弾き対決 交互ハモリ → 同時タッピング → スイープの応酬 → ユニゾン高速リフ ライブではここで照明が赤く点滅, 観客がデビルホーンを掲げてモッシュ 延長版では8〜10分までバトルが続くことも（2025年解散ライブでは記録的12分超え） アウトロ Sammyの最後の絶叫「This is the Iron Eucharist, 」 Darzのドラムフィル

guitar, harmony, heavy, rock, metal

リリース: 2018年 自主制作EP『Pale Northern Sky』（全4曲入り） ジャンル: Blues Rock / Melancholic Hard Rock（初期のプログレッシブ要素は控えめ） キー/チューニング: Standard E（低音寄りのリフが特徴） 長さ: 約4分50秒（スタジオ版） / ライブ版で5分30秒〜6分（アドリブソロ延長） テーマ: 「淡い北の空の下で失われた光」＝北欧的な孤独, 喪失, 再生の痛みを描いた歌詞, Sammyの歌詞は「雪に埋もれた記憶が, 青白い空に溶けていく」みたいなイメージで, 冬の風景がモチーフ, 曲の構造と特徴イントロ（0:00〜0:40） Flysherのクリーントーン・アルペジオ（エフェクトに軽いリバーブとディレイ） 冷たい風のようなアンビエント音 + Darzの控えめなブラシドラム 全体に「北の空」のような静けさと寂しさが漂う Aメロ〜Bメロ（0:40〜1:40） Sammyの低く掠れたブルースボーカル（叫びではなく囁きに近い） Flysherのスライドギターとベンドが感情を乗せて泣く 歌詞: 「Pale northern sky, you took the light from my eyes, 」 → 観客が静かに聞き入るパート（ライブでは照明が青白く落ちる演出） サビ（1:40〜2:20） ここで初めてディストーションが入り, Marshallアンプの暖かい歪み Sammyが声を張り上げ「Under the pale northern sky, I bleed for the last time!」 Darzのスネアが強く入り, バンド全体が一気に爆発 ギターソロ（2:20〜3:20） Flysherのメインソロ（当時はまだツインギター前なので単独） ブルーススケール中心のベンドとビブラート多用 途中から軽いワウを入れて「泣き」の表現を強調 感情が高まってSammyがハモる アウトロ（3:20〜end） 再びクリーントーンに戻り, 淡いアルペジオでフェードアウト 最後にSammyの囁きボイス「, the sky remains pale, 」で締め ライブではここで観客が静かに拍手

A progressive heavy metal track opens with a complex, fuzz-drenched riff and aggressive, syncopated drums, Dual guitars trade off with intricate harmony leads, colored by expressive wah effects, Transitions feature shifting time signatures, layered solos, and intense, dynamic passages

リリース: 2018年 自主制作EP『Pale Northern Sky』（全4曲入り） ジャンル: Blues Rock / Melancholic Hard Rock（初期のプログレッシブ要素は控えめ） キー/チューニング: Standard E（低音寄りのリフが特徴） 長さ: 約4分50秒（スタジオ版） / ライブ版で5分30秒〜6分（アドリブソロ延長） テーマ: 「淡い北の空の下で失われた光」＝北欧的な孤独, 喪失, 再生の痛みを描いた歌詞, Sammyの歌詞は「雪に埋もれた記憶が, 青白い空に溶けていく」みたいなイメージで, 冬の風景がモチーフ, 曲の構造と特徴イントロ（0:00〜0:40） Flysherのクリーントーン・アルペジオ（エフェクトに軽いリバーブとディレイ） 冷たい風のようなアンビエント音 + Darzの控えめなブラシドラム 全体に「北の空」のような静けさと寂しさが漂う Aメロ〜Bメロ（0:40〜1:40） Sammyの低く掠れたブルースボーカル（叫びではなく囁きに近い） Flysherのスライドギターとベンドが感情を乗せて泣く 歌詞: 「Pale northern sky, you took the light from my eyes, 」 → 観客が静かに聞き入るパート（ライブでは照明が青白く落ちる演出） サビ（1:40〜2:20） ここで初めてディストーションが入り, Marshallアンプの暖かい歪み Sammyが声を張り上げ「Under the pale northern sky, I bleed for the last time!」 Darzのスネアが強く入り, バンド全体が一気に爆発 ギターソロ（2:20〜3:20） Flysherのメインソロ（当時はまだツインギター前なので単独） ブルーススケール中心のベンドとビブラート多用 途中から軽いワウを入れて「泣き」の表現を強調 感情が高まってSammyがハモる アウトロ（3:20〜end） 再びクリーントーンに戻り, 淡いアルペジオでフェードアウト 最後にSammyの囁きボイス「, the sky remains pale, 」で締め ライブではここで観客が静かに拍手

gritty, fast-paced, rock

イントロは右パンのファズ・ストラトがWhammyでピッチを揺らしながらうねるリフ, 重いキックとスネアが加わり徐々に盛り上げる, A〜Bメロは低く抑えたボーカルと左パン・ワウ・テレキャスターが薄く息遣いのテクスチャを生みつつ全体に張り詰めた空気を演出, サビではハイトーンコールとツインギターの重量級リフで爆発, 観客との掛け合いも主役, 前半ソロはワウ・テレキャスのファンキーかつメランコリックな泣きフレーズ, 続く右チャンネルのファズ＋Whammyはサイケデリックな激情ソロ, 終

Progressive rock, fuzz, wah, dual guitar, fire, heavy

blues, blues rock heavy rock guitar riff lead guitar electric, rock

metal, heavy, harmony, guitar, rock

metal, harmony, rock, heavy, guitar

metal, harmony, rock, heavy, guitar

Ballad, progressive hard rock

Epic Progressive Rock meets Emotional Blues Metal in this farewell anthem, An intimate acoustic intro builds with brushed drums, deep bass, and glistening arpeggios layered with chilly delays and neon synth textures, Verses introduce low vocals, left-panned wah Telecaster and subtle fuzz Strat, with harmonies recalling a decade’s tribulations, The chorus erupts: massive gang vocals, unison twin guitars blasting heavy riffs, thunderous drums, and roaring 5-string bass, driving crowd call-and-response, Mid-song, tap phrases, crackling drums, and fuzzed guitars lead to rapid-fire spot solos—crying, wild riffs, powerful drum fills, slapping bass, and a fierce vocal, The climax: dazzling twin leads trading licks, synchronizing into frenzied sweeps and taps, as drums storm and bass reverberates beneath a final tortured scream, The outro fades with a soft vocal whisper, leaving only the raw sound of an emotional crowd echoing into silence

Heavy rock track with dual guitars panned hard L/R—crunchy fuzz and swirling wah dominate, dropping into crisp rests and dramatic pauses, Acoustic guitar cushions each section, Ad-lib solos burst in, weaving with harmonized leads, featuring pitch bends, octaver, delay, and feedback, Warm, evolving texture hints at progressive rock, with dynamic volume fades that reintroduce motifs, Tight guitar interplay and bold riffs create playful, intense shifts

This progressive rock track opens with intricate dual guitar harmonies processed through fuzz and wah pedals, building a dense, warm sonic atmosphere at BPM150, Following dynamic shifts with occasional full rests for dramatic suspension, the tempo accelerates to BPM200 for a scorching section dominated by powerful heavy lead guitar interplay and layered harmonies, tightly locking into complex rhythmic grooves

Progessive, Heavy, Rock, Ballard, Dual Guitar, Guitar riff, Lead Guitar, Fuzz, Wah, Warmy, 全休符, Accostic Guitar, modular synthesizers

This progressive heavy metal track alternates blistering 160 and 200 BPM sections, spotlighting drums and bass trading rapid-fire, technical solos, Ferocious double-kick drum runs launch into overdriven, soloing bass, Twin high-gain guitars shred with razor alternate picking, harmonized leads, wah textures panned left and distorted fuzz right, The finale erupts with a shred solo—sweep picking, whammy dives—closing with harmonized guitars gradually fading into a charged, lingering outro

Progressive, blues, rock, fuzz, accostic, dual guitar

Epic Progressive Rock meets Emotional Blues Metal in this farewell anthem, An intimate acoustic intro builds with brushed drums, deep bass, and glistening arpeggios layered with chilly delays and neon synth textures, Verses introduce low vocals, left-panned wah Telecaster and subtle fuzz Strat, with harmonies recalling a decade’s tribulations, The chorus erupts: massive gang vocals, unison twin guitars blasting heavy riffs, thunderous drums, and roaring 5-string bass, driving crowd call-and-response, Mid-song, tap phrases, crackling drums, and fuzzed guitars lead to rapid-fire spot solos—crying, wild riffs, powerful drum fills, slapping bass, and a fierce vocal, The climax: dazzling twin leads trading licks, synchronizing into frenzied sweeps and taps, as drums storm and bass reverberates beneath a final tortured scream, The outro fades with a soft vocal whisper, leaving only the raw sound of an emotional crowd echoing into silence

Progressive heavy metal, wah, fuzz, heavy riff, dual guitar, harmony sp, agressive

Twin-guitar heavy blues-rock erupts: Rudy’s left-panned wah Telecaster bends and soulful slide trade bluesy licks against Flysher’s right heavy fuzz Stratocaster, thick with feedback and raw force, Over a driving 12-bar Dm groove, they alternate solos, riff off each other, and culminate in an intense, epic guitar duel, Marshall-style gain saturates both sides, maintained by tight, live band session bass and drums, all set at a groovy 100-120bpm with minimal prog flourishes

This track fuses blues rock grooves with heavy, progressive rock twists, Twin guitars trade between wah-driven riffs and saturated fuzz lines, creating rich, textured harmonies, The arrangement layers warm, round bass and drums, building teasing breakdowns and extended, exploratory solos

Progessive, Heavy, Rock, Ballard, Guitar, Fuzz, Wah, Warmy, 全休符, Accostic Guitar

Neo classic rock, j-rock, progressive rock, hard, riff, harmony

BLUES ROCK HEAVY ROCK PROGRESSIVE ROCK ワウ, ファズ, Warmy, DualGuitar, 全休符, AccosticGuitar

The prog rock track launches with intricate, odd-meter guitar lines and lush synth pads, Verses feature shifting time signatures, densely layered keyboards, and dynamic drum fills, Midway, an instrumental break delivers expressive solos; a sudden full-rest pause offers serene relief, then the finale surges back with renewed force

This progressive heavy metal track alternates blistering 160 and 200 BPM sections, spotlighting drums and bass trading rapid-fire, technical solos, Ferocious double-kick drum runs launch into overdriven, soloing bass, Twin high-gain guitars shred with razor alternate picking, harmonized leads, wah textures panned left and distorted fuzz right, The finale erupts with a shred solo—sweep picking, whammy dives—closing with harmonized guitars gradually fading into a charged, lingering outro

The prog rock track launches with intricate, odd-meter guitar lines and lush synth pads, Verses feature shifting time signatures, densely layered keyboards, and dynamic drum fills, Midway, an instrumental break delivers expressive solos; a sudden full-rest pause offers serene relief, then the finale surges back with renewed force

This progressive metal instrumental opens with Flysher’s dense, looping down-tuned riff as Qay enters with expressive legato lines, instantly harmonizing, Layers of twin guitars trade rapid-fire sweeps and tap against shifting polyrhythmic riffs, while synth-laced effects and processed drums build dense, dystopian soundscapes, Mid-song, swirling peaks of twisted overload explode—twin octave and sweep battles versus crushing polyrhythms—reaching a hypnotic, layered apex, The outro dissolves into spatial breaks, leaving Qay’s weeping solo to echo before Flysher quietly settles the piece with a final dark riff, all within a modern, balanced, and chaotic mix

This progressive metal instrumental opens with Flysher’s dense, looping down-tuned riff as Qay enters with expressive legato lines, instantly harmonizing, Layers of twin guitars trade rapid-fire sweeps and tap against shifting polyrhythmic riffs, while synth-laced effects and processed drums build dense, dystopian soundscapes, Mid-song, swirling peaks of twisted overload explode—twin octave and sweep battles versus crushing polyrhythms—reaching a hypnotic, layered apex, The outro dissolves into spatial breaks, leaving Qay’s weeping solo to echo before Flysher quietly settles the piece with a final dark riff, all within a modern, balanced, and chaotic mix

A progressive metal epic exceeding 8 minutes, opening with dense low-end riffs and blazing solo blast beats that conjure intense despair, Intricate polyrhythms lock with djent guitars, rapid-fire shreds, sweeps, and taps, synth layers, and processed percussion, all evolving toward chaos, Mid-song, swirling right-panned guitar sweeps and tapped leads invade, colliding with complex drum assaults, Climactic peaks feature synchronized guitar and drum meltdowns, driving cyclical collapse and rebirth, interspersed with hauntingly spacious breakdowns, The modern, cyberpunk-inspired mix heightens the dark, immersive atmosphere, matching vivid neon-lit visuals

Twin-guitar heavy blues-rock erupts: Rudy’s left-panned wah Telecaster bends and soulful slide trade bluesy licks against Flysher’s right heavy fuzz Stratocaster, thick with feedback and raw force, Over a driving 12-bar Dm groove, they alternate solos, riff off each other, and culminate in an intense, epic guitar duel, Marshall-style gain saturates both sides, maintained by tight, live band session bass and drums, all set at a groovy 100-120bpm with minimal prog flourishes

北欧的な孤独感を描くロック曲, イントロはクリーントーン・アルペジオ（リバーブ＆ディレイ）, アンビエント音とブラシドラムが静寂感を演出, A〜Bメロでは低音寄りのリフとスライドギターが泣きの表情, 掠れたブルージーボーカルが響く, サビで初めてMarshall系ディストーションが解放, 骨太なバンドサウンドとスネアが炸裂し感情が爆発, ギターソロはブルーススケール中心でベンド・ビブラート/途中からワウ入り, 「泣き」を極める, アウトロは再度クリーントーンのアルペジオと囁き声で冷たい余韻を残しフェードアウト

“Silent Riff” unleashes four guitars: left channel channels blues-rock with expressive wah, right powers heavy fuzz-laden rock, and center weaves progressive metal with odd meters, technical tapping, and sweeping runs, Soaring ambient delays and spacious effects fill every corner, creating a dense, swirling instrumental chaos built for headbanging, Interlocking riffs shift focus throughout, blending aggression and complexity

Progressive Rock, Heavy Lead Guitar, Dual Guitar, Fuzz, Wah, Harmony, Warmy, BPM150, 全休符, BPM200

This track fuses blues rock grooves with heavy, progressive rock twists, Twin guitars trade between wah-driven riffs and saturated fuzz lines, creating rich, textured harmonies, The arrangement layers warm, round bass and drums, building teasing breakdowns and extended, exploratory solos

This track fuses blues rock grooves with heavy, progressive rock twists, Twin guitars trade between wah-driven riffs and saturated fuzz lines, creating rich, textured harmonies, The arrangement layers warm, round bass and drums, building teasing breakdowns and extended, exploratory solos

This progressive metal instrumental opens with Flysher’s dense, looping down-tuned riff as Qay enters with expressive legato lines, instantly harmonizing, Layers of twin guitars trade rapid-fire sweeps and tap against shifting polyrhythmic riffs, while synth-laced effects and processed drums build dense, dystopian soundscapes, Mid-song, swirling peaks of twisted overload explode—twin octave and sweep battles versus crushing polyrhythms—reaching a hypnotic, layered apex, The outro dissolves into spatial breaks, leaving Qay’s weeping solo to echo before Flysher quietly settles the piece with a final dark riff, all within a modern, balanced, and chaotic mix, 全休符, Blues Rock, AccosticGuitar, Rudy Telecaster Wah

Progessive, Heavy, Rock, Ballard, Guitar, Fuzz, Wah, Warmy, 全休符, Accostic Guitar, modular synthesizers, 男性歌手, 女性歌手

Progessive, Heavy, Rock, Ballard, Guitar, Fuzz, Wah, Warmy, 全休符, Accostic Guitar, modular synthesizers, 男性歌手, 女性歌手

Progessive, Heavy, Rock, Ballard, Blues Rock, Guitar Riff, Lead Guitar, Dual Guitar, Fuzz, Wah, Warmy, 全休符, Accostic Guitar, 男性歌手, 女性歌手, デュエット

Progressive Rock, Heavy Lead Guitar, Dual Guitar, Fuzz, Wah, Harmony, Warmy, BPM150, 全休符, BPM200

Crunchy fuzz and swirling wah on dual guitars, panned hard left and right, set the Heavy rock tone, Syncopated, heavy riffs are broken by crisp rests and striking full-bar pauses, Acoustic guitar layers warmth beneath, while spontaneous solos dart around harmonized lead lines, playful in dynamic, range, Blues rock, Heavy Rock, ad-lib guitar solo, Warmy, Octaver, Delay, Guitar Harmony, fade out fade in

Crunchy fuzz and swirling wah on dual guitars, panned hard left and right, set the Heavy rock tone, Syncopated, heavy riffs are broken by crisp rests and striking full-bar pauses, Acoustic guitar layers warmth beneath, while spontaneous solos dart around harmonized lead lines, playful in dynamic, range, Blues rock, Heavy Rock, ad-lib guitar solo, Warmy, Octaver, Delay, Guitar Harmony, fade out fade in