BACK LINE 2nd -System Sinner-

Hardcore punk song with aggressive low-end focus and heavy down-tuned guitars, Fast-paced 2-beat rhythm, intense distorted bass, and powerful kick drums, Vocals are mostly English with occasional Japanese shouts, Screamed and shouted vocal delivery with raw energy, The mood is dark, defiant, and emotionally explosive, BPM 180-200, Theme: being a sinner, rejecting fake morality, screaming one’s truth, with electronic glitch elements and industrial textures, add growl/harsh vocals and breakdowns, dirty voice

Non-melodic, ultra-heavy hardcore, Distorted guitars, distorted bass, and heavy kick drums dominate the mix, No melody, no emotion — just industrial noise, glitch textures, static bursts, and mechanical rhythms, Robotic screaming and cold, dehumanized aggression, Inspired by harsh noise, BPM: 240, Pure impact, Structured chaos, rockband, rockband, rockband, dirty voice, guiter riff, distorted guitar, rockband, rockband, punk, hardcore, death voice, dirty voice, rockband, hardcore, heavy kick drums, chunky guitar, punk rock, mixture, nu metal, undergrounde rap, distorted voice, rockband, rockband, Aggressive rock band, hardcore punk, underground hiphop, heavy rock drums, metal core

Hardcore punk song with aggressive low-end focus and heavy down-tuned guitars, Fast-paced 2-beat rhythm, intense distorted bass, and powerful kick drums, Vocals are mostly English with occasional Japanese shouts, Screamed and shouted vocal delivery with raw energy, The mood is dark, defiant, and emotionally explosive, BPM 180-200, Theme: being a sinner, rejecting fake morality, screaming one’s truth, with electronic glitch elements and industrial textures, add growl/harsh vocals and breakdowns, dirty voice

"Blooming with Scars" is a Japanese-English emotional rock ballad with a dramatic shift in tempo and intensity, The song begins at 70 BPM with soft piano and clean ambient guitar, The first half features delicate Japanese vocals expressing unspoken pain, like standing alone in the rain at dawn, From the chorus, the song shifts into a ultra heavy digital hardcore punk style, with a sudden tempo jump to 190 BPM, Distorted guitars explode, drums become tight and aggressive, and the vocals turn into raspy, dirty English shouting with raw emotion, The chorus includes the line: “I’m blooming with scars, ”

Title: Fish Out of Code A brutal digital hardcore track at BPM 200, combining glitchy industrial noise with raw band energy, Features pounding heavy kick drums, aggressive distorted guitars, chaotic overdriven basslines, and a fusion of shouted vocals and distorted screams, Explosive and relentless, the song captures the defiance of a creature born to break the surface—a fish out of code, rebelling against the synthetic system

Title: "GISHIKI" A violent digital hardcore track with BPM 200+, Features solid distorted guitars, ultra-heavy low-end distorted bass, and heavy, tight kick drums, Add chaotic breakcore elements to intensify the rhythm, Vocals are aggressively screamed and heavily distorted, blending human and machine, The sound should feel raw, destructive, and ritualistic—no melody, just explosive noise and controlled chaos, Use industrial glitch textures and distortion walls, Lyrical fragments (shouted or glitched): “前任狂人 明日は我れ化 / 美貌にデッド えぐる本音 / したたる悦 我いざ行かん”

A tribal, industrial instrumental titled "Crime Against Sinner", It begins with sharp digital clicks, like a broken metronome echoing in a concrete room, A deep, steady kick drum fades in, building a tense groove, Soon, a distorted bassline growls underneath, heavy and primal, Halfway through, distorted electric guitars roar into the mix, creating a wall of gritty aggression, The overall atmosphere is tribal, ritualistic, and dystopian — like a forbidden ceremony in a collapsed society, Minimal melody, focus on raw energy, heavy rhythm, and layered textures, Length: 1–1, 5 minutes, Tempo: ~120 BPM

deathmetal, punk, rock, guitar riff, alternative rock, dropD, distortion guitar, distortion bass, thrush metal, hardcore, rap, crossover thrash, low bass riff

Title: Ctrl+Alt+Bastards Genre: Digital Hardcore / Industrial Punk / Glitchcore BPM: 200 An explosive digital hardcore track that fuses raw rock band energy with machine-driven chaos, Features aggressive jungle breakbeats, ultra-distorted guitars and bass, glitchy noise textures, heavy pounding kick drums, and screaming distorted vocals, The song captures the tension between human rebellion and mechanical control—a violent union of analog fury and digital warfare, Includes system error sound effects, fake OS voice lines, reverse audio glitches, and distorted children's laughter in the breakdowns, Inspired by cyberpunk rebellion, Lyrically, it mocks conformity and exposes the absurdity of modern systems, calling for a full system crash through organized chaos, Perfect for violent mosh pits at a dystopian LAN party where the guitars scream like modems and the drums hit like code crashes

"Goodbye, Say Hello" is a high-energy, emotionally charged digital hardcore punk track where heavy distortion and fragile memories collide in a soundscape that’s both fierce and strangely catchy, Beneath its raw intensity lies a sense of pop sensibility, making the chaos feel unexpectedly uplifting, The song begins with a calm, spacious intro, evoking the image of a clear blue sky and drifting smoke, Suddenly, it erupts with tight distorted guitars, precise, hard-hitting kicks, and a deep, growling bass, while raspy, distorted vocals scream with unfiltered emotional release, Inspired by the sight of cremation smoke rising into the sky, this is a powerful sonic journey of farewell and rebirth, where “Goodbye” slowly transforms into “Hello, ” The track runs at a blistering BPM 180, dirty voce, dirty voice, dirty voice, powerful beat

A digital hardcore track by a full rock band, fusing heavy distorted guitars, wild distortion bass, and aggressive live drums with digital chaos and glitchy textures, Screamed, raspy vocals, tight kick and snare, catchy but destructive energy, BPM 200–210, Sounds like a riot between analog fury and digital noise, digital punk energy, for an explosive live show, dirty voice, industrial cybercore

An emotional and experimental fusion of Hawaiian-style acoustic guitar, steel guitar slides, and digital hardcore elements, The song begins with warm, laid-back acoustic fingerpicking and tropical steel guitar melodies that evoke the feeling of a fading island sunset, Suddenly, distorted breakbeats, glitchy noise textures, and aggressive electronic kicks crash in—pulling the calm into chaos, Raspy male rock vocals scream and growl with raw emotion, expressing quiet regret, bittersweet nostalgia, and inner turmoil, Hawaiian warmth and hardcore rage intertwine in a soundscape that shifts between beauty and violence, A heartfelt reflection on memory, loss, and growing up, BPM around 200

A hyper-aggressive and unhinged digital hardcore track with chaotic pop sensibility and twisted catchiness, The sound is loud, dirty, and frenzied — slicing distortion guitars and glitchy, hypnotic riffs smash through the mix, The bass writhes and grinds underneath like a broken machine on fire, Drums are brutally tight and mechanical, with pounding kicks and explosive snares at BPM 210–220, Vocals are distorted, unfiltered, and manic — screamed, chanted, or spat out in relentless bursts, mixing fury with addictive melody, Jungle breakbeats stutter and glitch beneath, driving the track with twitchy, unstable energy, The track feels like a cyberpunk meltdown in a pop nightmare — violently catchy, like sugar-laced gasoline, It ends with a chaotic collapse into noise, feedback, and fading broken harmonies — a perfect high to crash an album into the void