Kneel For The New King

80’s thrash, A raw, punishing, old-school thrash metal track with an evil atmosphere, riff-driven intensity, and vocals that command with aggression and authority, Minimal melodic singing – focus on shouted and barked vocals with clear diction and rage

80s Thrash Metal / Speed Metal / Evil mid-tempo riffs, Vocal; Aggressive thrash metal vocals, shouted but articulated, with slight reverb and double tracking in chorus, Whispering demonic outro, guitar; Fast palm-muted chugs, tremolo picking, sinister mid-scooped riffs, high-gain analog tube amp sound (Marshall JCM800 / Mesa Rectifier style), Fast double kick drums, aggressive snare, fast thrash beats and mid-tempo breakdowns with tom fills before chorus, bass style; galloping lines supporting guitar, Raw but clear mix, old school analog warmth, no overproduced modern compression

80’s Thrash Metal with dark demonic elements, Fast, aggressive riffs, powerful chugging, classic thrash drums, layered with deep demonic spoken sections and growls

80’s Thrash Metal, harsh vocals, demonic spoken growls, dark ritual synth pads, fast tempo (190 BPM), E minor, aggressive guitar chugs and tremolo picking riffs, infernal ritualistic atmosphere

Main vocals: Male, thrash metal growl/shout Girl vocals: Spoken, eerie, preteen tone — like a demonic innocent child Demon vocals: Guttural, deep, heavily processed 80s Thrash Metal with Horror Themes, Ritualistic Thrash Metal, Dark Theatrical Thrash Metal, Occult/Blackened Thrash, Narrative Thrash Metal with Spoken Vocals

1980’s brutal technical thrash metal — ultra-fast tempo (200+ BPM), complex riffing, galloping palm mutes, tremolo picking, shredding solos, double kick drums, aggressive bass, and harsh shouted vocals, with hints of proto-death metal and blackened thrash atmosphere, dark dissonant chord progressions, and chaotic solo

Thrash metal ballad with strong Norwegian black metal (svartmetall) influence — clean, icy guitar arpeggios in verses with minor key melodies, transitioning into cold, distorted tremolo-picked riffs and dissonant chords in choruses, Vocals alternate between mournful clean singing (occasional falsetto) and distant raspy black metal accents layered underneath key words, Drums shift from slow, tom-heavy ballad pacing in verses to blast beats and double bass in heavy sections, Bass is dark, prominent, and locks with guitars, Mix has a cold, cavernous reverb and raw analog edge, Atmosphere: gothic, vampiric, unholy, and tragic

Extreme thrash metal fused with Norwegian black metal (svartmetall), Cold, raw, and aggressive tone, Relentless tremolo-picked riffs in D standard, galloping thrash rhythms, palm-muted chugs, and dissonant minor chord progressions, Insanely fast blast beats, double bass drumming, sharp cymbal crashes, and precision fills, Distorted bass rumbling under the guitars, Dark, grim, and atmospheric, with occasional haunting clean arpeggios between chaotic assaults, Alternating high-speed passages and crushing mid-tempo breakdowns, with 2–3 riff changes per minute for intensity and variety

80’s Thrash Metal, harsh vocals, demonic spoken growls, dark ritual synth pads, fast tempo (190 BPM), E minor, aggressive guitar chugs and tremolo picking riffs, infernal ritualistic atmosphere

blackgaze, shoegaze, post-black metal, black metal, thrash metal, svartmetall, blast beats, tremolo picking, distorted raw male vocals, atmospheric, brutal yet beautiful, wall of sound, cinematic, ethereal shoegaze guitars, raw production, dark, apocalyptic

Old-school 1980s thrash metal, raw and aggressive, Fast tempo (200–230 BPM), Guitars: razor-sharp tremolo riffs, palm-muted gallops, dissonant chords, chaotic Slayer-style solos with dive bombs, Drums: relentless double bass, thrash beats, occasional tom fills, reverb-heavy snare, Bass: distorted, grinding, following guitar with bursts of speed, Vocals: harsh shouted thrash vocals, aggressive and demonic, with occasional spoken evil voice, Production: analog, raw, dirty, Mood: apocalyptic, satanic, ritualistic, intense

A relentless fusion of Norwegian black metal and horror opera, Tremolo-picked guitars and blast beat drums create a wall of chaos, layered with deep gothic choirs and haunting orchestral strings, Vocals shift between black metal shrieks, guttural growls, and operatic baritone chants, evoking a dark cinematic feel, The music is raw, cold, and atmospheric, drenched in reverb, with symphonic swells and eerie organ drones that enhance the horror opera mood, The chorus should hit with crushing heaviness, while the verses drip with sinister ambience and whispered dread, Outro fades into an ominous orchestral funeral dirge with distant screams

Old-school death metal, grincore, deathcore, Only guttural growls and brutal grunts, Verses: low guttural growls, steady warlike pacing, Hook: short, repeated grunts, ritualistic, Pre-chorus: faster, snarling gutturals with rising intensity, Chorus: layered gutturals, deep lows + demonic mid-range growls, crushing and apocalyptic, Outro: slow guttural growls fading into monstrous grunts, Instruments: low-tuned guitars, double-kick drums, grinding bass, dark atmosphere

Fast, aggressive thrash/speed metal with dark heavy metal vibes, Furious, palm-muted riffs, rapid double-kick drums, sharp snare hits, and a gritty, prominent bass, Harsh, shouting vocals with anthemic, chant-like chorus, Dark, paranoid, and venomous mood with technical solos and intense breakdowns, High energy, relentless pace, and chaotic yet precise instrumentation